Canova four tempos: sculptures from the Gypsotheca of Possagno
The full-size plaster models that represented the passage from a preliminary designing phase to the production of the marble sculpture were of great significance to Italian sculptor Antonio Canova's creative process. As the subtitle emphasizes, the temporal dimension holds great importance in t...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Milan
5 Continents
[2020]-
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Schlagworte: | |
Zusammenfassung: | The full-size plaster models that represented the passage from a preliminary designing phase to the production of the marble sculpture were of great significance to Italian sculptor Antonio Canova's creative process. As the subtitle emphasizes, the temporal dimension holds great importance in the neoclassic sculptor's creative and productive phases: the plaster artifact posits a before and an after. Before comes the preparatory study; after is the finished work. Plaster stands in between, it is central. The plaster forms are not the finished works, however they contain all their power and potential. This volume explores this meaningful and little-known phase in the creative process of Antonio Canova, along with quality close-up photo sequences that expose the plaster surfaces, bringing a greater focus and appreciation to the plaster form |
Beschreibung: | Twenty-eight sculptures in four tempos. The anatomical experience of plaster bodies. A photo investigation in the Gypsotheca of Possagno |
Internformat
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520 | 3 | |a The full-size plaster models that represented the passage from a preliminary designing phase to the production of the marble sculpture were of great significance to Italian sculptor Antonio Canova's creative process. As the subtitle emphasizes, the temporal dimension holds great importance in the neoclassic sculptor's creative and productive phases: the plaster artifact posits a before and an after. Before comes the preparatory study; after is the finished work. Plaster stands in between, it is central. The plaster forms are not the finished works, however they contain all their power and potential. This volume explores this meaningful and little-known phase in the creative process of Antonio Canova, along with quality close-up photo sequences that expose the plaster surfaces, bringing a greater focus and appreciation to the plaster form | |
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775 | 0 | 8 | |i Parallele Sprachausgabe |n französisch |t Canova quatre temps |
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Datensatz im Suchindex
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spelling | Sgarbi, Vittorio 1952- Verfasser (DE-588)119249170 aut Canova four tempos sculptures from the Gypsotheca of Possagno Vittorio Sgarbi, Luigi Spina Milan 5 Continents [2020]- sti rdacontent txt rdacontent n rdamedia nc rdacarrier Twenty-eight sculptures in four tempos. The anatomical experience of plaster bodies. A photo investigation in the Gypsotheca of Possagno The full-size plaster models that represented the passage from a preliminary designing phase to the production of the marble sculpture were of great significance to Italian sculptor Antonio Canova's creative process. As the subtitle emphasizes, the temporal dimension holds great importance in the neoclassic sculptor's creative and productive phases: the plaster artifact posits a before and an after. Before comes the preparatory study; after is the finished work. Plaster stands in between, it is central. The plaster forms are not the finished works, however they contain all their power and potential. This volume explores this meaningful and little-known phase in the creative process of Antonio Canova, along with quality close-up photo sequences that expose the plaster surfaces, bringing a greater focus and appreciation to the plaster form Canova, Antonio 1757-1822 (DE-588)118518860 gnd rswk-swf Museo Gypsotheca Antonio Canova (DE-588)5507394-3 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Canova, Antonio 1757-1822 (DE-588)118518860 p Museo Gypsotheca Antonio Canova (DE-588)5507394-3 b DE-604 Spina, Luigi 1966- (DE-588)124300197 pht Parallele Sprachausgabe italienisch Canova quattro tempi (DE-604)BV046796732 Parallele Sprachausgabe französisch Canova quatre temps |
spellingShingle | Sgarbi, Vittorio 1952- Canova four tempos sculptures from the Gypsotheca of Possagno Canova, Antonio 1757-1822 (DE-588)118518860 gnd Museo Gypsotheca Antonio Canova (DE-588)5507394-3 gnd |
subject_GND | (DE-588)118518860 (DE-588)5507394-3 (DE-588)4145395-5 |
title | Canova four tempos sculptures from the Gypsotheca of Possagno |
title_auth | Canova four tempos sculptures from the Gypsotheca of Possagno |
title_exact_search | Canova four tempos sculptures from the Gypsotheca of Possagno |
title_exact_search_txtP | Canova four tempos sculptures from the Gypsotheca of Possagno |
title_full | Canova four tempos sculptures from the Gypsotheca of Possagno Vittorio Sgarbi, Luigi Spina |
title_fullStr | Canova four tempos sculptures from the Gypsotheca of Possagno Vittorio Sgarbi, Luigi Spina |
title_full_unstemmed | Canova four tempos sculptures from the Gypsotheca of Possagno Vittorio Sgarbi, Luigi Spina |
title_short | Canova four tempos |
title_sort | canova four tempos sculptures from the gypsotheca of possagno |
title_sub | sculptures from the Gypsotheca of Possagno |
topic | Canova, Antonio 1757-1822 (DE-588)118518860 gnd Museo Gypsotheca Antonio Canova (DE-588)5507394-3 gnd |
topic_facet | Canova, Antonio 1757-1822 Museo Gypsotheca Antonio Canova Bildband |
work_keys_str_mv | AT sgarbivittorio canovafourtempossculpturesfromthegypsothecaofpossagno AT spinaluigi canovafourtempossculpturesfromthegypsothecaofpossagno |