Decoding the movies: Hollywood in the 1930s
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Exeter, UK
University of Exeter Press
2021
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Schriftenreihe: | Exeter studies in film history
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xii, 482 Seiten Illustrationen, Portraits |
ISBN: | 9781905816446 |
Internformat
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Contents List ofIllustrations vii Acknowledgements viii Part 1: Decodings 1 Introduction: “What the Hell, It’s Only History .” 2 “A Brief Romantic Interlude”: Dick and Jane Go To Threeand֊a-Half Seconds of the Classical Hollywood Cinema 27 “As Close to Real Life as Hollywood Ever Gets”: Headline Pictures, Topical Movies, Editorial Cinema and Studio Realism in the 1930s 52 3 3 Part 2: Patriarchs 4 5 6 “Just Another Good Program Picture from Warners”: The Misadventures of Barbara Stanwyck and Friedrich Nietzsche at Warner Bros., 1933 87 Clark Gable, the Production Code and the Recreation of the Patriarch: It Happened One Night 126 Sex and Shirley Temple 153 Part 3: Criminals 7 8 9 10 Criminal Entertainers: Al Capone, Howard Hughes and the Production Code 203 “Gangland as It Really Is”: James Cagney, Horatio Alger and the Natural History of Delinquent Careers 251 “Any Resemblance to Actual Persons, Living or Dead .”: Martin Mooney, Edward G. Robinson and the Incorporation of Dutch Schultz 296 Afterword 331
DECODING THE MOVIES Notes 336 Select Bibliography 452 Index 463
This book “decodes" 1930s Hollywood movies and explains why they look and behave in the way that they do. Through a series of case studies, it exposes Classical Hollywood films to a detailed analysis of their historical, industrial and cultural contexts. In the process the book utilizes industry data, aesthetic analysis and the insights of New Cinema History to explain why and how these movies assumed their familiar forms. Decoding the Movies represents the summation of Richard Maltby's four decades of scholarship in the field of Hollywood cinema. The chapters presented here share a concept that has increasingly informed the author’s critical method over the years: that any historical understanding of the films of this period requires deep contextualization of the social circumstances surrounding both their production and consumption. In this way, the book introduces an innovative, overarching research methodology that synthesizes branches of research that are typically employed in isolationincluding production, distribution, reception, film aesthetics, and cultural and historical context. |
adam_txt |
Contents List ofIllustrations vii Acknowledgements viii Part 1: Decodings 1 Introduction: “What the Hell, It’s Only History .” 2 “A Brief Romantic Interlude”: Dick and Jane Go To Threeand֊a-Half Seconds of the Classical Hollywood Cinema 27 “As Close to Real Life as Hollywood Ever Gets”: Headline Pictures, Topical Movies, Editorial Cinema and Studio Realism in the 1930s 52 3 3 Part 2: Patriarchs 4 5 6 “Just Another Good Program Picture from Warners”: The Misadventures of Barbara Stanwyck and Friedrich Nietzsche at Warner Bros., 1933 87 Clark Gable, the Production Code and the Recreation of the Patriarch: It Happened One Night 126 Sex and Shirley Temple 153 Part 3: Criminals 7 8 9 10 Criminal Entertainers: Al Capone, Howard Hughes and the Production Code 203 “Gangland as It Really Is”: James Cagney, Horatio Alger and the Natural History of Delinquent Careers 251 “Any Resemblance to Actual Persons, Living or Dead .”: Martin Mooney, Edward G. Robinson and the Incorporation of Dutch Schultz 296 Afterword 331
DECODING THE MOVIES Notes 336 Select Bibliography 452 Index 463
This book “decodes" 1930s Hollywood movies and explains why they look and behave in the way that they do. Through a series of case studies, it exposes Classical Hollywood films to a detailed analysis of their historical, industrial and cultural contexts. In the process the book utilizes industry data, aesthetic analysis and the insights of New Cinema History to explain why and how these movies assumed their familiar forms. Decoding the Movies represents the summation of Richard Maltby's four decades of scholarship in the field of Hollywood cinema. The chapters presented here share a concept that has increasingly informed the author’s critical method over the years: that any historical understanding of the films of this period requires deep contextualization of the social circumstances surrounding both their production and consumption. In this way, the book introduces an innovative, overarching research methodology that synthesizes branches of research that are typically employed in isolationincluding production, distribution, reception, film aesthetics, and cultural and historical context. |
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dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
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dewey-search | 791.430973 |
dewey-sort | 3791.430973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
era | Geschichte 1930-1940 gnd |
era_facet | Geschichte 1930-1940 |
format | Book |
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spelling | Maltby, Richard 1952- Verfasser (DE-588)121900150 aut Decoding the movies Hollywood in the 1930s Richard Maltby Exeter, UK University of Exeter Press 2021 xii, 482 Seiten Illustrationen, Portraits txt rdacontent n rdamedia nc rdacarrier Exeter studies in film history Geschichte 1930-1940 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g Film (DE-588)4017102-4 s Geschichte 1930-1940 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-905816-45-3 Erscheint auch als Online-Ausgabe, PDF 978-1-905816-46-0 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032187386&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032187386&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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title | Decoding the movies Hollywood in the 1930s |
title_auth | Decoding the movies Hollywood in the 1930s |
title_exact_search | Decoding the movies Hollywood in the 1930s |
title_exact_search_txtP | Decoding the movies Hollywood in the 1930s |
title_full | Decoding the movies Hollywood in the 1930s Richard Maltby |
title_fullStr | Decoding the movies Hollywood in the 1930s Richard Maltby |
title_full_unstemmed | Decoding the movies Hollywood in the 1930s Richard Maltby |
title_short | Decoding the movies |
title_sort | decoding the movies hollywood in the 1930s |
title_sub | Hollywood in the 1930s |
topic | Film (DE-588)4017102-4 gnd |
topic_facet | Film Los Angeles- Hollywood |
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