Sound and literature:
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understo...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Cambridge
Cambridge University Press
[2020]
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| Schriftenreihe: | Cambridge critical concepts
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBM01 UBW01 URL des Erstveröffentlichers |
| Zusammenfassung: | What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies |
| Beschreibung: | 1 Online-Ressource (xvi, 424 Seiten) |
| ISBN: | 9781108855532 |
| DOI: | 10.1017/9781108855532 |
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| 505 | 8 | |a Introduction: Anna Snaith -- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday -- Chapter 2. Fragments on/of Voice / David Nowell Smith -- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall -- Chapter 4. Classical Music and Literature / Gemma Moss -- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell -- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth -- Chapter 7. Noise / James G. Mansell -- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy -- Chapter 9. Media History and Sound Technology / Julie Beth Napolin -- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen -- Chapter -- 11. Prose Sense and Its Soundings / Garrett Stewart -- Chapter 12. Dissonant Prosody / A. J. Carruthers -- Chapter 13. Deafness and Sound / Rebecca Sanchez -- Chapter 14. Vibrations / Shelley Trower -- Chapter 15. Feminism and Sound / Ella Finer -- Chapter 16. Wireless Imaginations / Debra Rae Cohen -- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin -- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk | |
| 520 | |a What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies | ||
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Datensatz im Suchindex
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| contents | Introduction: Anna Snaith -- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday -- Chapter 2. Fragments on/of Voice / David Nowell Smith -- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall -- Chapter 4. Classical Music and Literature / Gemma Moss -- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell -- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth -- Chapter 7. Noise / James G. Mansell -- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy -- Chapter 9. Media History and Sound Technology / Julie Beth Napolin -- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen -- Chapter -- 11. Prose Sense and Its Soundings / Garrett Stewart -- Chapter 12. Dissonant Prosody / A. J. Carruthers -- Chapter 13. Deafness and Sound / Rebecca Sanchez -- Chapter 14. Vibrations / Shelley Trower -- Chapter 15. Feminism and Sound / Ella Finer -- Chapter 16. Wireless Imaginations / Debra Rae Cohen -- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin -- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk |
| ctrlnum | (ZDB-20-CBO)CR9781108855532 (OCoLC)1164641152 (DE-599)BVBBV046776987 |
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| dewey-ones | 809 - History, description & criticism |
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| dewey-search | 809/.933578 |
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| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| doi_str_mv | 10.1017/9781108855532 |
| format | Electronic eBook |
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| spelling | Sound and literature edited by Anna Snaith Cambridge Cambridge University Press [2020] 1 Online-Ressource (xvi, 424 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge critical concepts Introduction: Anna Snaith -- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday -- Chapter 2. Fragments on/of Voice / David Nowell Smith -- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall -- Chapter 4. Classical Music and Literature / Gemma Moss -- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell -- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth -- Chapter 7. Noise / James G. Mansell -- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy -- Chapter 9. Media History and Sound Technology / Julie Beth Napolin -- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen -- Chapter -- 11. Prose Sense and Its Soundings / Garrett Stewart -- Chapter 12. Dissonant Prosody / A. J. Carruthers -- Chapter 13. Deafness and Sound / Rebecca Sanchez -- Chapter 14. Vibrations / Shelley Trower -- Chapter 15. Feminism and Sound / Ella Finer -- Chapter 16. Wireless Imaginations / Debra Rae Cohen -- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin -- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies Sound in literature Aural history Sound / Psychological aspects Sounds / Psychological aspects Sound / Social aspects Sounds / Social aspects Civilization, Modern Geräusch (DE-588)4129296-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Tonologie (DE-588)4185690-9 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Literatur (DE-588)4035964-5 s Tonologie (DE-588)4185690-9 s Geräusch (DE-588)4129296-0 s Musik (DE-588)4040802-4 s 2\p DE-604 Snaith, Anna 1970- (DE-588)1072112868 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-10847-960-8 https://doi.org/10.1017/9781108855532 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Sound and literature Introduction: Anna Snaith -- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday -- Chapter 2. Fragments on/of Voice / David Nowell Smith -- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall -- Chapter 4. Classical Music and Literature / Gemma Moss -- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell -- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth -- Chapter 7. Noise / James G. Mansell -- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy -- Chapter 9. Media History and Sound Technology / Julie Beth Napolin -- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen -- Chapter -- 11. Prose Sense and Its Soundings / Garrett Stewart -- Chapter 12. Dissonant Prosody / A. J. Carruthers -- Chapter 13. Deafness and Sound / Rebecca Sanchez -- Chapter 14. Vibrations / Shelley Trower -- Chapter 15. Feminism and Sound / Ella Finer -- Chapter 16. Wireless Imaginations / Debra Rae Cohen -- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin -- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk Sound in literature Aural history Sound / Psychological aspects Sounds / Psychological aspects Sound / Social aspects Sounds / Social aspects Civilization, Modern Geräusch (DE-588)4129296-0 gnd Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd Tonologie (DE-588)4185690-9 gnd |
| subject_GND | (DE-588)4129296-0 (DE-588)4040802-4 (DE-588)4035964-5 (DE-588)4185690-9 (DE-588)4143413-4 |
| title | Sound and literature |
| title_auth | Sound and literature |
| title_exact_search | Sound and literature |
| title_exact_search_txtP | Sound and literature |
| title_full | Sound and literature edited by Anna Snaith |
| title_fullStr | Sound and literature edited by Anna Snaith |
| title_full_unstemmed | Sound and literature edited by Anna Snaith |
| title_short | Sound and literature |
| title_sort | sound and literature |
| topic | Sound in literature Aural history Sound / Psychological aspects Sounds / Psychological aspects Sound / Social aspects Sounds / Social aspects Civilization, Modern Geräusch (DE-588)4129296-0 gnd Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd Tonologie (DE-588)4185690-9 gnd |
| topic_facet | Sound in literature Aural history Sound / Psychological aspects Sounds / Psychological aspects Sound / Social aspects Sounds / Social aspects Civilization, Modern Geräusch Musik Literatur Tonologie Aufsatzsammlung |
| url | https://doi.org/10.1017/9781108855532 |
| work_keys_str_mv | AT snaithanna soundandliterature |