Chinese revolutionary cinema: propaganda, aesthetics and internationalism 1949-1966
"Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new soci...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
I.B. Tauris
2019
|
| Schriftenreihe: | International library of the moving image
48 |
| Schlagworte: | |
| Online-Zugang: | Lizenzpflichtig Inhaltsverzeichnis |
| Zusammenfassung: | "Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture."--Bloomsbury Publishing Introduction 1 -- 1 Propaganda and Film Aesthetics 23 2 Literature on Screen: Recasting Classical Hollywood Narration in Family Melodrama 54 3 Translating Soviet Montage 87 4 Socialist Glamour: The Socialist Star Craze, Stanislavski's System and Cinematic Iconography of the Gaze 119 5 Visions of Internationalism in Chinese Film Journals 147 -- Conclusion 173 -- Notes 180 Glossary 215 Filmography 222 Bibliography 225 Index 237 |
| Beschreibung: | Includes bibliographical references (pages 225-236) and index -- Filmography: pages 222-224 |
| Beschreibung: | 1 Online-Ressource (xiv, 274 Seiten) Illustrationen |
| ISBN: | 9781788318914 9781786734341 9781786724342 |
| DOI: | 10.5040/9781788318914 |
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| spelling | Chan, Jessica Ka Yee Verfasser (DE-588)1186984155 aut Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 Jessica Ka Yee Chan London ; New York I.B. Tauris 2019 1 Online-Ressource (xiv, 274 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier International library of the moving image 48 Includes bibliographical references (pages 225-236) and index -- Filmography: pages 222-224 "Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture."--Bloomsbury Publishing Introduction 1 -- 1 Propaganda and Film Aesthetics 23 2 Literature on Screen: Recasting Classical Hollywood Narration in Family Melodrama 54 3 Translating Soviet Montage 87 4 Socialist Glamour: The Socialist Star Craze, Stanislavski's System and Cinematic Iconography of the Gaze 119 5 Visions of Internationalism in Chinese Film Journals 147 -- Conclusion 173 -- Notes 180 Glossary 215 Filmography 222 Bibliography 225 Index 237 Geschichte 1949-1966 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Internationalismus (DE-588)4027462-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Motion pictures / Political aspects / China Motion pictures in propaganda / China China (DE-588)4009937-4 g Film (DE-588)4017102-4 s Propaganda (DE-588)4076374-2 s Internationalismus (DE-588)4027462-7 s Geschichte 1949-1966 z DE-604 Ästhetik (DE-588)4000626-8 s Erscheint auch als Druck-Ausgabe 978-1-78831-190-8 International library of the moving image 48 (DE-604)BV046797788 48 X:BLOOM https://doi.org/10.5040/9781788318914?locatt=label:secondary_bloomsburyCollections Resolving-System Lizenzpflichtig DE-601 pdf/application https://www.gbv.de/dms/bowker/toc/9781788311908.pdf 2020-01-19 Aggregator Inhaltsverzeichnis |
| spellingShingle | Chan, Jessica Ka Yee Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 International library of the moving image Film (DE-588)4017102-4 gnd Internationalismus (DE-588)4027462-7 gnd Ästhetik (DE-588)4000626-8 gnd Propaganda (DE-588)4076374-2 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4027462-7 (DE-588)4000626-8 (DE-588)4076374-2 (DE-588)4009937-4 |
| title | Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 |
| title_auth | Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 |
| title_exact_search | Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 |
| title_exact_search_txtP | Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 |
| title_full | Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 Jessica Ka Yee Chan |
| title_fullStr | Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 Jessica Ka Yee Chan |
| title_full_unstemmed | Chinese revolutionary cinema propaganda, aesthetics and internationalism 1949-1966 Jessica Ka Yee Chan |
| title_short | Chinese revolutionary cinema |
| title_sort | chinese revolutionary cinema propaganda aesthetics and internationalism 1949 1966 |
| title_sub | propaganda, aesthetics and internationalism 1949-1966 |
| topic | Film (DE-588)4017102-4 gnd Internationalismus (DE-588)4027462-7 gnd Ästhetik (DE-588)4000626-8 gnd Propaganda (DE-588)4076374-2 gnd |
| topic_facet | Film Internationalismus Ästhetik Propaganda China |
| url | https://doi.org/10.5040/9781788318914?locatt=label:secondary_bloomsburyCollections https://www.gbv.de/dms/bowker/toc/9781788311908.pdf |
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