The proximity of other skins: ethical intimacy in global cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 247 Seiten Illustrationen 25 cm |
| ISBN: | 9780190865856 0190865857 9780190865863 0190865865 |
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| 505 | 8 | |a Introduction: Subject/ Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) -- (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) -- The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza's Tirador (2007), Serbis (2007) and Ma' Rosa (2016) -- Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and Handmaiden (2016) -- The Ethics of Representing Oneself and Others: Ramona Diaz's Imelda (2005) and David Byrne's Here Lies Love (2010-17) -- Epilogue: Memory and Death (2013-Present) | |
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| adam_text | CONTENTS Acknowledgments ix 1. Introduction: Subject/Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) 1 2. (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) 42 3. The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza’s Tirador (2007), Serbis (2007), and Ma’Rosa (2016) 87 4. Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and The Handmaiden (2016) 137 5. The Ethics of Representing Oneself and Others: Ramona Diaz’s Imelda (2005) and David Byrne’s Here Lies Love (2010-17) 183 6. Epilogue: Memory and Death (2013-Present) 219 References Index 225 233
“In The Proximity of Other Skins, Celine Parreñas Shimizu offers a powerful model of ethical intimacy that demands a global understanding of cinema, sexuality, and otherness. Through a series of insightful and passionate readings, she challenges us to see movies—and ourselves— with greater rigor and political complexity. As with her other books, I come away from this one with a finer grasp of how cinema, seen through her illuminating vision, can provoke and unsettle in the best ways.” “Dr. Shimizu s work has always been attuned to the potential of cinema to not only represent the social, but produce it. The Proximity of Other Skins is no exception and constitutes a profound and necessary continuation of her ongoing feminist inquiry. In this timely and vital text, Shimizu ambitions beyond the sensorial gridlock of the Western cinematic apparatus toward another way of seeing and living under the neocolonial visual regime.” “Contemporary Asian and world cinemas are replete with narratives of self-shattering encoun ters with otherness. In this fascinating study, Celine Parreñas Shimizu illuminates the fraught intimacies conjured by the movies, revealing their ethico-political insights into some of our era’s murkiest dilemmas.” B, CrMlíľif;, ЗШП0; їЛ ! ■/!; ?!՝■■■[ U;W ř/irirTrnrr. Tm Cp ՝ Cv, / V, ԱէԱ, ՛Ո “This thought-provoking book examines efforts by contemporary filmmakers from the Philippines, Korea, and elsewhere to portray inequality within scenes of intimacy in ways designed to make viewers uncomfortable. Her highly original study grapples impressively with the
challenges of forging empathy, compassion, and understanding across borders, and offers fresh insight into how film can illuminate the dynamics of power, privilege, and pleasure in global contexts.” 7 examines transnational films that achieve global prominence in presenting a different cinematic language of love and sex. Author Celine Parreñas Shimizu traverses independent films by Gina Kím and Ramona Diaz to the global cinema of Laurent Cantet, Park Chan-wook and Cannes award-winning director Brilliante Mendoza and their representations of transnational intimacies. In these celebrated films that move across continents, she finds ways to expand our definition of intimacy, including explicit sex and relations that go beyond sex, enabling us the opportunity to theorize how people now live together in many spheres of contemporary life. is Director of the School of Cinema at San Francisco State University.
|
| adam_txt |
CONTENTS Acknowledgments ix 1. Introduction: Subject/Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) 1 2. (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) 42 3. The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza’s Tirador (2007), Serbis (2007), and Ma’Rosa (2016) 87 4. Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and The Handmaiden (2016) 137 5. The Ethics of Representing Oneself and Others: Ramona Diaz’s Imelda (2005) and David Byrne’s Here Lies Love (2010-17) 183 6. Epilogue: Memory and Death (2013-Present) 219 References Index 225 233
“In The Proximity of Other Skins, Celine Parreñas Shimizu offers a powerful model of ethical intimacy that demands a global understanding of cinema, sexuality, and otherness. Through a series of insightful and passionate readings, she challenges us to see movies—and ourselves— with greater rigor and political complexity. As with her other books, I come away from this one with a finer grasp of how cinema, seen through her illuminating vision, can provoke and unsettle in the best ways.” “Dr. Shimizu's work has always been attuned to the potential of cinema to not only represent the social, but produce it. The Proximity of Other Skins is no exception and constitutes a profound and necessary continuation of her ongoing feminist inquiry. In this timely and vital text, Shimizu ambitions beyond the sensorial gridlock of the Western cinematic apparatus toward another way of seeing and living under the neocolonial visual regime.” “Contemporary Asian and world cinemas are replete with narratives of self-shattering encoun ters with otherness. In this fascinating study, Celine Parreñas Shimizu illuminates the fraught intimacies conjured by the movies, revealing their ethico-political insights into some of our era’s murkiest dilemmas.” B, CrMlíľif;, ЗШП0; їЛ !'■/!; ?!՝■■■[ U;W ř/irirTrnrr. 'Tm Cp ՝" Cv, / V, ԱէԱ, ՛Ո “This thought-provoking book examines efforts by contemporary filmmakers from the Philippines, Korea, and elsewhere to portray inequality within scenes of intimacy in ways designed to make viewers uncomfortable. Her highly original study grapples impressively with the
challenges of forging empathy, compassion, and understanding across borders, and offers fresh insight into how film can illuminate the dynamics of power, privilege, and pleasure in global contexts.” 7 examines transnational films that achieve global prominence in presenting a different cinematic language of love and sex. Author Celine Parreñas Shimizu traverses independent films by Gina Kím and Ramona Diaz to the global cinema of Laurent Cantet, Park Chan-wook and Cannes award-winning director Brilliante Mendoza and their representations of transnational intimacies. In these celebrated films that move across continents, she finds ways to expand our definition of intimacy, including explicit sex and relations that go beyond sex, enabling us the opportunity to theorize how people now live together in many spheres of contemporary life. is Director of the School of Cinema at San Francisco State University. |
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| contents | Introduction: Subject/ Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) -- (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) -- The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza's Tirador (2007), Serbis (2007) and Ma' Rosa (2016) -- Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and Handmaiden (2016) -- The Ethics of Representing Oneself and Others: Ramona Diaz's Imelda (2005) and David Byrne's Here Lies Love (2010-17) -- Epilogue: Memory and Death (2013-Present) |
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| spelling | Shimizu, Celine Parreñas Verfasser (DE-588)1023550431 aut The proximity of other skins ethical intimacy in global cinema Celine Parreñas Shimizu New York, NY Oxford University Press [2020] xii, 247 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Introduction: Subject/ Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) -- (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) -- The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza's Tirador (2007), Serbis (2007) and Ma' Rosa (2016) -- Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and Handmaiden (2016) -- The Ethics of Representing Oneself and Others: Ramona Diaz's Imelda (2005) and David Byrne's Here Lies Love (2010-17) -- Epilogue: Memory and Death (2013-Present) Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd rswk-swf Ungleichheit Motiv (DE-588)4221365-4 gnd rswk-swf Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Intimsphäre Motiv (DE-588)4531759-8 gnd rswk-swf Transnationalisierung Motiv (DE-588)1036900797 gnd rswk-swf Motion pictures and transnationalism Motion pictures and globalization Motion pictures / 21st century / History and criticism Motion pictures 2000-2099 Criticism, interpretation, etc Film (DE-588)4017102-4 s Transnationalisierung Motiv (DE-588)1036900797 s Geschlechterverhältnis Motiv (DE-588)4213077-3 s Ungleichheit Motiv (DE-588)4221365-4 s Intimsphäre Motiv (DE-588)4531759-8 s Ethnische Beziehungen Motiv (DE-588)4176974-0 s DE-604 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032205071&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032205071&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Shimizu, Celine Parreñas The proximity of other skins ethical intimacy in global cinema Introduction: Subject/ Abject Relations in Those Long Haired Nights (2017) and Call Her Ganda (2018) -- (Rich) White Women, (Poor) Brown Men, and Sexual Settings: Political and Libidinal Economies in Heading South (2005) and Never Forever (2007) -- The Compassion of Shared Spectatorship: Annihilation and Affliction in Brillante Mendoza's Tirador (2007), Serbis (2007) and Ma' Rosa (2016) -- Intimate Eruptions and the Embodied Montage: Performing Roles and Breaking Rules between Masters and Servants in The Housemaid (2011) and Handmaiden (2016) -- The Ethics of Representing Oneself and Others: Ramona Diaz's Imelda (2005) and David Byrne's Here Lies Love (2010-17) -- Epilogue: Memory and Death (2013-Present) Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Ungleichheit Motiv (DE-588)4221365-4 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Film (DE-588)4017102-4 gnd Intimsphäre Motiv (DE-588)4531759-8 gnd Transnationalisierung Motiv (DE-588)1036900797 gnd |
| subject_GND | (DE-588)4176974-0 (DE-588)4221365-4 (DE-588)4213077-3 (DE-588)4017102-4 (DE-588)4531759-8 (DE-588)1036900797 |
| title | The proximity of other skins ethical intimacy in global cinema |
| title_auth | The proximity of other skins ethical intimacy in global cinema |
| title_exact_search | The proximity of other skins ethical intimacy in global cinema |
| title_exact_search_txtP | The proximity of other skins ethical intimacy in global cinema |
| title_full | The proximity of other skins ethical intimacy in global cinema Celine Parreñas Shimizu |
| title_fullStr | The proximity of other skins ethical intimacy in global cinema Celine Parreñas Shimizu |
| title_full_unstemmed | The proximity of other skins ethical intimacy in global cinema Celine Parreñas Shimizu |
| title_short | The proximity of other skins |
| title_sort | the proximity of other skins ethical intimacy in global cinema |
| title_sub | ethical intimacy in global cinema |
| topic | Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Ungleichheit Motiv (DE-588)4221365-4 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Film (DE-588)4017102-4 gnd Intimsphäre Motiv (DE-588)4531759-8 gnd Transnationalisierung Motiv (DE-588)1036900797 gnd |
| topic_facet | Ethnische Beziehungen Motiv Ungleichheit Motiv Geschlechterverhältnis Motiv Film Intimsphäre Motiv Transnationalisierung Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032205071&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032205071&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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