Music publishing and composers (1750-1850):
The volume focuses on the role of music publishing between 18th and 19th century.00The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation...
Gespeichert in:
| Körperschaft: | |
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| Format: | Tagungsbericht Buch |
| Sprache: | English German Italian French |
| Veröffentlicht: |
Turnhout
Brepols
2020
|
| Schriftenreihe: | Specvlvm mvsicae
volume 37 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The volume focuses on the role of music publishing between 18th and 19th century.00The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music. |
| Beschreibung: | Angabe der Konferenz laut "Preface", Seite x-xi |
| Beschreibung: | xiv, 322 Seiten Illustrationen, Notenbeispiele 27 cm |
| ISBN: | 9782503588155 |
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| 500 | |a Angabe der Konferenz laut "Preface", Seite x-xi | ||
| 520 | 3 | |a The volume focuses on the role of music publishing between 18th and 19th century.00The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Massimiliano Sala Preface ix Composers, Editions and the Musical Work Nancy November Beethoven’s Symphonies Arranged for the Chamber by His Contemporaries 3 Rainer Kleinertz Werk und Zyklus. Zur Reihenfolge der Streichquartette in Haydns Opus 33 und Mozarts Opus 10 19 Maria Birbili The Proliferation of Musical Sources in the 19th Century: An Abridged Editorial History of Rossini, Verdi, and Puccini’s Italian Opera 45 Myron Gray What Is an Author of Early American Music? Die Zauberßöte and the Culture of Reprinting 67 The Market, Rights and Publishing Strategies David Rowland Composers, Publishers and the Market in Late Georgian Britain Bianca Maria Antolini Compositori, editori, fruitori:una rete di rapporti 85 113
Giovanna Carugno A chi apparteneva il Nabucco? Note storiche sulla «proprietà dello spartito» e sulla controversia tra gli editori Lucca e Ricordi 129 Floris Meens «Eine heillose Geschichte!» The Discourse on Publishers in Dutch Music Journals (ca. 1839-1860) 145 Circulation Henri Vanhulst Compositeurs ‘beiges’ de musique instrumentale édités à Paris au xviii6 siècle: la quête de la reconnaissance internationale 169 Stephanie Klauk Handschriftliche Überlieferung von Streichquartetten im Rom des 18. Jahrhunderts 189 Sarah Noemi Schulmeister Musikverleger des 18. Jahrhunderts als international agierende Akteure des Transfers: Der Fall Antoine Huberty 207 Elisabetta Righini Disavventure editoriali e concertistiche di Giovanni Battista Cirri dal soggiorno londinese (1764-1775) al rientro in patria 221 Repertoire and Public Maria João Albuquerque Music Printing and Publishing in Portugal (1750-1850): The Rise of a New Industry 239 Francisco J. Giménez-Rodríguez Four Unknown Waltzes by Beethoven? The Beginnings of Sheet Music Publishing in Spanish Periodicals (1805-1834) 257
Gloria Araceli Rodríguez-Lorenzo La Iberia Musical y Literaria (1842-1846): Connecting the Public and Private Sphere 279 Abstracts 299 Biographies 307 Index of Names 3ii
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| adam_txt |
Contents Massimiliano Sala Preface ix Composers, Editions and the Musical Work Nancy November Beethoven’s Symphonies Arranged for the Chamber by His Contemporaries 3 Rainer Kleinertz Werk und Zyklus. Zur Reihenfolge der Streichquartette in Haydns Opus 33 und Mozarts Opus 10 19 Maria Birbili The Proliferation of Musical Sources in the 19th Century: An Abridged Editorial History of Rossini, Verdi, and Puccini’s Italian Opera 45 Myron Gray What Is an Author of Early American Music? Die Zauberßöte and the Culture of Reprinting 67 The Market, Rights and Publishing Strategies David Rowland Composers, Publishers and the Market in Late Georgian Britain Bianca Maria Antolini Compositori, editori, fruitori:una rete di rapporti 85 113
Giovanna Carugno A chi apparteneva il Nabucco? Note storiche sulla «proprietà dello spartito» e sulla controversia tra gli editori Lucca e Ricordi 129 Floris Meens «Eine heillose Geschichte!» The Discourse on Publishers in Dutch Music Journals (ca. 1839-1860) 145 Circulation Henri Vanhulst Compositeurs ‘beiges’ de musique instrumentale édités à Paris au xviii6 siècle: la quête de la reconnaissance internationale 169 Stephanie Klauk Handschriftliche Überlieferung von Streichquartetten im Rom des 18. Jahrhunderts 189 Sarah Noemi Schulmeister Musikverleger des 18. Jahrhunderts als international agierende Akteure des Transfers: Der Fall Antoine Huberty 207 Elisabetta Righini Disavventure editoriali e concertistiche di Giovanni Battista Cirri dal soggiorno londinese (1764-1775) al rientro in patria 221 Repertoire and Public Maria João Albuquerque Music Printing and Publishing in Portugal (1750-1850): The Rise of a New Industry 239 Francisco J. Giménez-Rodríguez Four Unknown Waltzes by Beethoven? The Beginnings of Sheet Music Publishing in Spanish Periodicals (1805-1834) 257
Gloria Araceli Rodríguez-Lorenzo La Iberia Musical y Literaria (1842-1846): Connecting the Public and Private Sphere 279 Abstracts 299 Biographies 307 Index of Names 3ii |
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| author_facet | Sala, Massimiliano Music publishing and composers: 1750-1850 (Veranstaltung) Lucca |
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| building | Verbundindex |
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| ctrlnum | (OCoLC)1164622497 (DE-599)KXP1696045630 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1750-1850 gnd |
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| format | Conference Proceeding Book |
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| series | Specvlvm mvsicae |
| series2 | Specvlvm mvsicae |
| spelling | Music publishing and composers: 1750-1850 (Veranstaltung) 2017 Lucca Verfasser (DE-588)121326765X aut Music publishing and composers (1750-1850) edited by Massimiliano Sala Turnhout Brepols 2020 xiv, 322 Seiten Illustrationen, Notenbeispiele 27 cm txt rdacontent n rdamedia nc rdacarrier Specvlvm mvsicae volume 37 Angabe der Konferenz laut "Preface", Seite x-xi The volume focuses on the role of music publishing between 18th and 19th century.00The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music. Beiträge teilweise englisch, italienisch, deutsch und französisch Geschichte 1750-1850 gnd rswk-swf Musikmarkt (DE-588)4396689-5 gnd rswk-swf Musikverlag (DE-588)4170835-0 gnd rswk-swf Musikdruck (DE-588)4075121-1 gnd rswk-swf Edition (DE-588)4132033-5 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 24.11.2017-26.11.2017 Lucca gnd-content Europa (DE-588)4015701-5 g Musikverlag (DE-588)4170835-0 s Musikdruck (DE-588)4075121-1 s Edition (DE-588)4132033-5 s Musikmarkt (DE-588)4396689-5 s Geschichte 1750-1850 z DE-604 Sala, Massimiliano (DE-588)1024307573 edt Specvlvm mvsicae volume 37 (DE-604)BV011188963 37 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032197338&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music publishing and composers (1750-1850) Specvlvm mvsicae Musikmarkt (DE-588)4396689-5 gnd Musikverlag (DE-588)4170835-0 gnd Musikdruck (DE-588)4075121-1 gnd Edition (DE-588)4132033-5 gnd |
| subject_GND | (DE-588)4396689-5 (DE-588)4170835-0 (DE-588)4075121-1 (DE-588)4132033-5 (DE-588)4015701-5 (DE-588)1071861417 |
| title | Music publishing and composers (1750-1850) |
| title_auth | Music publishing and composers (1750-1850) |
| title_exact_search | Music publishing and composers (1750-1850) |
| title_exact_search_txtP | Music publishing and composers (1750-1850) |
| title_full | Music publishing and composers (1750-1850) edited by Massimiliano Sala |
| title_fullStr | Music publishing and composers (1750-1850) edited by Massimiliano Sala |
| title_full_unstemmed | Music publishing and composers (1750-1850) edited by Massimiliano Sala |
| title_short | Music publishing and composers (1750-1850) |
| title_sort | music publishing and composers 1750 1850 |
| topic | Musikmarkt (DE-588)4396689-5 gnd Musikverlag (DE-588)4170835-0 gnd Musikdruck (DE-588)4075121-1 gnd Edition (DE-588)4132033-5 gnd |
| topic_facet | Musikmarkt Musikverlag Musikdruck Edition Europa Konferenzschrift 24.11.2017-26.11.2017 Lucca |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032197338&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011188963 |
| work_keys_str_mv | AT musicpublishingandcomposers17501850veranstaltunglucca musicpublishingandcomposers17501850 AT salamassimiliano musicpublishingandcomposers17501850 |