Women artists, feminism and the moving image: contexts and practices
"What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, a...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2019
|
| Schlagworte: | |
| Online-Zugang: | Lizenzpflichtig Inhaltsverzeichnis |
| Zusammenfassung: | "What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons."--Bloomsbury Publishing <u>Table of Contents</u> <u> </u> List of Figures List of Contributors Foreword - Laura Mulvey Acknowledgements -- Introduction: Raising Voices - Lucy Reynolds Introduction: Certain Measures - Lis Rhodes <u> </u> <u>Part One: Acknowledgements</u> Conversation: MORE: Pauline Boudry/Renate Lorenz with Irene Revell -- 1. Elinor Cleghorn - In a tiny realm of her own: Lotte Reiniger's light work 2. Catherine Grant - Returning to Riddles 3. So Mayer - 'Being a together woman is a bitch': 'An African American woman's film' genealogy of Julie Dash's Four Women (1975) 4. Lucia Apesi - Film Esperienza. The work of Marinella Pirelli 4. Rachel Garfield - Prescient intersectionality: Women, moving image and identity politics in 1980s Britain -- <u>Part Two: Engagements and Negotiations</u> In Conversation: Maria Palacios Cruz interviews Basma Alsharif 6. Maud Jacquin -'Overexposed, like an X-ray': The politics of corporeal vulnerability in Sandra Lahire's experimental cinema -- 7. Erika Balsom - 'Look at Mother Nature on the run in the 1970s': Penelope Spheeris's I Don't Know 8. May Adadol Ingawanji - Aesthetics of potentiality: Nguyen Trinh Thi's Essay films 9. Sarah Neely, Sarah Smith - The art of maximal ventriloquy: Femininity as labour in the films of Rachel MacLean -- <u>Part Three: Situations and Receptions</u> In Conversation: Club des Femmes, Helena Rickett: An Interview on International Women's Day 2017 -- 10. Cate Elwes - Strategies of exposure and concealment in moving image art by women; a cross-generational account 11. Maeve Connolly - Choreographing women's work: Multitaskers, smartphone users and virtuoso performers 12. Maria Walsh - Female solidarity as uncommodified value: Lucy Beech's Cannibals and Rehana Zaman's Some Women, Other Women and all the Bittermen 13. Melissa Gronlund - Can we still talk about women artists? |
| Beschreibung: | 1 Online-Ressource (xxvi, 282 Seiten) Illustrationen |
| ISBN: | 9781350124295 9781350113299 9781350113282 |
| DOI: | 10.5040/9781350124295 |
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| 520 | 3 | |a "What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons."--Bloomsbury Publishing | |
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| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Women artists, feminism and the moving image contexts and practices edited by Lucy Reynolds London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2019 1 Online-Ressource (xxvi, 282 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons."--Bloomsbury Publishing <u>Table of Contents</u> <u> </u> List of Figures List of Contributors Foreword - Laura Mulvey Acknowledgements -- Introduction: Raising Voices - Lucy Reynolds Introduction: Certain Measures - Lis Rhodes <u> </u> <u>Part One: Acknowledgements</u> Conversation: MORE: Pauline Boudry/Renate Lorenz with Irene Revell -- 1. Elinor Cleghorn - In a tiny realm of her own: Lotte Reiniger's light work 2. Catherine Grant - Returning to Riddles 3. So Mayer - 'Being a together woman is a bitch': 'An African American woman's film' genealogy of Julie Dash's Four Women (1975) 4. Lucia Apesi - Film Esperienza. The work of Marinella Pirelli 4. Rachel Garfield - Prescient intersectionality: Women, moving image and identity politics in 1980s Britain -- <u>Part Two: Engagements and Negotiations</u> In Conversation: Maria Palacios Cruz interviews Basma Alsharif 6. Maud Jacquin -'Overexposed, like an X-ray': The politics of corporeal vulnerability in Sandra Lahire's experimental cinema -- 7. Erika Balsom - 'Look at Mother Nature on the run in the 1970s': Penelope Spheeris's I Don't Know 8. May Adadol Ingawanji - Aesthetics of potentiality: Nguyen Trinh Thi's Essay films 9. Sarah Neely, Sarah Smith - The art of maximal ventriloquy: Femininity as labour in the films of Rachel MacLean -- <u>Part Three: Situations and Receptions</u> In Conversation: Club des Femmes, Helena Rickett: An Interview on International Women's Day 2017 -- 10. Cate Elwes - Strategies of exposure and concealment in moving image art by women; a cross-generational account 11. Maeve Connolly - Choreographing women's work: Multitaskers, smartphone users and virtuoso performers 12. Maria Walsh - Female solidarity as uncommodified value: Lucy Beech's Cannibals and Rehana Zaman's Some Women, Other Women and all the Bittermen 13. Melissa Gronlund - Can we still talk about women artists? Filmproduzentin (DE-588)4472639-9 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Filmregisseurin (DE-588)4244485-8 gnd rswk-swf Weibliche Filmschaffende (DE-588)4533200-9 gnd rswk-swf Frauenfilm (DE-588)4125060-6 gnd rswk-swf Women artists Feminism and motion pictures Feminism and art Filmproduzentin Frauenfilm Feminismus Filmregisseurin Weibliche Filmschaffende (DE-588)4143413-4 Aufsatzsammlung gnd-content Weibliche Filmschaffende (DE-588)4533200-9 s Filmregisseurin (DE-588)4244485-8 s Filmproduzentin (DE-588)4472639-9 s Frauenfilm (DE-588)4125060-6 s Feminismus (DE-588)4222126-2 s DE-604 Reynolds, Lucy (DE-588)1200502833 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-78453-700-5 X:BLOOM https://doi.org/10.5040/9781350124295?locatt=label:secondary_bloomsburyCollections Resolving-System Lizenzpflichtig DE-601 pdf/application https://www.gbv.de/dms/bowker/toc/9781784537005.pdf 2020-01-19 Aggregator Inhaltsverzeichnis |
| spellingShingle | Women artists, feminism and the moving image contexts and practices Filmproduzentin (DE-588)4472639-9 gnd Feminismus (DE-588)4222126-2 gnd Filmregisseurin (DE-588)4244485-8 gnd Weibliche Filmschaffende (DE-588)4533200-9 gnd Frauenfilm (DE-588)4125060-6 gnd |
| subject_GND | (DE-588)4472639-9 (DE-588)4222126-2 (DE-588)4244485-8 (DE-588)4533200-9 (DE-588)4125060-6 (DE-588)4143413-4 |
| title | Women artists, feminism and the moving image contexts and practices |
| title_auth | Women artists, feminism and the moving image contexts and practices |
| title_exact_search | Women artists, feminism and the moving image contexts and practices |
| title_exact_search_txtP | Women artists, feminism and the moving image contexts and practices |
| title_full | Women artists, feminism and the moving image contexts and practices edited by Lucy Reynolds |
| title_fullStr | Women artists, feminism and the moving image contexts and practices edited by Lucy Reynolds |
| title_full_unstemmed | Women artists, feminism and the moving image contexts and practices edited by Lucy Reynolds |
| title_short | Women artists, feminism and the moving image |
| title_sort | women artists feminism and the moving image contexts and practices |
| title_sub | contexts and practices |
| topic | Filmproduzentin (DE-588)4472639-9 gnd Feminismus (DE-588)4222126-2 gnd Filmregisseurin (DE-588)4244485-8 gnd Weibliche Filmschaffende (DE-588)4533200-9 gnd Frauenfilm (DE-588)4125060-6 gnd |
| topic_facet | Filmproduzentin Feminismus Filmregisseurin Weibliche Filmschaffende Frauenfilm Aufsatzsammlung |
| url | https://doi.org/10.5040/9781350124295?locatt=label:secondary_bloomsburyCollections https://www.gbv.de/dms/bowker/toc/9781784537005.pdf |
| work_keys_str_mv | AT reynoldslucy womenartistsfeminismandthemovingimagecontextsandpractices |