Cursed questions: on music and its social practices
"Drawn largely from keynote addresses presented at conferences all over the world, and informed by the experience of writing the Oxford History of Western Music, this book considers the perennial, insoluble yet unevadable problems that musical scholarship must address, among them: musical ontol...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | "Drawn largely from keynote addresses presented at conferences all over the world, and informed by the experience of writing the Oxford History of Western Music, this book considers the perennial, insoluble yet unevadable problems that musical scholarship must address, among them: musical ontology, musical representation, the determination of musical meaning, the objectives of musical historiography, the ethics of musical performance and criticism, musical periodization, the question of aesthetic autonomy, the social impact of art and the need to control it, the proper source of that control, the relationship of art (and art scholarship) to its temporal and geographical environments, the desirability of historical performance practices, the value and purpose of musical analysis, the origin and value of musical traditions, the purposes and effects of the social dissemination of music. As suggested by the subtitle, the thrust is consistently anti-essentialist. Meaning and value are at all times seen in relational terms, as aspects of social transaction"-- |
| Beschreibung: | "Roth Family Foundation Imprint in Music" |
| Beschreibung: | 450 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780520344297 9780520344280 |
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| 505 | 8 | |a Introduction -- The history of what? -- Did somebody say censorship? -- Haydn and the Enlightenment? -- Is there a baby in the bathwater? : on aesthetic autonomy -- Shall we change the subject? : a music historian refects -- "Alte Musik" or "early music?" : on performance -- Nicht blutbefleckt? -- What else? : on musical representation -- Unanalyzable, is it? -- Essence or context? : on musical ontology (2016) -- But aren't they all invented? : on tradition (2017) -- Which way is up? : on the sociology of taste -- A walking translation? : on musicology east and west | |
| 520 | 3 | |a "Drawn largely from keynote addresses presented at conferences all over the world, and informed by the experience of writing the Oxford History of Western Music, this book considers the perennial, insoluble yet unevadable problems that musical scholarship must address, among them: musical ontology, musical representation, the determination of musical meaning, the objectives of musical historiography, the ethics of musical performance and criticism, musical periodization, the question of aesthetic autonomy, the social impact of art and the need to control it, the proper source of that control, the relationship of art (and art scholarship) to its temporal and geographical environments, the desirability of historical performance practices, the value and purpose of musical analysis, the origin and value of musical traditions, the purposes and effects of the social dissemination of music. As suggested by the subtitle, the thrust is consistently anti-essentialist. Meaning and value are at all times seen in relational terms, as aspects of social transaction"-- | |
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Datensatz im Suchindex
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| author | Taruskin, Richard 1945-2022 |
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| contents | Introduction -- The history of what? -- Did somebody say censorship? -- Haydn and the Enlightenment? -- Is there a baby in the bathwater? : on aesthetic autonomy -- Shall we change the subject? : a music historian refects -- "Alte Musik" or "early music?" : on performance -- Nicht blutbefleckt? -- What else? : on musical representation -- Unanalyzable, is it? -- Essence or context? : on musical ontology (2016) -- But aren't they all invented? : on tradition (2017) -- Which way is up? : on the sociology of taste -- A walking translation? : on musicology east and west |
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| index_date | 2024-07-03T14:47:00Z |
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| spelling | Taruskin, Richard 1945-2022 Verfasser (DE-588)10379753X aut Cursed questions on music and its social practices Richard Taruskin Oakland, California University of California Press [2020] © 2020 450 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Roth Family Foundation Imprint in Music" Introduction -- The history of what? -- Did somebody say censorship? -- Haydn and the Enlightenment? -- Is there a baby in the bathwater? : on aesthetic autonomy -- Shall we change the subject? : a music historian refects -- "Alte Musik" or "early music?" : on performance -- Nicht blutbefleckt? -- What else? : on musical representation -- Unanalyzable, is it? -- Essence or context? : on musical ontology (2016) -- But aren't they all invented? : on tradition (2017) -- Which way is up? : on the sociology of taste -- A walking translation? : on musicology east and west "Drawn largely from keynote addresses presented at conferences all over the world, and informed by the experience of writing the Oxford History of Western Music, this book considers the perennial, insoluble yet unevadable problems that musical scholarship must address, among them: musical ontology, musical representation, the determination of musical meaning, the objectives of musical historiography, the ethics of musical performance and criticism, musical periodization, the question of aesthetic autonomy, the social impact of art and the need to control it, the proper source of that control, the relationship of art (and art scholarship) to its temporal and geographical environments, the desirability of historical performance practices, the value and purpose of musical analysis, the origin and value of musical traditions, the purposes and effects of the social dissemination of music. As suggested by the subtitle, the thrust is consistently anti-essentialist. Meaning and value are at all times seen in relational terms, as aspects of social transaction"-- Musikwissenschaft (DE-588)4130526-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikgeschichtsschreibung (DE-588)4139339-9 gnd rswk-swf Music / Historiography Musicology Music / Social aspects Music / Philosophy and aesthetics (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Musikgeschichtsschreibung (DE-588)4139339-9 s Musikwissenschaft (DE-588)4130526-7 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-520-97545-3 |
| spellingShingle | Taruskin, Richard 1945-2022 Cursed questions on music and its social practices Introduction -- The history of what? -- Did somebody say censorship? -- Haydn and the Enlightenment? -- Is there a baby in the bathwater? : on aesthetic autonomy -- Shall we change the subject? : a music historian refects -- "Alte Musik" or "early music?" : on performance -- Nicht blutbefleckt? -- What else? : on musical representation -- Unanalyzable, is it? -- Essence or context? : on musical ontology (2016) -- But aren't they all invented? : on tradition (2017) -- Which way is up? : on the sociology of taste -- A walking translation? : on musicology east and west Musikwissenschaft (DE-588)4130526-7 gnd Musik (DE-588)4040802-4 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd |
| subject_GND | (DE-588)4130526-7 (DE-588)4040802-4 (DE-588)4139339-9 (DE-588)4143413-4 |
| title | Cursed questions on music and its social practices |
| title_auth | Cursed questions on music and its social practices |
| title_exact_search | Cursed questions on music and its social practices |
| title_exact_search_txtP | Cursed questions on music and its social practices |
| title_full | Cursed questions on music and its social practices Richard Taruskin |
| title_fullStr | Cursed questions on music and its social practices Richard Taruskin |
| title_full_unstemmed | Cursed questions on music and its social practices Richard Taruskin |
| title_short | Cursed questions |
| title_sort | cursed questions on music and its social practices |
| title_sub | on music and its social practices |
| topic | Musikwissenschaft (DE-588)4130526-7 gnd Musik (DE-588)4040802-4 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd |
| topic_facet | Musikwissenschaft Musik Musikgeschichtsschreibung Aufsatzsammlung |
| work_keys_str_mv | AT taruskinrichard cursedquestionsonmusicanditssocialpractices |