Being true to works of music:
"This book argues that the so-called 'authenticity debate' about the performance of works of Western classical music has tended to focus on a side issue. While much has been written about the desirability (or otherwise) of historical authenticity - roughly, performing works as they wo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2020
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | "This book argues that the so-called 'authenticity debate' about the performance of works of Western classical music has tended to focus on a side issue. While much has been written about the desirability (or otherwise) of historical authenticity - roughly, performing works as they would have been performed, under ideal conditions, in the era in which they were composed - the most fundamental norm governing our practice of work performance is, in fact, another kind of kind of truthfulness to the work altogether. This is interpretive authenticity: being faithful to the performed work by virtue of evincing a profound, far-reaching, or sophisticated understanding of it. While, in contrast to other performance values, both score compliance authenticity (being true to the work by obeying its score) and interpretive authenticity are valued for their own sake in performance, only the latter is a constitutive norm of the practice in the sense introduced by Christine Korsgaard. This has implications for cases in which the demands of these two kinds of authenticity conflict with each other. In cases of genuine such conflict, performers should sacrifice a little score compliance for the sake of making their performance more interpretively authentic"-- |
| Beschreibung: | viii, 194 Seiten |
| ISBN: | 9780198859482 |
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Datensatz im Suchindex
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | First edition |
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| id | DE-604.BV046776151 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:48:24Z |
| indexdate | 2024-07-10T08:53:30Z |
| institution | BVB |
| isbn | 9780198859482 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032185449 |
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| physical | viii, 194 Seiten |
| psigel | BSB_NED_20201015 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
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| publisher | Oxford University Press |
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| spelling | Dodd, Julian Verfasser (DE-588)1204452741 aut Being true to works of music Julian Dodd First edition New York Oxford University Press 2020 viii, 194 Seiten txt rdacontent n rdamedia nc rdacarrier "This book argues that the so-called 'authenticity debate' about the performance of works of Western classical music has tended to focus on a side issue. While much has been written about the desirability (or otherwise) of historical authenticity - roughly, performing works as they would have been performed, under ideal conditions, in the era in which they were composed - the most fundamental norm governing our practice of work performance is, in fact, another kind of kind of truthfulness to the work altogether. This is interpretive authenticity: being faithful to the performed work by virtue of evincing a profound, far-reaching, or sophisticated understanding of it. While, in contrast to other performance values, both score compliance authenticity (being true to the work by obeying its score) and interpretive authenticity are valued for their own sake in performance, only the latter is a constitutive norm of the practice in the sense introduced by Christine Korsgaard. This has implications for cases in which the demands of these two kinds of authenticity conflict with each other. In cases of genuine such conflict, performers should sacrifice a little score compliance for the sake of making their performance more interpretively authentic"-- Authentizität (DE-588)4193985-2 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Interpretation (DE-588)4072905-9 gnd rswk-swf Musik (DE-588)4040802-4 s Aufführung (DE-588)4143388-9 s Interpretation (DE-588)4072905-9 s Historische Musikpraxis (DE-588)4197967-9 s Authentizität (DE-588)4193985-2 s DE-604 |
| spellingShingle | Dodd, Julian Being true to works of music Authentizität (DE-588)4193985-2 gnd Historische Musikpraxis (DE-588)4197967-9 gnd Aufführung (DE-588)4143388-9 gnd Musik (DE-588)4040802-4 gnd Interpretation (DE-588)4072905-9 gnd |
| subject_GND | (DE-588)4193985-2 (DE-588)4197967-9 (DE-588)4143388-9 (DE-588)4040802-4 (DE-588)4072905-9 |
| title | Being true to works of music |
| title_auth | Being true to works of music |
| title_exact_search | Being true to works of music |
| title_exact_search_txtP | Being true to works of music |
| title_full | Being true to works of music Julian Dodd |
| title_fullStr | Being true to works of music Julian Dodd |
| title_full_unstemmed | Being true to works of music Julian Dodd |
| title_short | Being true to works of music |
| title_sort | being true to works of music |
| topic | Authentizität (DE-588)4193985-2 gnd Historische Musikpraxis (DE-588)4197967-9 gnd Aufführung (DE-588)4143388-9 gnd Musik (DE-588)4040802-4 gnd Interpretation (DE-588)4072905-9 gnd |
| topic_facet | Authentizität Historische Musikpraxis Aufführung Musik Interpretation |
| work_keys_str_mv | AT doddjulian beingtruetoworksofmusic |