Merce Cunningham: after the arbitrary
One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham's work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2019]
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| Zusammenfassung: | One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham's work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham's career, Carrie Noland brings new insight to this transformative artist's philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before. Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham's influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham's written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than "movement in itself," and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer's work and legacy |
| Beschreibung: | 1 Online-Ressource (260 Seiten) Illustrationen |
| ISBN: | 9780226541389 |
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| 520 | |a One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham's work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham's career, Carrie Noland brings new insight to this transformative artist's philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before. Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham's influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham's written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than "movement in itself," and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer's work and legacy | ||
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| spelling | Noland, Carrie 1958- Verfasser (DE-588)136181376 aut Merce Cunningham after the arbitrary Carrie Noland Chicago ; London The University of Chicago Press [2019] © 2020 1 Online-Ressource (260 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham's work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham's career, Carrie Noland brings new insight to this transformative artist's philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before. Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham's influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham's written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than "movement in itself," and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer's work and legacy Cunningham, Merce 1919-2009 (DE-588)118522981 gnd rswk-swf ART / General / bisacsh Choreography Modern dance / United States Modern Dance (DE-588)4074920-4 gnd rswk-swf Cunningham, Merce 1919-2009 (DE-588)118522981 p Modern Dance (DE-588)4074920-4 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-226-54110-5 Erscheint auch als Druck-Ausgabe, Paperback 978-0-226-54124-2 https://www.degruyter.com/isbn/9780226541389 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Noland, Carrie 1958- Merce Cunningham after the arbitrary Cunningham, Merce 1919-2009 (DE-588)118522981 gnd ART / General / bisacsh Choreography Modern dance / United States Modern Dance (DE-588)4074920-4 gnd |
| subject_GND | (DE-588)118522981 (DE-588)4074920-4 |
| title | Merce Cunningham after the arbitrary |
| title_auth | Merce Cunningham after the arbitrary |
| title_exact_search | Merce Cunningham after the arbitrary |
| title_exact_search_txtP | Merce Cunningham after the arbitrary |
| title_full | Merce Cunningham after the arbitrary Carrie Noland |
| title_fullStr | Merce Cunningham after the arbitrary Carrie Noland |
| title_full_unstemmed | Merce Cunningham after the arbitrary Carrie Noland |
| title_short | Merce Cunningham |
| title_sort | merce cunningham after the arbitrary |
| title_sub | after the arbitrary |
| topic | Cunningham, Merce 1919-2009 (DE-588)118522981 gnd ART / General / bisacsh Choreography Modern dance / United States Modern Dance (DE-588)4074920-4 gnd |
| topic_facet | Cunningham, Merce 1919-2009 ART / General / bisacsh Choreography Modern dance / United States Modern Dance |
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