Noël Carroll on film: a philosophy of art and popular culture
"Noel Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2019
|
| Schriftenreihe: | Film thinks
|
| Schlagworte: | |
| Online-Zugang: | Lizenzpflichtig |
| Zusammenfassung: | "Noel Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy has been crucial to his overall theory of aesthetics. Often a controversial figure within film studies, as someone who has assertively contested the psychoanalytic, semiotic and Marxist cornerstones of the field, his allegiance to alternative philosophical traditions has similarly polarised his readership. Mario Slugan proposes that Carroll's defence of the notions of truth and objectivity provides a welcome antidote to 'anything goes' attitudes and postmodern scepticism towards art and popular culture, including film. Carroll's thinking has loosened the grip of continental philosophers on cinema studies - from Maurice Merleau-Ponty to Gilles Deleuze and Jacques Lacan - by turning to cognitive and analytical approaches. Slugan goes further to reveal that Carroll's methods of evaluation and interpretation in fact, usefully bridge gaps between these 'opposing' sides, to look at artworks anew. Throughout, Slugan revisits and enriches Carroll's definitions of popular art, mass art, horror, humour and other topics and concludes by tracing their origins to this important thinker's relationship with the medium of cinema."-- |
| Beschreibung: | 1 Online-Ressource (xi, 218 Seiten) Illustrationen |
| Format: | Mode of access: World Wide Web |
| ISBN: | 9781786725400 9781786735409 |
| DOI: | 10.5040/9781788318952 |
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Datensatz im Suchindex
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| author | Slugan, Mario 1983- |
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| ctrlnum | (OCoLC)1164653022 (DE-599)KEP051174162 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Philosophie |
| discipline_str_mv | Allgemeines Philosophie |
| doi_str_mv | 10.5040/9781788318952 |
| format | Electronic eBook |
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| index_date | 2024-07-03T14:55:58Z |
| indexdate | 2024-07-10T08:54:13Z |
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| isbn | 9781786725400 9781786735409 |
| language | English |
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| physical | 1 Online-Ressource (xi, 218 Seiten) Illustrationen |
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| spelling | Slugan, Mario 1983- Verfasser (DE-588)1141393441 aut Noël Carroll on film a philosophy of art and popular culture Mario Slugan London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2019 1 Online-Ressource (xi, 218 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Film thinks "Noel Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy has been crucial to his overall theory of aesthetics. Often a controversial figure within film studies, as someone who has assertively contested the psychoanalytic, semiotic and Marxist cornerstones of the field, his allegiance to alternative philosophical traditions has similarly polarised his readership. Mario Slugan proposes that Carroll's defence of the notions of truth and objectivity provides a welcome antidote to 'anything goes' attitudes and postmodern scepticism towards art and popular culture, including film. Carroll's thinking has loosened the grip of continental philosophers on cinema studies - from Maurice Merleau-Ponty to Gilles Deleuze and Jacques Lacan - by turning to cognitive and analytical approaches. Slugan goes further to reveal that Carroll's methods of evaluation and interpretation in fact, usefully bridge gaps between these 'opposing' sides, to look at artworks anew. Throughout, Slugan revisits and enriches Carroll's definitions of popular art, mass art, horror, humour and other topics and concludes by tracing their origins to this important thinker's relationship with the medium of cinema."-- Mode of access: World Wide Web Carroll, Noèel / 1947- / Criticism and interpretation Motion pictures / Philosophy Film theory & criticism Electronic books Erscheint auch als Druck-Ausgabe, Hardcover 978-1-788-31229-5 X:BLOOM https://doi.org/10.5040/9781788318952?locatt=label:secondary_bloomsburyCollections Resolving-System Lizenzpflichtig |
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| title | Noël Carroll on film a philosophy of art and popular culture |
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| title_full | Noël Carroll on film a philosophy of art and popular culture Mario Slugan |
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| title_full_unstemmed | Noël Carroll on film a philosophy of art and popular culture Mario Slugan |
| title_short | Noël Carroll on film |
| title_sort | noel carroll on film a philosophy of art and popular culture |
| title_sub | a philosophy of art and popular culture |
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