Unknown photographer (Bamako, Mali) -- Malian portraiture glamorized and globalized -- Biennale effects : the African photography encounters -- Bamako becoming photographic : an archipelagic artworld -- Creolizing the archive -- Promoting women photographers -- Errantry, the social body, and photogr...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Moore, Allison (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Durham ; London Duke University Press 2020
Schriftenreihe:	Art history publication initiative
Schlagworte:	Glissant, Édouard > 1928-2011 Rencontres de Bamako Geschichte 1990-2000 Geschichte 1990-2020 Fotografie Biennale Rezeptionsästhetik Mali Afrika Bamako Glissant, Édouard / 1928-2011 / Philosophy Photography / Mali / 20th century Art, Malian / Mali / Bamako Postcolonialism and the arts / Mali Photography / Political aspects / Mali Photography, Artistic
Online-Zugang:	Inhaltsverzeichnis
Zusammenfassung:	Unknown photographer (Bamako, Mali) -- Malian portraiture glamorized and globalized -- Biennale effects : the African photography encounters -- Bamako becoming photographic : an archipelagic artworld -- Creolizing the archive -- Promoting women photographers -- Errantry, the social body, and photography as the Écho-monde "In EMBODYING RELATION Allison Moore reads the development of art photography in the 1990s in Mali through the work of Caribbean philosopher Edouard Glissant. Moore engages with Glissant's concept of relation in order to emphasize the ways in which Malian art photography is concerned primarily with making affective connections with viewers, rather than with contesting colonial histories, as has been the case elsewhere. Moore documents an art movement based in Bamako that has used photography as an expressive project, inviting expansive interpretations from viewers (rather than a documentary medium, as was more common during the era of studio photography). The robust photographic archive that accompanies her analysis demonstrates this transition from studio portraits to a portraiture aesthetic that engages the viewer in the simultaneous immediacy and opacity that Moore uses to introduce the reader to a Malian aesthetic. While Bamako has long been recognized as the center of African art photography, the city's capacity to support the growth of the movement is due in large part to the coordination of French patronage, most clearly exemplified by the funding of the Bamako Biennale since 1994. Through combined analysis of the developing aesthetics and institutionalization of the movement, Moore details how Malian photographers established both the market and the taste for photography with a vintage aesthetic in the 1990s. By using Glissant's concept of relation to understand the connections between Bamakois photographers and their global patrons, Moore is able to account for both the photographers' unique aesthetics as well as for the postcolonial acts of mediation they perform. The book's six chapters trace provide a detailed history of Bamakois aesthetics and institutions.
Beschreibung:	Includes bibliographical references and index
Beschreibung:	ix, 360 Seiten Illustrationen
ISBN:	9781478005971 9781478006626