The building as screen: a history, theory, and practice of massive media
The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media - a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens - in orde...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
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| Schriftenreihe: | MediaMatters
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media - a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens - in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal's Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image. Through case studies, participant observation, interviews with artists, designers, and cultural producers, close and distant readings of social media associated with various buildings-as-screens and their related events, archival and historical research, and creative probes, this book explores the capacity that massive media has to support a more participatory public culture in which we identify and engage with collective presence, memory, and action through information, architecture, and the moving image |
| Beschreibung: | 192 Seiten Illustrationen, Diagramm, Karte 24 cm |
| ISBN: | 9789462989498 |
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Datensatz im Suchindex
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| adam_text | Table of Contents Acknowledgements 9 1. Introducing Massive Media From the Top Why Massive Media? A Brief History of the Public Sphere, Monumentality, and Media The Most Advanced Site of Struggle: The Public Sphere Looking Up Together: Monumentality A Modern Monument for the Modern Masses Space and Media Accelerated Rituals Reverie Amidst the Real Entering Supermodernism How this BookWorks 11 11 17 19 ig 22 25 27 32 35 38 40 2. Large-scale Projection and the (New) New Monumentality Moving Images A Short History of the Moving Image in Public Space Architecture, Expanded Cinema, and the New Monumentality The Image Mill Superimposition and Massive Media: Super Imposing Spatial Montage: Extra Diegetic Dispositif and Apparatus: Staging the City McLarena: Recentring the Audience Participation: Don’t Just Sit There and Watch Place Branding and Theatricality A (New) New Monumentality? Experiments in Public Projection 30 moons many hands The Line A Perceptual Laboratory 49 3. Low-Resolution Media Façades in a Data Society This Building is on Fire A Short History of the Empire State Building Colours and Meanings Public Data Visualisations 49 53 58 61 64 67 69 72 75 76 77 82 83 88 94 99 99 103 106 110
THE BUILDING AS SCREEN 8 The Empire State Building Experiments in Public Data Visualisation 113 120 E-TOWER 121 In The Air, Tonight 124 Temporary Intensities and Collective Conversations 127 4. Curating Massive Media Changing Spaces A Short History of Public Screen Practice Massive Media and Public Art What People Have in (The) Common Connecting Cities Streaming Museum Curating RyeLights Connecting Sites and Streams 133 133 136 139 140 144 157 164 166 5. When Buildings Become Screens Dancing with Buildings Tactics and Strategies More Massive, More Media 173 173 174 177 About the Author 181 List of Exhibitions, Films, Songs, Videos, and Installations 183 Index of Names 185 Index of Subjects 187
The Building as Screen: A History, Theory, and Practice of Massiue Media describes, historicizes, theorizes, and creatively deploys massive media — aset of techno-social assemblages and practices that include large outdoor projections, programmable architect ural façades, and urban screens — in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image. dave COLANGELO is Professor of Digital Experience Design in the School of Design at George Brown College, Director, North America, of the Media Architecture Institute, and Co-Founder of Public Visualization Studio.
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| adam_txt |
Table of Contents Acknowledgements 9 1. Introducing Massive Media From the Top Why Massive Media? A Brief History of the Public Sphere, Monumentality, and Media The Most Advanced Site of Struggle: The Public Sphere Looking Up Together: Monumentality A Modern Monument for the Modern Masses Space and Media Accelerated Rituals Reverie Amidst the Real Entering Supermodernism How this BookWorks 11 11 17 19 ig 22 25 27 32 35 38 40 2. Large-scale Projection and the (New) New Monumentality Moving Images A Short History of the Moving Image in Public Space Architecture, Expanded Cinema, and the New Monumentality The Image Mill Superimposition and Massive Media: Super Imposing Spatial Montage: Extra Diegetic Dispositif and Apparatus: Staging the City McLarena: Recentring the Audience Participation: Don’t Just Sit There and Watch Place Branding and Theatricality A (New) New Monumentality? Experiments in Public Projection 30 moons many hands The Line A Perceptual Laboratory 49 3. Low-Resolution Media Façades in a Data Society This Building is on Fire A Short History of the Empire State Building Colours and Meanings Public Data Visualisations 49 53 58 61 64 67 69 72 75 76 77 82 83 88 94 99 99 103 106 110
THE BUILDING AS SCREEN 8 The Empire State Building Experiments in Public Data Visualisation 113 120 E-TOWER 121 In The Air, Tonight 124 Temporary Intensities and Collective Conversations 127 4. Curating Massive Media Changing Spaces A Short History of Public Screen Practice Massive Media and Public Art What People Have in (The) Common Connecting Cities Streaming Museum Curating RyeLights Connecting Sites and Streams 133 133 136 139 140 144 157 164 166 5. When Buildings Become Screens Dancing with Buildings Tactics and Strategies More Massive, More Media 173 173 174 177 About the Author 181 List of Exhibitions, Films, Songs, Videos, and Installations 183 Index of Names 185 Index of Subjects 187
The Building as Screen: A History, Theory, and Practice of Massiue Media describes, historicizes, theorizes, and creatively deploys massive media — aset of techno-social assemblages and practices that include large outdoor projections, programmable architect ural façades, and urban screens — in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image. dave COLANGELO is Professor of Digital Experience Design in the School of Design at George Brown College, Director, North America, of the Media Architecture Institute, and Co-Founder of Public Visualization Studio. |
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| spelling | Colangelo, Dave Verfasser (DE-588)1214191312 aut The building as screen a history, theory, and practice of massive media Dave Colangelo Amsterdam Amsterdam University Press [2020] © 2020 192 Seiten Illustrationen, Diagramm, Karte 24 cm txt rdacontent n rdamedia nc rdacarrier MediaMatters The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media - a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens - in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal's Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image. Through case studies, participant observation, interviews with artists, designers, and cultural producers, close and distant readings of social media associated with various buildings-as-screens and their related events, archival and historical research, and creative probes, this book explores the capacity that massive media has to support a more participatory public culture in which we identify and engage with collective presence, memory, and action through information, architecture, and the moving image ART / Digital bisacsh Architectural design Technological innovations Architektur (DE-588)4002851-3 gnd rswk-swf Fassade (DE-588)4016507-3 gnd rswk-swf Medien (DE-588)4169187-8 gnd rswk-swf Bildschirm (DE-588)4125194-5 gnd rswk-swf Architektur (DE-588)4002851-3 s Fassade (DE-588)4016507-3 s Bildschirm (DE-588)4125194-5 s Medien (DE-588)4169187-8 s DE-604 Erscheint auch als Online-Ausgabe 978-90-485-4205-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032182786&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032182786&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The building as screen a history, theory, and practice of massive media |
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