Culture and propaganda in World War II: music, film and the battle for national identity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | International library of twentieth century history
volume 64 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 248 Seiten |
| ISBN: | 9781780763972 9781350159068 |
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Datensatz im Suchindex
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Contents Acknowledgements Introduction 1 Music in the Context of Propaganda vii 1 7 2 Morale on the Home Front: Live Classical Performance 31 3 Reasonable Cadences: Cultural Propaganda and the British Council 57 4 ‘Under the Auspices of the British Council’ the Music Committee during the War 79 5 Broadcasting, Policy and Music Commissions of the BBC 104 6 Handel, Beethoven and Humphrey Jennings: The Use of ‘German’ Music in Film 130 7 A British Magic Mountain: Original Music in Feature Film Propaganda 156 8 Music’s Enduring Instrument 180 Notes 199 Select Bibliography 227 Select List ofMusical Works Cited 235 Select Filmography 239 Index 241
The wartime period in Britain is now seen as an extremely fertile period of British creativity in music, film and art. Often, these projects were funded and supported by the government, who saw its role as a custodian of British culture, and, by extension, of British values, at a time when those values seemed under great threat. In the late thirties the Nazi Party had stressed the superiority of Germanic culture, and the promotion of Richard Wagner and Carl Orff was central to Hitler’s cultura! program. In Britain, the War Office under Winston Churchill chose to promote Edward Elgar and Hubert Parry, but also to appropriate and ‘de-Nazify’ Ludwig van Beethoven - whose Fifth Symphony was used extensively in wartime broadcasts and has since become synonymous with VE Day. Meanwhile, the work of Ralph Vaughan Williams, whose music was commissioned by Powell and Pressburger for use in 49th Parallel, reclaimed a particularly English past stretching back to the Tudors. While artists such as John Piper, Eric Ravillious and Evelyn Dunbar produced works specifically commissioned by the state which were intended to commemorate and glorify Britain, the British Council and the BBC played an active role in commissioning and broadcasting their musical equivalents. In film, Humphrey jenning’s documentaries were designed to further push the wartime agenda, along with the films produced by Ealing Studios. Here, John Morris assesses the history of this body of work, shedding new light on the period. A cultural history of music in wartime based on detailed archival research, Culture and
Propaganda in World War II is essential reading for historians of the period, musicians, film scholars and propaganda analysts. |
| adam_txt |
Contents Acknowledgements Introduction 1 Music in the Context of Propaganda vii 1 7 2 Morale on the Home Front: Live Classical Performance 31 3 Reasonable Cadences: Cultural Propaganda and the British Council 57 4 ‘Under the Auspices of the British Council’ the Music Committee during the War 79 5 Broadcasting, Policy and Music Commissions of the BBC 104 6 Handel, Beethoven and Humphrey Jennings: The Use of ‘German’ Music in Film 130 7 A British Magic Mountain: Original Music in Feature Film Propaganda 156 8 Music’s Enduring Instrument 180 Notes 199 Select Bibliography 227 Select List ofMusical Works Cited 235 Select Filmography 239 Index 241
The wartime period in Britain is now seen as an extremely fertile period of British creativity in music, film and art. Often, these projects were funded and supported by the government, who saw its role as a custodian of British culture, and, by extension, of British values, at a time when those values seemed under great threat. In the late thirties the Nazi Party had stressed the superiority of Germanic culture, and the promotion of Richard Wagner and Carl Orff was central to Hitler’s cultura! program. In Britain, the War Office under Winston Churchill chose to promote Edward Elgar and Hubert Parry, but also to appropriate and ‘de-Nazify’ Ludwig van Beethoven - whose Fifth Symphony was used extensively in wartime broadcasts and has since become synonymous with VE Day. Meanwhile, the work of Ralph Vaughan Williams, whose music was commissioned by Powell and Pressburger for use in 49th Parallel, reclaimed a particularly English past stretching back to the Tudors. While artists such as John Piper, Eric Ravillious and Evelyn Dunbar produced works specifically commissioned by the state which were intended to commemorate and glorify Britain, the British Council and the BBC played an active role in commissioning and broadcasting their musical equivalents. In film, Humphrey jenning’s documentaries were designed to further push the wartime agenda, along with the films produced by Ealing Studios. Here, John Morris assesses the history of this body of work, shedding new light on the period. A cultural history of music in wartime based on detailed archival research, Culture and
Propaganda in World War II is essential reading for historians of the period, musicians, film scholars and propaganda analysts. |
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| publishDate | 2020 |
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| spelling | Morris, John Verfasser (DE-588)1272888185 aut Culture and propaganda in World War II music, film and the battle for national identity John Morris Culture and propaganda in World War 2 Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 vii, 248 Seiten txt rdacontent n rdamedia nc rdacarrier International library of twentieth century history volume 64 Propagandafilm (DE-588)4126398-4 gnd rswk-swf Zweiter Weltkrieg (DE-588)4079167-1 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Klassische Musik (DE-588)4164043-3 s Propagandafilm (DE-588)4126398-4 s Zweiter Weltkrieg (DE-588)4079167-1 s b DE-604 International library of twentieth century history volume 64 (DE-604)BV019354678 64 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032208089&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032208089&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Morris, John Culture and propaganda in World War II music, film and the battle for national identity International library of twentieth century history Propagandafilm (DE-588)4126398-4 gnd Zweiter Weltkrieg (DE-588)4079167-1 gnd Klassische Musik (DE-588)4164043-3 gnd |
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| title | Culture and propaganda in World War II music, film and the battle for national identity |
| title_alt | Culture and propaganda in World War 2 |
| title_auth | Culture and propaganda in World War II music, film and the battle for national identity |
| title_exact_search | Culture and propaganda in World War II music, film and the battle for national identity |
| title_exact_search_txtP | Culture and propaganda in World War II music, film and the battle for national identity |
| title_full | Culture and propaganda in World War II music, film and the battle for national identity John Morris |
| title_fullStr | Culture and propaganda in World War II music, film and the battle for national identity John Morris |
| title_full_unstemmed | Culture and propaganda in World War II music, film and the battle for national identity John Morris |
| title_short | Culture and propaganda in World War II |
| title_sort | culture and propaganda in world war ii music film and the battle for national identity |
| title_sub | music, film and the battle for national identity |
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