Psychomotor aesthetics: movement and affect in modern literature and film
"In the late 19th century, neurophysiology introduced techniques for detecting somatic signs of psychological experiences. Scientific modes of recording, representing, and interpreting body movement as "expressive" soon found use in multiple cultural domains. Based on archival materia...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2020]
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| Schlagworte: | |
| Zusammenfassung: | "In the late 19th century, neurophysiology introduced techniques for detecting somatic signs of psychological experiences. Scientific modes of recording, representing, and interpreting body movement as "expressive" soon found use in multiple cultural domains. Based on archival materials, this study charts the avenues by which physiological psychology reached the arts and evaluates institutional practices and political trends that promoted interdisciplinary engagements in the first quarter of the 20th century. In mapping the emergence of a paradigm it calls "psychomotor aesthetics," this book uncovers little-known sources of Russian Futurism, Formalist poetics, avant-garde film theories of Lev Kuleshov and Sergei Eisenstein, and early Soviet programs for evaluating film-goers' reactions. Drawing attention to the intellectual exchange between Russian authors and their European and American counterparts, the book documents diverse cultural applications of laboratory methods for studying the psyche. Both a history and a critical project, the book attends to the ways in which artists and the orists dealt with the universalist fallacies inherited from biologically-oriented psychology-at times, endorsing the positivist, deterministic outlook, and at times, resisting, reinterpreting, and defamiliarizing these scientific notions. In exposing the vastness of cross-disciplinary exchange at the juncture of neurophysiology and the arts at the turn of the 20th century, Psychomotor Aesthetics calls attention to the tremendous cultural resonance of theories foregrounding the somatic substrate of emotional and cognitive experience-theories, which anticipate the promises and limitations of today's neuroaesthetics and neuromarketing"-- |
| Beschreibung: | xliii, 366 Seiten Illustrationen, Diagramme, Portraits |
| ISBN: | 9780190051266 9780190051259 |
Internformat
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| 505 | 8 | |a Sound-gesture: embodyment in Russian futurist poetry -- Motor impulses of verse: Russian formalists on poetry recitation -- Scores of movement: Lev Kuleshov approach to film acting -- Kinesthetic empathy : Gergei Eisenstein's theory of spectatorship -- The pulse of film: psychophysiological studies of film audience | |
| 520 | 3 | |a "In the late 19th century, neurophysiology introduced techniques for detecting somatic signs of psychological experiences. Scientific modes of recording, representing, and interpreting body movement as "expressive" soon found use in multiple cultural domains. Based on archival materials, this study charts the avenues by which physiological psychology reached the arts and evaluates institutional practices and political trends that promoted interdisciplinary engagements in the first quarter of the 20th century. In mapping the emergence of a paradigm it calls "psychomotor aesthetics," this book uncovers little-known sources of Russian Futurism, Formalist poetics, avant-garde film theories of Lev Kuleshov and Sergei Eisenstein, and early Soviet programs for evaluating film-goers' reactions. Drawing attention to the intellectual exchange between Russian authors and their European and American counterparts, the book documents diverse cultural applications of laboratory methods for studying the psyche. Both a history and a critical project, the book attends to the ways in which artists and the orists dealt with the universalist fallacies inherited from biologically-oriented psychology-at times, endorsing the positivist, deterministic outlook, and at times, resisting, reinterpreting, and defamiliarizing these scientific notions. In exposing the vastness of cross-disciplinary exchange at the juncture of neurophysiology and the arts at the turn of the 20th century, Psychomotor Aesthetics calls attention to the tremendous cultural resonance of theories foregrounding the somatic substrate of emotional and cognitive experience-theories, which anticipate the promises and limitations of today's neuroaesthetics and neuromarketing"-- | |
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| 776 | 0 | 8 | |i Online version |a Olenina, Ana Hedberg |t Psychomotor aesthetics |d New York : Oxford University Press, 2020 |z 9780190051280 |
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Datensatz im Suchindex
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| author | Olenina, Ana Hedberg |
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| bvnumber | BV046767233 |
| contents | Sound-gesture: embodyment in Russian futurist poetry -- Motor impulses of verse: Russian formalists on poetry recitation -- Scores of movement: Lev Kuleshov approach to film acting -- Kinesthetic empathy : Gergei Eisenstein's theory of spectatorship -- The pulse of film: psychophysiological studies of film audience |
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| illustrated | Illustrated |
| index_date | 2024-07-03T14:45:44Z |
| indexdate | 2024-07-10T08:53:15Z |
| institution | BVB |
| isbn | 9780190051266 9780190051259 |
| language | English |
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| spelling | Olenina, Ana Hedberg Verfasser (DE-588)139910808 aut Psychomotor aesthetics movement and affect in modern literature and film Ana Hedberg Olenina New York Oxford University Press [2020] © 2020 xliii, 366 Seiten Illustrationen, Diagramme, Portraits txt rdacontent n rdamedia nc rdacarrier Sound-gesture: embodyment in Russian futurist poetry -- Motor impulses of verse: Russian formalists on poetry recitation -- Scores of movement: Lev Kuleshov approach to film acting -- Kinesthetic empathy : Gergei Eisenstein's theory of spectatorship -- The pulse of film: psychophysiological studies of film audience "In the late 19th century, neurophysiology introduced techniques for detecting somatic signs of psychological experiences. Scientific modes of recording, representing, and interpreting body movement as "expressive" soon found use in multiple cultural domains. Based on archival materials, this study charts the avenues by which physiological psychology reached the arts and evaluates institutional practices and political trends that promoted interdisciplinary engagements in the first quarter of the 20th century. In mapping the emergence of a paradigm it calls "psychomotor aesthetics," this book uncovers little-known sources of Russian Futurism, Formalist poetics, avant-garde film theories of Lev Kuleshov and Sergei Eisenstein, and early Soviet programs for evaluating film-goers' reactions. Drawing attention to the intellectual exchange between Russian authors and their European and American counterparts, the book documents diverse cultural applications of laboratory methods for studying the psyche. Both a history and a critical project, the book attends to the ways in which artists and the orists dealt with the universalist fallacies inherited from biologically-oriented psychology-at times, endorsing the positivist, deterministic outlook, and at times, resisting, reinterpreting, and defamiliarizing these scientific notions. In exposing the vastness of cross-disciplinary exchange at the juncture of neurophysiology and the arts at the turn of the 20th century, Psychomotor Aesthetics calls attention to the tremendous cultural resonance of theories foregrounding the somatic substrate of emotional and cognitive experience-theories, which anticipate the promises and limitations of today's neuroaesthetics and neuromarketing"-- Geschichte 1900-1925 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Bewegung Motiv (DE-588)4228201-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Gefühl Motiv (DE-588)4207378-9 gnd rswk-swf Psychophysiology and the arts Audiences / Psychology Modernism (Christian theology) Literatur (DE-588)4035964-5 s Film (DE-588)4017102-4 s Gefühl Motiv (DE-588)4207378-9 s Bewegung Motiv (DE-588)4228201-9 s Geschichte 1900-1925 z DE-604 Online version Olenina, Ana Hedberg Psychomotor aesthetics New York : Oxford University Press, 2020 9780190051280 |
| spellingShingle | Olenina, Ana Hedberg Psychomotor aesthetics movement and affect in modern literature and film Sound-gesture: embodyment in Russian futurist poetry -- Motor impulses of verse: Russian formalists on poetry recitation -- Scores of movement: Lev Kuleshov approach to film acting -- Kinesthetic empathy : Gergei Eisenstein's theory of spectatorship -- The pulse of film: psychophysiological studies of film audience Literatur (DE-588)4035964-5 gnd Bewegung Motiv (DE-588)4228201-9 gnd Film (DE-588)4017102-4 gnd Gefühl Motiv (DE-588)4207378-9 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4228201-9 (DE-588)4017102-4 (DE-588)4207378-9 |
| title | Psychomotor aesthetics movement and affect in modern literature and film |
| title_auth | Psychomotor aesthetics movement and affect in modern literature and film |
| title_exact_search | Psychomotor aesthetics movement and affect in modern literature and film |
| title_exact_search_txtP | Psychomotor aesthetics movement and affect in modern literature and film |
| title_full | Psychomotor aesthetics movement and affect in modern literature and film Ana Hedberg Olenina |
| title_fullStr | Psychomotor aesthetics movement and affect in modern literature and film Ana Hedberg Olenina |
| title_full_unstemmed | Psychomotor aesthetics movement and affect in modern literature and film Ana Hedberg Olenina |
| title_short | Psychomotor aesthetics |
| title_sort | psychomotor aesthetics movement and affect in modern literature and film |
| title_sub | movement and affect in modern literature and film |
| topic | Literatur (DE-588)4035964-5 gnd Bewegung Motiv (DE-588)4228201-9 gnd Film (DE-588)4017102-4 gnd Gefühl Motiv (DE-588)4207378-9 gnd |
| topic_facet | Literatur Bewegung Motiv Film Gefühl Motiv |
| work_keys_str_mv | AT oleninaanahedberg psychomotoraestheticsmovementandaffectinmodernliteratureandfilm |