The politics of princely entertainment: music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689)
""The Politics of Princely Entertainment explores the transformations in the politics of entertainment of the Italian aristocratic classes during the second half of the seventeenth century, at a time in which profound social and cultural shifts influenced the production and consumption of...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | ""The Politics of Princely Entertainment explores the transformations in the politics of entertainment of the Italian aristocratic classes during the second half of the seventeenth century, at a time in which profound social and cultural shifts influenced the production and consumption of music in radical ways. The emergence of commercial theaters in the 1630s in Venice and the great appeal that opera began to have on a large and international audience required the aristocracy to take up a new role within the complex network of agents responsible for the production not only of opera but of music in general. The increasing competition between commercial opera theaters, ruling courts, aristocratic families and religious institutions and the consequent professionalization of roles that previously relied solely on patronage meant that singers, poets and composers acquired unprecedented negotiating power. This books explores these questions following the journeys and ventures of two of the most prominent patrons in seventeenth-century Italy, Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. During the thirty years under exam, 1659-1689, the Colonna were the most influential and active agents in the musical life of Rome: they sponsored an unprecedented number of operas, serenatas, oratorios, public ceremonies and carnival parades while supporting the careers of the most prominent composers, librettists, musicians and singers of the time. Following Prince Colonna and his wife through their personal and institutional travels to Venice, Spain, as Viceroyalties of the Kingdom of Aragon, and later Naples, this book traces the journeys not only of scores and librettos, but also of the singers, composers and librettists whose art reached these far away corners of Europe, changing and transforming to serve diverse social and political purposes.""-- |
| Beschreibung: | Includes index |
| Beschreibung: | xiii, 389 Seiten Illustrationen |
| ISBN: | 9780190631130 |
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| 505 | 8 | |a The Colonna, Aristocratic Culture and the Display of Power in Seventeenth-Century Rome -- "Dalle sponde del Tebro alle rive dell'Adria" : The Colonna and the Public Theaters of Venice -- "All'uso di Venezia" : The Teatro Tordinona -- Staging a Public Response : Maria Mancini Colonna's Patronage in Rome -- Music and Theater in Rome after the Teatro Tordinona -- The Spanish Years -- Teatro Colonna (1682-1686) -- "Vive scintille dell'onor Romano": Colonna Viceroy of Naples (1687-1688) | |
| 520 | 3 | |a ""The Politics of Princely Entertainment explores the transformations in the politics of entertainment of the Italian aristocratic classes during the second half of the seventeenth century, at a time in which profound social and cultural shifts influenced the production and consumption of music in radical ways. The emergence of commercial theaters in the 1630s in Venice and the great appeal that opera began to have on a large and international audience required the aristocracy to take up a new role within the complex network of agents responsible for the production not only of opera but of music in general. The increasing competition between commercial opera theaters, ruling courts, aristocratic families and religious institutions and the consequent professionalization of roles that previously relied solely on patronage meant that singers, poets and composers acquired unprecedented negotiating power. This books explores these questions following the journeys and ventures of two of the most prominent patrons in seventeenth-century Italy, Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. During the thirty years under exam, 1659-1689, the Colonna were the most influential and active agents in the musical life of Rome: they sponsored an unprecedented number of operas, serenatas, oratorios, public ceremonies and carnival parades while supporting the careers of the most prominent composers, librettists, musicians and singers of the time. Following Prince Colonna and his wife through their personal and institutional travels to Venice, Spain, as Viceroyalties of the Kingdom of Aragon, and later Naples, this book traces the journeys not only of scores and librettos, but also of the singers, composers and librettists whose art reached these far away corners of Europe, changing and transforming to serve diverse social and political purposes.""-- | |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Illustrations Acknowledgments Abbreviations Introduction ix xi xv i 1 The Colonna, Aristocratic Culture, and the Display of Power in Seventeenth-Century Rome 13 2 “Dalle sponde del Tebro alle rive dell’Adria”: The Colonna and the Public Theaters of Venice 58 3 “All’uso di Venezia”: The Teatro Tordinona 98 4 Staging a Public Response: Maria Mancini Colonna’s Patronage in Rome 132 5 Music and Theater in Rome after the Teatro Tordinona 171 6 The Spanish Years 201 7 The Teatro Colonna (1682—1686) 234 8 Lorenzo Onofrio Colonna, Viceroy of Naples Epilogue 315 Appendix: Documents Bibliography Index 37 7 349 319 278
3-2 “ĽAlcasta, opera teatrale dedicata alla Maestà della Regina di Svezia,” title page. Münster, Diözesanbibliothek, Santini, Hs. 3000 3.3 “ĽAlcasta, opera teatrale dedicata alla Maestà della Regina di Svezia,” “Interlocutori.” Münster, Diözesanbibliothek, Santini, Hs. 3000 4.1 Pierre Paul Sevin, “Float of the Planets.” Drawing (1669). Stockholm, Nationalmuseum 4.2 Pierre Paul Sevin, “Float of Maria Mancini as Circe.” Drawing (1669). Stockholm, Nationalmuseum 4.3 Jacob Ferdinand Voet, Hortense Mancini and her Sister, Maria Mancini (1670-1672). Windsor Castle 4.4 Pierre Paul Sevin, “Cavalcade of the Turks.” Drawing (1669). Stockholm, Nationalmuseum 4.5 Jacob Ferdinand Voet {?], “Portrait of Maria Mancini” (1670—1672?). Rome, Palazzo Colonna 4.6 Jacob Ferdinand Voet [?], “Maria Mancini,” from the “Belle Chigi” collection. Ariccia, Palazzo Chigi, “Sala delle Belle” 4.7 Ariccia, Palazzo Chigi, “Sala delle Belle.” 8.1 “Prospettiva antistante del Real Palazzo,” from Nuova guida tk’ forastieri per osservare, e godere le curiosità più vaghe e più rare della fedelissima gran Napoli città antica e nobilissima (Naples: Parrino, 1725) 8.2 Tutto il mal non vien per nuocere, “Prologo.” Archivio dell’Abbazia di Montecassino, Abbazia di Montecassino, 6-B-2, f. 8r 8.3 Frontispiece of I giochi troiani (1688) 8.4 Frontispiece of La caduta del regno delle Amazzoni (1690) X I LIST OF ILLUSTRATIONS 125 127 143 149 151 153 156 168 169 285 295 3x0 311
|
| adam_txt |
CONTENTS List of Illustrations Acknowledgments Abbreviations Introduction ix xi xv i 1 The Colonna, Aristocratic Culture, and the Display of Power in Seventeenth-Century Rome 13 2 “Dalle sponde del Tebro alle rive dell’Adria”: The Colonna and the Public Theaters of Venice 58 3 “All’uso di Venezia”: The Teatro Tordinona 98 4 Staging a Public Response: Maria Mancini Colonna’s Patronage in Rome 132 5 Music and Theater in Rome after the Teatro Tordinona 171 6 The Spanish Years 201 7 The Teatro Colonna (1682—1686) 234 8 Lorenzo Onofrio Colonna, Viceroy of Naples Epilogue 315 Appendix: Documents Bibliography Index 37 7 349 319 278
3-2 “ĽAlcasta, opera teatrale dedicata alla Maestà della Regina di Svezia,” title page. Münster, Diözesanbibliothek, Santini, Hs. 3000 3.3 “ĽAlcasta, opera teatrale dedicata alla Maestà della Regina di Svezia,” “Interlocutori.” Münster, Diözesanbibliothek, Santini, Hs. 3000 4.1 Pierre Paul Sevin, “Float of the Planets.” Drawing (1669). Stockholm, Nationalmuseum 4.2 Pierre Paul Sevin, “Float of Maria Mancini as Circe.” Drawing (1669). Stockholm, Nationalmuseum 4.3 Jacob Ferdinand Voet, Hortense Mancini and her Sister, Maria Mancini (1670-1672). Windsor Castle 4.4 Pierre Paul Sevin, “Cavalcade of the Turks.” Drawing (1669). Stockholm, Nationalmuseum 4.5 Jacob Ferdinand Voet {?], “Portrait of Maria Mancini” (1670—1672?). Rome, Palazzo Colonna 4.6 Jacob Ferdinand Voet [?], “Maria Mancini,” from the “Belle Chigi” collection. Ariccia, Palazzo Chigi, “Sala delle Belle” 4.7 Ariccia, Palazzo Chigi, “Sala delle Belle.” 8.1 “Prospettiva antistante del Real Palazzo,” from Nuova guida tk’ forastieri per osservare, e godere le curiosità più vaghe e più rare della fedelissima gran Napoli città antica e nobilissima (Naples: Parrino, 1725) 8.2 Tutto il mal non vien per nuocere, “Prologo.” Archivio dell’Abbazia di Montecassino, Abbazia di Montecassino, 6-B-2, f. 8r 8.3 Frontispiece of I giochi troiani (1688) 8.4 Frontispiece of La caduta del regno delle Amazzoni (1690) X I LIST OF ILLUSTRATIONS 125 127 143 149 151 153 156 168 169 285 295 3x0 311 |
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| author | De Lucca, Valeria ca. 20./21. Jh |
| author_GND | (DE-588)1046552937 |
| author_facet | De Lucca, Valeria ca. 20./21. Jh |
| author_role | aut |
| author_sort | De Lucca, Valeria ca. 20./21. Jh |
| author_variant | l v d lv lvd |
| building | Verbundindex |
| bvnumber | BV046776262 |
| classification_rvk | LQ 82004 |
| contents | The Colonna, Aristocratic Culture and the Display of Power in Seventeenth-Century Rome -- "Dalle sponde del Tebro alle rive dell'Adria" : The Colonna and the Public Theaters of Venice -- "All'uso di Venezia" : The Teatro Tordinona -- Staging a Public Response : Maria Mancini Colonna's Patronage in Rome -- Music and Theater in Rome after the Teatro Tordinona -- The Spanish Years -- Teatro Colonna (1682-1686) -- "Vive scintille dell'onor Romano": Colonna Viceroy of Naples (1687-1688) |
| ctrlnum | (OCoLC)1190907636 (DE-599)BVBBV046776262 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1659-1689 gnd |
| era_facet | Geschichte 1659-1689 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Rom (DE-588)4050471-2 gnd |
| geographic_facet | Rom |
| id | DE-604.BV046776262 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:48:27Z |
| indexdate | 2024-07-10T08:53:30Z |
| institution | BVB |
| isbn | 9780190631130 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032185561 |
| oclc_num | 1190907636 |
| open_access_boolean | |
| owner | DE-11 DE-12 DE-Y3 DE-Y2 |
| owner_facet | DE-11 DE-12 DE-Y3 DE-Y2 |
| physical | xiii, 389 Seiten Illustrationen |
| psigel | BSB_NED_20200818 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | De Lucca, Valeria ca. 20./21. Jh. Verfasser (DE-588)1046552937 aut The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) Valeria De Lucca New York Oxford University Press [2020] © 2020 xiii, 389 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes index The Colonna, Aristocratic Culture and the Display of Power in Seventeenth-Century Rome -- "Dalle sponde del Tebro alle rive dell'Adria" : The Colonna and the Public Theaters of Venice -- "All'uso di Venezia" : The Teatro Tordinona -- Staging a Public Response : Maria Mancini Colonna's Patronage in Rome -- Music and Theater in Rome after the Teatro Tordinona -- The Spanish Years -- Teatro Colonna (1682-1686) -- "Vive scintille dell'onor Romano": Colonna Viceroy of Naples (1687-1688) ""The Politics of Princely Entertainment explores the transformations in the politics of entertainment of the Italian aristocratic classes during the second half of the seventeenth century, at a time in which profound social and cultural shifts influenced the production and consumption of music in radical ways. The emergence of commercial theaters in the 1630s in Venice and the great appeal that opera began to have on a large and international audience required the aristocracy to take up a new role within the complex network of agents responsible for the production not only of opera but of music in general. The increasing competition between commercial opera theaters, ruling courts, aristocratic families and religious institutions and the consequent professionalization of roles that previously relied solely on patronage meant that singers, poets and composers acquired unprecedented negotiating power. This books explores these questions following the journeys and ventures of two of the most prominent patrons in seventeenth-century Italy, Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. During the thirty years under exam, 1659-1689, the Colonna were the most influential and active agents in the musical life of Rome: they sponsored an unprecedented number of operas, serenatas, oratorios, public ceremonies and carnival parades while supporting the careers of the most prominent composers, librettists, musicians and singers of the time. Following Prince Colonna and his wife through their personal and institutional travels to Venice, Spain, as Viceroyalties of the Kingdom of Aragon, and later Naples, this book traces the journeys not only of scores and librettos, but also of the singers, composers and librettists whose art reached these far away corners of Europe, changing and transforming to serve diverse social and political purposes.""-- Mancini, Maria 1639-1715 (DE-588)118781510 gnd rswk-swf Colonna, Lorenzo Onofrio 1637-1689 (DE-588)119521334 gnd rswk-swf Geschichte 1659-1689 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Mäzenatentum (DE-588)4074442-5 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Music / Italy / 17th century / History and criticism Opera / Italy / 17th century Music patronage / Italy / History / 17th century Colonna, Lorenzo Onofrio / 1637-1689 Mancini, Maria / 1639-1715 Music Music patronage Opera Italy 1600-1699 Criticism, interpretation, etc History (DE-588)4113937-9 Hochschulschrift gnd-content Rom (DE-588)4050471-2 g Colonna, Lorenzo Onofrio 1637-1689 (DE-588)119521334 p Mancini, Maria 1639-1715 (DE-588)118781510 p Theater (DE-588)4059702-7 s Musikleben (DE-588)4075128-4 s Mäzenatentum (DE-588)4074442-5 s Geschichte 1659-1689 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-0-19-063114-7 Erscheint auch als Online-Ausgabe 978-0-19-063115-4 Erscheint auch als Online-Ausgabe 978-0-19-063116-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032185561&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | De Lucca, Valeria ca. 20./21. Jh The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) The Colonna, Aristocratic Culture and the Display of Power in Seventeenth-Century Rome -- "Dalle sponde del Tebro alle rive dell'Adria" : The Colonna and the Public Theaters of Venice -- "All'uso di Venezia" : The Teatro Tordinona -- Staging a Public Response : Maria Mancini Colonna's Patronage in Rome -- Music and Theater in Rome after the Teatro Tordinona -- The Spanish Years -- Teatro Colonna (1682-1686) -- "Vive scintille dell'onor Romano": Colonna Viceroy of Naples (1687-1688) Mancini, Maria 1639-1715 (DE-588)118781510 gnd Colonna, Lorenzo Onofrio 1637-1689 (DE-588)119521334 gnd Theater (DE-588)4059702-7 gnd Musikleben (DE-588)4075128-4 gnd Mäzenatentum (DE-588)4074442-5 gnd |
| subject_GND | (DE-588)118781510 (DE-588)119521334 (DE-588)4059702-7 (DE-588)4075128-4 (DE-588)4074442-5 (DE-588)4050471-2 (DE-588)4113937-9 |
| title | The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) |
| title_auth | The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) |
| title_exact_search | The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) |
| title_exact_search_txtP | The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) |
| title_full | The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) Valeria De Lucca |
| title_fullStr | The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) Valeria De Lucca |
| title_full_unstemmed | The politics of princely entertainment music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) Valeria De Lucca |
| title_short | The politics of princely entertainment |
| title_sort | the politics of princely entertainment music and spectacle in the lives of lorenzo onofrio and maria mancini colonna 1659 1689 |
| title_sub | music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689) |
| topic | Mancini, Maria 1639-1715 (DE-588)118781510 gnd Colonna, Lorenzo Onofrio 1637-1689 (DE-588)119521334 gnd Theater (DE-588)4059702-7 gnd Musikleben (DE-588)4075128-4 gnd Mäzenatentum (DE-588)4074442-5 gnd |
| topic_facet | Mancini, Maria 1639-1715 Colonna, Lorenzo Onofrio 1637-1689 Theater Musikleben Mäzenatentum Rom Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032185561&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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