Portraits of remembrance: painting, memory, and the First World War
"Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict"--
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa
The University of Alabama Press
[2020]
|
| Schriftenreihe: | War, memory, and culture
|
| Schlagworte: | |
| Zusammenfassung: | "Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict"-- Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms. |
| Beschreibung: | viii, 334 Seiten Illustrationen 27 cm |
| ISBN: | 9780817320508 |
Internformat
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| 505 | 8 | |a En souvenir : Albert Herter's Le départ des Poilus, at Paris-Est / Mark Levitch -- The Canadians opposite lens : Augustus John's unfinished First World War Canadian masterpiece / Laura Brandon -- From propaganda to remembrance : Alfred Bastien's The panorama of the Yser Battle / Sandrine Smets | |
| 520 | 3 | |a "Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict"-- | |
| 520 | 3 | |a Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms. | |
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Datensatz im Suchindex
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| author2 | Hutchison, Margaret Trout, Steven 1963- Winter, Jay 1945- |
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| contents | En souvenir : Albert Herter's Le départ des Poilus, at Paris-Est / Mark Levitch -- The Canadians opposite lens : Augustus John's unfinished First World War Canadian masterpiece / Laura Brandon -- From propaganda to remembrance : Alfred Bastien's The panorama of the Yser Battle / Sandrine Smets |
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| illustrated | Illustrated |
| index_date | 2024-07-03T14:46:43Z |
| indexdate | 2024-07-10T08:53:20Z |
| institution | BVB |
| isbn | 9780817320508 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032180127 |
| oclc_num | 1196826299 |
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| physical | viii, 334 Seiten Illustrationen 27 cm |
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| publishDate | 2020 |
| publishDateSearch | 2020 |
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| publisher | The University of Alabama Press |
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| series2 | War, memory, and culture |
| spelling | Portraits of remembrance painting, memory, and the First World War edited by Margaret Hutchison and Steven Trout ; afterword by Jay Winter Tuscaloosa The University of Alabama Press [2020] viii, 334 Seiten Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier War, memory, and culture En souvenir : Albert Herter's Le départ des Poilus, at Paris-Est / Mark Levitch -- The Canadians opposite lens : Augustus John's unfinished First World War Canadian masterpiece / Laura Brandon -- From propaganda to remembrance : Alfred Bastien's The panorama of the Yser Battle / Sandrine Smets "Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict"-- Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms. Malerei (DE-588)4037220-0 gnd rswk-swf Kriegsmaler (DE-588)7576747-8 gnd rswk-swf Erster Weltkrieg Motiv (DE-588)4189594-0 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf World War, 1914-1918 / Art and the war World War, 1914-1918 / Social aspects Painting, Modern / 20th century / Themes, motives Memory / Sociological aspects War and society Painting, Modern / Themes, motives Social aspects 1900-1999 Art (DE-588)4143413-4 Aufsatzsammlung gnd-content Erster Weltkrieg Motiv (DE-588)4189594-0 s Malerei (DE-588)4037220-0 s Kollektives Gedächtnis (DE-588)4200793-8 s DE-604 Kriegsmaler (DE-588)7576747-8 s Hutchison, Margaret (DE-588)1077321708 edt Trout, Steven 1963- (DE-588)173783082 edt Winter, Jay 1945- (DE-588)121267946 aft Erscheint auch als Online-Ausgabe, EPUB 978-0-8173-9281-9 |
| spellingShingle | Portraits of remembrance painting, memory, and the First World War En souvenir : Albert Herter's Le départ des Poilus, at Paris-Est / Mark Levitch -- The Canadians opposite lens : Augustus John's unfinished First World War Canadian masterpiece / Laura Brandon -- From propaganda to remembrance : Alfred Bastien's The panorama of the Yser Battle / Sandrine Smets Malerei (DE-588)4037220-0 gnd Kriegsmaler (DE-588)7576747-8 gnd Erster Weltkrieg Motiv (DE-588)4189594-0 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd |
| subject_GND | (DE-588)4037220-0 (DE-588)7576747-8 (DE-588)4189594-0 (DE-588)4200793-8 (DE-588)4143413-4 |
| title | Portraits of remembrance painting, memory, and the First World War |
| title_auth | Portraits of remembrance painting, memory, and the First World War |
| title_exact_search | Portraits of remembrance painting, memory, and the First World War |
| title_exact_search_txtP | Portraits of remembrance painting, memory, and the First World War |
| title_full | Portraits of remembrance painting, memory, and the First World War edited by Margaret Hutchison and Steven Trout ; afterword by Jay Winter |
| title_fullStr | Portraits of remembrance painting, memory, and the First World War edited by Margaret Hutchison and Steven Trout ; afterword by Jay Winter |
| title_full_unstemmed | Portraits of remembrance painting, memory, and the First World War edited by Margaret Hutchison and Steven Trout ; afterword by Jay Winter |
| title_short | Portraits of remembrance |
| title_sort | portraits of remembrance painting memory and the first world war |
| title_sub | painting, memory, and the First World War |
| topic | Malerei (DE-588)4037220-0 gnd Kriegsmaler (DE-588)7576747-8 gnd Erster Weltkrieg Motiv (DE-588)4189594-0 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd |
| topic_facet | Malerei Kriegsmaler Erster Weltkrieg Motiv Kollektives Gedächtnis Aufsatzsammlung |
| work_keys_str_mv | AT hutchisonmargaret portraitsofremembrancepaintingmemoryandthefirstworldwar AT troutsteven portraitsofremembrancepaintingmemoryandthefirstworldwar AT winterjay portraitsofremembrancepaintingmemoryandthefirstworldwar |