Greek and Latin music theory: principles and challenges
"A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester
University of Rochester Press
2020
|
| Schriftenreihe: | Eastman studies in music
v. 171 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages"-- |
| Beschreibung: | viii, 225 Seiten Illustrationen |
| ISBN: | 9781580469951 |
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Datensatz im Suchindex
| _version_ | 1804181573930582016 |
|---|---|
| adam_text | Contents Acknowledgments ix Note to the Reader xi Introduction 1 Part I. The Ancient Greek Tradition in Practice and Theory 1 The Ancient Harmóniai 11 2 The Tonoi 24 3 Alypian Notation 42 Part II. Mathematical Foundations 4 Pythagorean Harmonic Ratios from the Octave to the Comma by Continuous Subtraction 53 5 Boethius’s Error in the De institutione musica, 4.6 56 6 Aristoxenus’s Proof That the Perfect Fourth Is the Sum of Two Tones and a Semitone 60 7 Aristoxenus’s Anticipation of the Logarithmic Logic of Musical Cognition 63 8 The Three Mathematical Means in the Theories of Euclid, Boethius, Glarean, and Zarlino 68 9 Guido and the Monochord 77 Part III. Emerging Theories of the Ecclesiastical Modes 10 Transposition and the Doctrine of Modal Affinity 85 11 92 The Misunderstood Confinalis
viii 5* CONTENTS 12 Reading the First Quidam of the Aliamusica 111 13 The Prologus in tonarium of Bernof Reichenau: A Translation 131 14 Reading Hermannus 149 15 Idealist and Empirical Perspectives in Theories of the Ecclesiastical Modes 162 Glossary of Terms 171 Notes 177 Bibliography 213 Index 219
|
| adam_txt |
Contents Acknowledgments ix Note to the Reader xi Introduction 1 Part I. The Ancient Greek Tradition in Practice and Theory 1 The Ancient Harmóniai 11 2 The Tonoi 24 3 Alypian Notation 42 Part II. Mathematical Foundations 4 Pythagorean Harmonic Ratios from the Octave to the Comma by Continuous Subtraction 53 5 Boethius’s Error in the De institutione musica, 4.6 56 6 Aristoxenus’s Proof That the Perfect Fourth Is the Sum of Two Tones and a Semitone 60 7 Aristoxenus’s Anticipation of the Logarithmic Logic of Musical Cognition 63 8 The Three Mathematical Means in the Theories of Euclid, Boethius, Glarean, and Zarlino 68 9 Guido and the Monochord 77 Part III. Emerging Theories of the Ecclesiastical Modes 10 Transposition and the Doctrine of Modal Affinity 85 11 92 The Misunderstood Confinalis
viii 5* CONTENTS 12 Reading the First Quidam of the Aliamusica 111 13 The Prologus in tonarium of Bernof Reichenau: A Translation 131 14 Reading Hermannus 149 15 Idealist and Empirical Perspectives in Theories of the Ecclesiastical Modes 162 Glossary of Terms 171 Notes 177 Bibliography 213 Index 219 |
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| author | Nowacki, Edward 1945- |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte Anfänge-1500 gnd |
| era_facet | Geschichte Anfänge-1500 |
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| title | Greek and Latin music theory principles and challenges |
| title_auth | Greek and Latin music theory principles and challenges |
| title_exact_search | Greek and Latin music theory principles and challenges |
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