Shakespeare, technicity, theatre:
This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2020
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture and costume, of written documents in the making of performance, of light and sound, and of the interplay of live and recorded acting complicate the sense of theatre as a medium. In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original Practices as an interactive modern theatre technology, the economies of theatrical immersion, and the consequences of an emerging algorithmic theatre, providing a richly theoretical reading of the stakes of theatre as an always-emerging technology |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 22 May 2020) Introduction: theater, medium, technology -- The face, the mask, the screen: acting and the technologies of the other -- Shax the app -- Interactive remediation: original practices -- Designing the spectator -- And or and not: recoding theater |
| Beschreibung: | 1 Online-Ressource (vii, 271 Seiten) |
| ISBN: | 9781108628464 |
| DOI: | 10.1017/9781108628464 |
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| 520 | |a This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture and costume, of written documents in the making of performance, of light and sound, and of the interplay of live and recorded acting complicate the sense of theatre as a medium. In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original Practices as an interactive modern theatre technology, the economies of theatrical immersion, and the consequences of an emerging algorithmic theatre, providing a richly theoretical reading of the stakes of theatre as an always-emerging technology | ||
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Anglistik / Amerikanistik |
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| index_date | 2024-07-03T14:48:32Z |
| indexdate | 2024-07-10T08:53:30Z |
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| isbn | 9781108628464 |
| language | English |
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| spelling | Worthen, William B. 1955- (DE-588)141046066 aut Shakespeare, technicity, theatre W. B. Worthen Cambridge Cambridge University Press 2020 1 Online-Ressource (vii, 271 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 22 May 2020) Introduction: theater, medium, technology -- The face, the mask, the screen: acting and the technologies of the other -- Shax the app -- Interactive remediation: original practices -- Designing the spectator -- And or and not: recoding theater This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture and costume, of written documents in the making of performance, of light and sound, and of the interplay of live and recorded acting complicate the sense of theatre as a medium. In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original Practices as an interactive modern theatre technology, the economies of theatrical immersion, and the consequences of an emerging algorithmic theatre, providing a richly theoretical reading of the stakes of theatre as an always-emerging technology Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 1950- Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Technology and the arts Film adaptations / History and criticism Drama (DE-588)4012899-4 gnd rswk-swf Bühnentechnik (DE-588)4146863-6 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Bühnentechnik (DE-588)4146863-6 s Performance Künste (DE-588)4173750-7 s 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-1-10849-813-5 https://doi.org/10.1017/9781108628464 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Worthen, William B. 1955- Shakespeare, technicity, theatre Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 1950- Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd Technology and the arts Film adaptations / History and criticism Drama (DE-588)4012899-4 gnd Bühnentechnik (DE-588)4146863-6 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4146863-6 (DE-588)4173750-7 |
| title | Shakespeare, technicity, theatre |
| title_auth | Shakespeare, technicity, theatre |
| title_exact_search | Shakespeare, technicity, theatre |
| title_exact_search_txtP | Shakespeare, technicity, theatre |
| title_full | Shakespeare, technicity, theatre W. B. Worthen |
| title_fullStr | Shakespeare, technicity, theatre W. B. Worthen |
| title_full_unstemmed | Shakespeare, technicity, theatre W. B. Worthen |
| title_short | Shakespeare, technicity, theatre |
| title_sort | shakespeare technicity theatre |
| topic | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 1950- Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd Technology and the arts Film adaptations / History and criticism Drama (DE-588)4012899-4 gnd Bühnentechnik (DE-588)4146863-6 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 1950- Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 Technology and the arts Film adaptations / History and criticism Drama Bühnentechnik Performance Künste |
| url | https://doi.org/10.1017/9781108628464 |
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