Desire in chromatic harmony: a psychodynamic exploration of Fin de Siècle tonality
"Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This books offers two new theories of tonal functionality in the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Schriftenreihe: | Oxford studies in music theory
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This books offers two new theories of tonal functionality in the music of the first half of the twentieth century that seek to explain its psychological complexities. First, the book further develops Riemann's three diatonic chord functions, extending them to account from chromatic chord progression and substitution. The three functions (Tonic, Subdominant, Dominant) are compared to Jacques Lacan's twin-concepts of metaphor and metonymy which drive the human desiring apparatus. Second, the book develops a technique for analysing the "drives" that pull chromatic music in multiple directions simultaneously, creating a libidinal surface that mirrors the tensions of the psyche found in Schopenhauer, Freud and post-Freudians-Lacan, Lyotard, and Deleuze.The harmonic models are tested in psychologically challenging pieces of music by post-Wagnerian composers. From the obsession with death and mourning in Josef Suk's Asrael Symphony to an exploration of "perversion" in Richard Strauss's Elektra; from the post-Kantian transcendentalism of Charles Ives' Concord Sonata to the "Accelerationism" of Skryabin's late piano works; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Aaron Copland's The Tender Land, the book cuts a path through the dense forests of chromatic complexity, and digs deep into the psychological make-up of post-Wagnerian psychodynamic music"-- |
| Beschreibung: | xv, 340 Seiten Illustrationen, Notenbeispiele 25 cm |
| ISBN: | 9780190923426 |
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| 505 | 8 | |a A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious -- Romantic Provenance -- Transcending Root Motion : Productive Death Drives and Cybernetic Cycles in Charles Ives & Aaron Copland -- Karol Szymanowski's Dominant Drive Model and the Excess of the Cycle -- Tragedy and the Gaze of the Living Dead : Functional Harmonic Rotation in Strauss's Elektra -- The Thanatonic and the Hexatonic : Repetition, Mourning, and "Mother" in Suk's Asrael -- When Octatonic and Hexatonic Collide : Skryabin's Accelerationist Last Piano Sonata -- Epilogue. The Way Forwards (and Backwards) | |
| 520 | 3 | |a "Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This books offers two new theories of tonal functionality in the music of the first half of the twentieth century that seek to explain its psychological complexities. First, the book further develops Riemann's three diatonic chord functions, extending them to account from chromatic chord progression and substitution. The three functions (Tonic, Subdominant, Dominant) are compared to Jacques Lacan's twin-concepts of metaphor and metonymy which drive the human desiring apparatus. Second, the book develops a technique for analysing the "drives" that pull chromatic music in multiple directions simultaneously, creating a libidinal surface that mirrors the tensions of the psyche found in Schopenhauer, Freud and post-Freudians-Lacan, Lyotard, and Deleuze.The harmonic models are tested in psychologically challenging pieces of music by post-Wagnerian composers. From the obsession with death and mourning in Josef Suk's Asrael Symphony to an exploration of "perversion" in Richard Strauss's Elektra; from the post-Kantian transcendentalism of Charles Ives' Concord Sonata to the "Accelerationism" of Skryabin's late piano works; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Aaron Copland's The Tender Land, the book cuts a path through the dense forests of chromatic complexity, and digs deep into the psychological make-up of post-Wagnerian psychodynamic music"-- | |
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Datensatz im Suchindex
| _version_ | 1804181567072894976 |
|---|---|
| adam_text | CONTENTS Preface Acknowledgments 1. A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious 2. Romantic Provenance 3. Transcending Root Motion: Productive Death Drives and Cybernetic Cycles in Charles Ives and Aaron Copland vii xvii 1 53 90 4. Karol Szymanowski’s Dominant Drive Model and the Excess of the Cycle 141 5. Tragedy and the Gaze of the Living Dead: Functional Harmonic Rotation in Strauss’s Elektra 182 6. The Thanatotic and the Tonnetz: Repetition, Mourning, and “Mother” in Suk’s Asrael 234 7. When Octatonic and Hexatonic Collide: Skryabin’s Accelerationist Last Piano Sonata 270 Epilogue: The Way Forward (and Backward) Bibliography 321 325 Index ЪЪ7
|
| adam_txt |
CONTENTS Preface Acknowledgments 1. A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious 2. Romantic Provenance 3. Transcending Root Motion: Productive Death Drives and Cybernetic Cycles in Charles Ives and Aaron Copland vii xvii 1 53 90 4. Karol Szymanowski’s Dominant Drive Model and the Excess of the Cycle 141 5. Tragedy and the Gaze of the Living Dead: Functional Harmonic Rotation in Strauss’s Elektra 182 6. The Thanatotic and the Tonnetz: Repetition, Mourning, and “Mother” in Suk’s Asrael 234 7. When Octatonic and Hexatonic Collide: Skryabin’s Accelerationist Last Piano Sonata 270 Epilogue: The Way Forward (and Backward) Bibliography 321 325 Index ЪЪ7 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Smith, Kenneth ca. 20./21. Jh |
| author_GND | (DE-588)105457426X |
| author_facet | Smith, Kenneth ca. 20./21. Jh |
| author_role | aut |
| author_sort | Smith, Kenneth ca. 20./21. Jh |
| author_variant | k s ks |
| building | Verbundindex |
| bvnumber | BV046783463 |
| classification_rvk | LR 56650 |
| contents | A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious -- Romantic Provenance -- Transcending Root Motion : Productive Death Drives and Cybernetic Cycles in Charles Ives & Aaron Copland -- Karol Szymanowski's Dominant Drive Model and the Excess of the Cycle -- Tragedy and the Gaze of the Living Dead : Functional Harmonic Rotation in Strauss's Elektra -- The Thanatonic and the Hexatonic : Repetition, Mourning, and "Mother" in Suk's Asrael -- When Octatonic and Hexatonic Collide : Skryabin's Accelerationist Last Piano Sonata -- Epilogue. The Way Forwards (and Backwards) |
| ctrlnum | (OCoLC)1190675122 (DE-599)BVBBV046783463 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1890-1914 gnd |
| era_facet | Geschichte 1890-1914 |
| format | Book |
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| id | DE-604.BV046783463 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:50:46Z |
| indexdate | 2024-07-10T08:53:42Z |
| institution | BVB |
| isbn | 9780190923426 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032192578 |
| oclc_num | 1190675122 |
| open_access_boolean | |
| owner | DE-12 DE-20 DE-703 |
| owner_facet | DE-12 DE-20 DE-703 |
| physical | xv, 340 Seiten Illustrationen, Notenbeispiele 25 cm |
| psigel | BSB_NED_20200720 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford studies in music theory |
| spelling | Smith, Kenneth ca. 20./21. Jh. Verfasser (DE-588)105457426X aut Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality Kenneth M. Smith New York, NY Oxford University Press [2020] © 2020 xv, 340 Seiten Illustrationen, Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier Oxford studies in music theory A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious -- Romantic Provenance -- Transcending Root Motion : Productive Death Drives and Cybernetic Cycles in Charles Ives & Aaron Copland -- Karol Szymanowski's Dominant Drive Model and the Excess of the Cycle -- Tragedy and the Gaze of the Living Dead : Functional Harmonic Rotation in Strauss's Elektra -- The Thanatonic and the Hexatonic : Repetition, Mourning, and "Mother" in Suk's Asrael -- When Octatonic and Hexatonic Collide : Skryabin's Accelerationist Last Piano Sonata -- Epilogue. The Way Forwards (and Backwards) "Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This books offers two new theories of tonal functionality in the music of the first half of the twentieth century that seek to explain its psychological complexities. First, the book further develops Riemann's three diatonic chord functions, extending them to account from chromatic chord progression and substitution. The three functions (Tonic, Subdominant, Dominant) are compared to Jacques Lacan's twin-concepts of metaphor and metonymy which drive the human desiring apparatus. Second, the book develops a technique for analysing the "drives" that pull chromatic music in multiple directions simultaneously, creating a libidinal surface that mirrors the tensions of the psyche found in Schopenhauer, Freud and post-Freudians-Lacan, Lyotard, and Deleuze.The harmonic models are tested in psychologically challenging pieces of music by post-Wagnerian composers. From the obsession with death and mourning in Josef Suk's Asrael Symphony to an exploration of "perversion" in Richard Strauss's Elektra; from the post-Kantian transcendentalism of Charles Ives' Concord Sonata to the "Accelerationism" of Skryabin's late piano works; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Aaron Copland's The Tender Land, the book cuts a path through the dense forests of chromatic complexity, and digs deep into the psychological make-up of post-Wagnerian psychodynamic music"-- Geschichte 1890-1914 gnd rswk-swf Psychodynamik (DE-588)4176205-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Chromatik (DE-588)4147951-8 gnd rswk-swf Harmonik (DE-588)4129030-6 gnd rswk-swf Tonalität (DE-588)4185654-5 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Music / 20th century / Analysis, appreciation Desire in music Music / Psychological aspects Harmony 1900-1999 Musik (DE-588)4040802-4 s Tonalität (DE-588)4185654-5 s Chromatik (DE-588)4147951-8 s Psychodynamik (DE-588)4176205-8 s Geschichte 1890-1914 z DE-604 Musikpsychologie (DE-588)4127817-3 s Harmonik (DE-588)4129030-6 s Erscheint auch als Online-Ausgabe, EPUB 978-0-19-092344-0 Erscheint auch als Online-Ausgabe 978-0-19-092345-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032192578&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Smith, Kenneth ca. 20./21. Jh Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious -- Romantic Provenance -- Transcending Root Motion : Productive Death Drives and Cybernetic Cycles in Charles Ives & Aaron Copland -- Karol Szymanowski's Dominant Drive Model and the Excess of the Cycle -- Tragedy and the Gaze of the Living Dead : Functional Harmonic Rotation in Strauss's Elektra -- The Thanatonic and the Hexatonic : Repetition, Mourning, and "Mother" in Suk's Asrael -- When Octatonic and Hexatonic Collide : Skryabin's Accelerationist Last Piano Sonata -- Epilogue. The Way Forwards (and Backwards) Psychodynamik (DE-588)4176205-8 gnd Musik (DE-588)4040802-4 gnd Chromatik (DE-588)4147951-8 gnd Harmonik (DE-588)4129030-6 gnd Tonalität (DE-588)4185654-5 gnd Musikpsychologie (DE-588)4127817-3 gnd |
| subject_GND | (DE-588)4176205-8 (DE-588)4040802-4 (DE-588)4147951-8 (DE-588)4129030-6 (DE-588)4185654-5 (DE-588)4127817-3 |
| title | Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality |
| title_auth | Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality |
| title_exact_search | Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality |
| title_exact_search_txtP | Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality |
| title_full | Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality Kenneth M. Smith |
| title_fullStr | Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality Kenneth M. Smith |
| title_full_unstemmed | Desire in chromatic harmony a psychodynamic exploration of Fin de Siècle tonality Kenneth M. Smith |
| title_short | Desire in chromatic harmony |
| title_sort | desire in chromatic harmony a psychodynamic exploration of fin de siecle tonality |
| title_sub | a psychodynamic exploration of Fin de Siècle tonality |
| topic | Psychodynamik (DE-588)4176205-8 gnd Musik (DE-588)4040802-4 gnd Chromatik (DE-588)4147951-8 gnd Harmonik (DE-588)4129030-6 gnd Tonalität (DE-588)4185654-5 gnd Musikpsychologie (DE-588)4127817-3 gnd |
| topic_facet | Psychodynamik Musik Chromatik Harmonik Tonalität Musikpsychologie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032192578&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT smithkenneth desireinchromaticharmonyapsychodynamicexplorationoffindesiecletonality |