Hearing homophony: tonal expectation at the turn of the seventeenth century
""This book examines a repertoire of homophonic vernacular partsongs composed around the turn of the seventeenth century, and considers how these partsongs exploit rhythm, meter, phrase structure, and form to craft harmonic trajectories. Giovanni Giacomo Gastoldi, Thomas Morley, Hans Leo H...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2020]
|
| Schriftenreihe: | Oxford studies in music theory
|
| Schlagworte: | |
| Zusammenfassung: | ""This book examines a repertoire of homophonic vernacular partsongs composed around the turn of the seventeenth century, and considers how these partsongs exploit rhythm, meter, phrase structure, and form to craft harmonic trajectories. Giovanni Giacomo Gastoldi, Thomas Morley, Hans Leo Hassler, and their contemporaries engineered a particular kind of centricity that is distinctively tonal: they strategically deployed dominant harmonies at regular periodicities and in combination with poetic, phrase structural, and formal cues, thereby creating expectation for tonic harmonies. Homophony provided an ideal venue for these experiments: spurred by an increasing demand for comprehensible texts, composers of partsongs developed rigid text setting procedures that promoted both metrical regularity and consistent phrase rhythm. This rhythmic consistency had a ripple effect: it encouraged composers to design symmetrical phrase structures and to build comprehensive, repetitive, and predictable formal structures. Thus, homophonic partsongs create and exploit trajectories from dominants to tonics on multiple scales, from cadence to sub-phrase to phrase to form. Ultimately, this book argues for a model of tonality-and of tonality's history-that centers not pitch, but rhythm and meter. Metrically oriented harmonic trajectories encourage tonal expectation. And we can locate these trajectories in a variety of repertoires, including those that we traditionally understand as "modal." ""-- |
| Beschreibung: | viii, 288 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9780190851903 |
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Datensatz im Suchindex
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| author | Long, Megan Kaes ca. 20./21. Jh |
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| id | DE-604.BV046776452 |
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| index_date | 2024-07-03T14:48:31Z |
| indexdate | 2024-07-10T08:53:30Z |
| institution | BVB |
| isbn | 9780190851903 |
| language | English |
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| publisher | Oxford University Press |
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| spelling | Long, Megan Kaes ca. 20./21. Jh. Verfasser (DE-588)1103058622 aut Hearing homophony tonal expectation at the turn of the seventeenth century Megan Kaes Long New York Oxford University Press [2020] © 2020 viii, 288 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Oxford studies in music theory ""This book examines a repertoire of homophonic vernacular partsongs composed around the turn of the seventeenth century, and considers how these partsongs exploit rhythm, meter, phrase structure, and form to craft harmonic trajectories. Giovanni Giacomo Gastoldi, Thomas Morley, Hans Leo Hassler, and their contemporaries engineered a particular kind of centricity that is distinctively tonal: they strategically deployed dominant harmonies at regular periodicities and in combination with poetic, phrase structural, and formal cues, thereby creating expectation for tonic harmonies. Homophony provided an ideal venue for these experiments: spurred by an increasing demand for comprehensible texts, composers of partsongs developed rigid text setting procedures that promoted both metrical regularity and consistent phrase rhythm. This rhythmic consistency had a ripple effect: it encouraged composers to design symmetrical phrase structures and to build comprehensive, repetitive, and predictable formal structures. Thus, homophonic partsongs create and exploit trajectories from dominants to tonics on multiple scales, from cadence to sub-phrase to phrase to form. Ultimately, this book argues for a model of tonality-and of tonality's history-that centers not pitch, but rhythm and meter. Metrically oriented harmonic trajectories encourage tonal expectation. And we can locate these trajectories in a variety of repertoires, including those that we traditionally understand as "modal." ""-- Geschichte 1590-1610 gnd rswk-swf Lied (DE-588)4035669-3 gnd rswk-swf Homofonie Musik (DE-588)4160611-5 gnd rswk-swf Tonalität (DE-588)4185654-5 gnd rswk-swf Wort-Ton-Verhältnis (DE-588)7504909-0 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Vocal music / 16th century / History and criticism Vocal music / 16th century / Analysis, appreciation Vocal music / 17th century / History and criticism Vocal music / 17th century / Analysis, appreciation Vocal music Vocal music / Analysis, appreciation 1500-1699 Criticism, interpretation, etc Europa (DE-588)4015701-5 g Lied (DE-588)4035669-3 s Tonalität (DE-588)4185654-5 s Homofonie Musik (DE-588)4160611-5 s Wort-Ton-Verhältnis (DE-588)7504909-0 s Geschichte 1590-1610 z DE-604 Erscheint auch als Online-Ausgabe Long, Megan Kaes Hearing homophony 9780190851927 New York : Oxford University Press, 2020 |
| spellingShingle | Long, Megan Kaes ca. 20./21. Jh Hearing homophony tonal expectation at the turn of the seventeenth century Lied (DE-588)4035669-3 gnd Homofonie Musik (DE-588)4160611-5 gnd Tonalität (DE-588)4185654-5 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd |
| subject_GND | (DE-588)4035669-3 (DE-588)4160611-5 (DE-588)4185654-5 (DE-588)7504909-0 (DE-588)4015701-5 |
| title | Hearing homophony tonal expectation at the turn of the seventeenth century |
| title_auth | Hearing homophony tonal expectation at the turn of the seventeenth century |
| title_exact_search | Hearing homophony tonal expectation at the turn of the seventeenth century |
| title_exact_search_txtP | Hearing homophony tonal expectation at the turn of the seventeenth century |
| title_full | Hearing homophony tonal expectation at the turn of the seventeenth century Megan Kaes Long |
| title_fullStr | Hearing homophony tonal expectation at the turn of the seventeenth century Megan Kaes Long |
| title_full_unstemmed | Hearing homophony tonal expectation at the turn of the seventeenth century Megan Kaes Long |
| title_short | Hearing homophony |
| title_sort | hearing homophony tonal expectation at the turn of the seventeenth century |
| title_sub | tonal expectation at the turn of the seventeenth century |
| topic | Lied (DE-588)4035669-3 gnd Homofonie Musik (DE-588)4160611-5 gnd Tonalität (DE-588)4185654-5 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd |
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