The broken voice: reading post-Holocaust literature
Which writer today is not a writer of the Holocaust?' asked the late Imre Kertesz, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2017
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | UBW01 Volltext |
| Zusammenfassung: | Which writer today is not a writer of the Holocaust?' asked the late Imre Kertesz, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertesz, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts-the public secret, evil, stasis, disorientalism, and kitsch-in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertesz, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust |
| Beschreibung: | 1 Online-Ressource (vi, 187 Seiten) |
| ISBN: | 9780191823800 |
| DOI: | 10.1093/oso/9780198778363.001.0001 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046772604 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200619s2017 |||| o||u| ||||||eng d | ||
| 020 | |a 9780191823800 |9 978-0-19-182380-0 | ||
| 024 | 7 | |a 10.1093/oso/9780198778363.001.0001 |2 doi | |
| 035 | |a (OCoLC)1159383697 | ||
| 035 | |a (DE-599)BVBBV046772604 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-20 | ||
| 084 | |a EC 5410 |0 (DE-625)20606: |2 rvk | ||
| 100 | 1 | |a Eaglestone, Robert |d 1968- |e Verfasser |0 (DE-588)138760837 |4 aut | |
| 245 | 1 | 0 | |a The broken voice |b reading post-Holocaust literature |c Robert Eaglestone |
| 250 | |a First edition | ||
| 264 | 1 | |a Oxford |b Oxford University Press |c 2017 | |
| 300 | |a 1 Online-Ressource (vi, 187 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a Which writer today is not a writer of the Holocaust?' asked the late Imre Kertesz, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertesz, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts-the public secret, evil, stasis, disorientalism, and kitsch-in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertesz, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust | |
| 648 | 7 | |a Geschichte 1945-2012 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Judenvernichtung |g Motiv |0 (DE-588)4122228-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 1 | |a Judenvernichtung |g Motiv |0 (DE-588)4122228-3 |D s |
| 689 | 0 | 2 | |a Geschichte 1945-2012 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-19-877836-3 |
| 856 | 4 | 0 | |u https://dx.doi.org/10.1093/oso/9780198778363.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-28-OSV | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032181977 | ||
| 966 | e | |u https://dx.doi.org/10.1093/oso/9780198778363.001.0001 |l UBW01 |p ZDB-28-OSV |q UBW_Paketkauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181547699404800 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Eaglestone, Robert 1968- |
| author_GND | (DE-588)138760837 |
| author_facet | Eaglestone, Robert 1968- |
| author_role | aut |
| author_sort | Eaglestone, Robert 1968- |
| author_variant | r e re |
| building | Verbundindex |
| bvnumber | BV046772604 |
| classification_rvk | EC 5410 |
| collection | ZDB-28-OSV |
| ctrlnum | (OCoLC)1159383697 (DE-599)BVBBV046772604 |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| doi_str_mv | 10.1093/oso/9780198778363.001.0001 |
| edition | First edition |
| era | Geschichte 1945-2012 gnd |
| era_facet | Geschichte 1945-2012 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02735nmm a2200433 c 4500</leader><controlfield tag="001">BV046772604</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200619s2017 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780191823800</subfield><subfield code="9">978-0-19-182380-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/oso/9780198778363.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1159383697</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046772604</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 5410</subfield><subfield code="0">(DE-625)20606:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Eaglestone, Robert</subfield><subfield code="d">1968-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138760837</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The broken voice</subfield><subfield code="b">reading post-Holocaust literature</subfield><subfield code="c">Robert Eaglestone</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vi, 187 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Which writer today is not a writer of the Holocaust?' asked the late Imre Kertesz, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertesz, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts-the public secret, evil, stasis, disorientalism, and kitsch-in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertesz, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1945-2012</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Judenvernichtung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4122228-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Judenvernichtung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4122228-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1945-2012</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-19-877836-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://dx.doi.org/10.1093/oso/9780198778363.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSV</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032181977</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://dx.doi.org/10.1093/oso/9780198778363.001.0001</subfield><subfield code="l">UBW01</subfield><subfield code="p">ZDB-28-OSV</subfield><subfield code="q">UBW_Paketkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV046772604 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:47:17Z |
| indexdate | 2024-07-10T08:53:24Z |
| institution | BVB |
| isbn | 9780191823800 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032181977 |
| oclc_num | 1159383697 |
| open_access_boolean | |
| owner | DE-20 |
| owner_facet | DE-20 |
| physical | 1 Online-Ressource (vi, 187 Seiten) |
| psigel | ZDB-28-OSV ZDB-28-OSV UBW_Paketkauf |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Eaglestone, Robert 1968- Verfasser (DE-588)138760837 aut The broken voice reading post-Holocaust literature Robert Eaglestone First edition Oxford Oxford University Press 2017 1 Online-Ressource (vi, 187 Seiten) txt rdacontent c rdamedia cr rdacarrier Which writer today is not a writer of the Holocaust?' asked the late Imre Kertesz, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertesz, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts-the public secret, evil, stasis, disorientalism, and kitsch-in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertesz, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust Geschichte 1945-2012 gnd rswk-swf Judenvernichtung Motiv (DE-588)4122228-3 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Literatur (DE-588)4035964-5 s Judenvernichtung Motiv (DE-588)4122228-3 s Geschichte 1945-2012 z DE-604 Erscheint auch als Druck-Ausgabe 978-0-19-877836-3 https://dx.doi.org/10.1093/oso/9780198778363.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Eaglestone, Robert 1968- The broken voice reading post-Holocaust literature Judenvernichtung Motiv (DE-588)4122228-3 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4122228-3 (DE-588)4035964-5 |
| title | The broken voice reading post-Holocaust literature |
| title_auth | The broken voice reading post-Holocaust literature |
| title_exact_search | The broken voice reading post-Holocaust literature |
| title_exact_search_txtP | The broken voice reading post-Holocaust literature |
| title_full | The broken voice reading post-Holocaust literature Robert Eaglestone |
| title_fullStr | The broken voice reading post-Holocaust literature Robert Eaglestone |
| title_full_unstemmed | The broken voice reading post-Holocaust literature Robert Eaglestone |
| title_short | The broken voice |
| title_sort | the broken voice reading post holocaust literature |
| title_sub | reading post-Holocaust literature |
| topic | Judenvernichtung Motiv (DE-588)4122228-3 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Judenvernichtung Motiv Literatur |
| url | https://dx.doi.org/10.1093/oso/9780198778363.001.0001 |
| work_keys_str_mv | AT eaglestonerobert thebrokenvoicereadingpostholocaustliterature |