Music in Goethe's Faust: Goethe's Faust in music
That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's <I>Faust</I>, a work which has attracted the attention of composers since the late eighte...
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The Boydell Press
2017
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Zusammenfassung: | That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's <I>Faust</I>, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have <I>Faust</I> set to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's <I>Faust</I> came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's <I>Faust</I> and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's <I>Faust</I> and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for <I>Faust</I>, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's <I>Faust</I> and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike. LORRAINE BYRNE BODLEY is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland. Contributors: Mark Austin, Lorraine Byrne Bodley, Nicholas Boyle, John Michael Cooper, Siobhán Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor |
Beschreibung: | Title from publisher's bibliographic system (viewed on 06 Sep 2017) |
Beschreibung: | 1 Online-Ressource (xix, 336 Seiten) |
ISBN: | 9781787440227 |
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520 | 3 | |a That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's <I>Faust</I>, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have <I>Faust</I> set to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's <I>Faust</I> came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). | |
520 | 3 | |a This book explores the musical origins of Goethe's <I>Faust</I> and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's <I>Faust</I> and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for <I>Faust</I>, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's <I>Faust</I> and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike. | |
520 | 3 | |a LORRAINE BYRNE BODLEY is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland. Contributors: Mark Austin, Lorraine Byrne Bodley, Nicholas Boyle, John Michael Cooper, Siobhán Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor | |
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spelling | Music in Goethe's Faust Goethe's Faust in music edited by Lorraine Byrne Bodley Woodbridge The Boydell Press 2017 1 Online-Ressource (xix, 336 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 06 Sep 2017) That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's <I>Faust</I>, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have <I>Faust</I> set to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's <I>Faust</I> came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's <I>Faust</I> and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's <I>Faust</I> and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for <I>Faust</I>, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's <I>Faust</I> and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike. LORRAINE BYRNE BODLEY is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland. Contributors: Mark Austin, Lorraine Byrne Bodley, Nicholas Boyle, John Michael Cooper, Siobhán Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor Goethe, Johann Wolfgang von 1749-1832 Faust (DE-588)4128140-8 gnd rswk-swf Vertonung (DE-588)4063269-6 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Goethe, Johann Wolfgang von / 1749-1832 / Faust Goethe, Johann Wolfgang von / 1749-1832 / Musical settings / History and criticism Music and literature Faust (Legendary character) / Songs and music / History and criticism Goethe, Johann Wolfgang von ; 1749-1832 ; Musical settings ; History and criticism Goethe, Johann Wolfgang von ; 1749-1832 ; Faust Faust (Legendary character) ; Songs and music ; History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Goethe, Johann Wolfgang von 1749-1832 Faust (DE-588)4128140-8 u Vertonung (DE-588)4063269-6 s Inszenierung (DE-588)4027223-0 s DE-604 Byrne Bodley, Lorraine 1968- (DE-588)139708146 edt Print version Druck-Ausgabe 9781783272006 https://www.cambridge.org/core/product/identifier/9781787440227/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Music in Goethe's Faust Goethe's Faust in music Goethe, Johann Wolfgang von 1749-1832 Faust (DE-588)4128140-8 gnd Vertonung (DE-588)4063269-6 gnd Inszenierung (DE-588)4027223-0 gnd |
subject_GND | (DE-588)4128140-8 (DE-588)4063269-6 (DE-588)4027223-0 (DE-588)4143413-4 |
title | Music in Goethe's Faust Goethe's Faust in music |
title_auth | Music in Goethe's Faust Goethe's Faust in music |
title_exact_search | Music in Goethe's Faust Goethe's Faust in music |
title_exact_search_txtP | Music in Goethe's Faust Goethe's Faust in music |
title_full | Music in Goethe's Faust Goethe's Faust in music edited by Lorraine Byrne Bodley |
title_fullStr | Music in Goethe's Faust Goethe's Faust in music edited by Lorraine Byrne Bodley |
title_full_unstemmed | Music in Goethe's Faust Goethe's Faust in music edited by Lorraine Byrne Bodley |
title_short | Music in Goethe's Faust |
title_sort | music in goethe s faust goethe s faust in music |
title_sub | Goethe's Faust in music |
topic | Goethe, Johann Wolfgang von 1749-1832 Faust (DE-588)4128140-8 gnd Vertonung (DE-588)4063269-6 gnd Inszenierung (DE-588)4027223-0 gnd |
topic_facet | Goethe, Johann Wolfgang von 1749-1832 Faust Vertonung Inszenierung Aufsatzsammlung |
url | https://www.cambridge.org/core/product/identifier/9781787440227/type/BOOK |
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