The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn
The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into dis...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
|
Schriftenreihe: | Gendering the Late Medieval and Early Modern World
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBY01 UBY01 UPA01 Volltext |
Zusammenfassung: | The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. [-]The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment.[-] |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020) |
Beschreibung: | 1 online resource (304 pages) |
ISBN: | 9789048551118 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV046763119 | ||
003 | DE-604 | ||
005 | 20231106 | ||
007 | cr|uuu---uuuuu | ||
008 | 200615s2020 |||| o||u| ||||||eng d | ||
020 | |a 9789048551118 |9 978-90-485-5111-8 | ||
024 | 7 | |a 10.1515/9789048551118 |2 doi | |
035 | |a (ZDB-23-DEG)978-90-485-5111-8 | ||
035 | |a (ZDB-23-DGG)9789048551118 | ||
035 | |a (OCoLC)1199709988 | ||
035 | |a (DE-599)BVBBV046763119 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-706 |a DE-858 | ||
100 | 1 | |a Waller, Gary |d 1945- |e Verfasser |0 (DE-588)133124886 |4 aut | |
245 | 1 | 0 | |a The Female Baroque in Early Modern English Literary Culture |b From Mary Sidney to Aphra Behn |c Gary Waller |
264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2020] | |
264 | 4 | |c © 2020 | |
300 | |a 1 online resource (304 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Gendering the Late Medieval and Early Modern World | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020) | ||
520 | |a The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. [-]The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment.[-] | ||
650 | 4 | |a History | |
650 | 7 | |a HISTORY / Europe / Great Britain / Georgian Era (1714-1837) |2 bisacsh | |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9789048551118 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DEG |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032172655 | ||
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048551118 |l UBY01 |p ZDB-23-DEG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l UBY01 |p ZDB-23-DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9789048551118 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804181531329036288 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Waller, Gary 1945- |
author_GND | (DE-588)133124886 |
author_facet | Waller, Gary 1945- |
author_role | aut |
author_sort | Waller, Gary 1945- |
author_variant | g w gw |
building | Verbundindex |
bvnumber | BV046763119 |
collection | ZDB-23-DEG ZDB-23-DGG |
ctrlnum | (ZDB-23-DEG)978-90-485-5111-8 (ZDB-23-DGG)9789048551118 (OCoLC)1199709988 (DE-599)BVBBV046763119 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03624nmm a2200505zc 4500</leader><controlfield tag="001">BV046763119</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231106 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200615s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048551118</subfield><subfield code="9">978-90-485-5111-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048551118</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DEG)978-90-485-5111-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9789048551118</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1199709988</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046763119</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-706</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Waller, Gary</subfield><subfield code="d">1945-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133124886</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Female Baroque in Early Modern English Literary Culture</subfield><subfield code="b">From Mary Sidney to Aphra Behn</subfield><subfield code="c">Gary Waller</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (304 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Gendering the Late Medieval and Early Modern World</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. [-]The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment.[-]</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">History</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Europe / Great Britain / Georgian Era (1714-1837)</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DEG</subfield><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032172655</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048551118</subfield><subfield code="l">UBY01</subfield><subfield code="p">ZDB-23-DEG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">UBY01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9789048551118</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046763119 |
illustrated | Not Illustrated |
index_date | 2024-07-03T14:44:39Z |
indexdate | 2024-07-10T08:53:08Z |
institution | BVB |
isbn | 9789048551118 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032172655 |
oclc_num | 1199709988 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-706 DE-858 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-706 DE-858 |
physical | 1 online resource (304 pages) |
psigel | ZDB-23-DEG ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Amsterdam University Press |
record_format | marc |
series2 | Gendering the Late Medieval and Early Modern World |
spelling | Waller, Gary 1945- Verfasser (DE-588)133124886 aut The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn Gary Waller Amsterdam Amsterdam University Press [2020] © 2020 1 online resource (304 pages) txt rdacontent c rdamedia cr rdacarrier Gendering the Late Medieval and Early Modern World Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020) The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. [-]The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment.[-] History HISTORY / Europe / Great Britain / Georgian Era (1714-1837) bisacsh https://www.degruyter.com/isbn/9789048551118 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Waller, Gary 1945- The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn History HISTORY / Europe / Great Britain / Georgian Era (1714-1837) bisacsh |
title | The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn |
title_auth | The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn |
title_exact_search | The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn |
title_exact_search_txtP | The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn |
title_full | The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn Gary Waller |
title_fullStr | The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn Gary Waller |
title_full_unstemmed | The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn Gary Waller |
title_short | The Female Baroque in Early Modern English Literary Culture |
title_sort | the female baroque in early modern english literary culture from mary sidney to aphra behn |
title_sub | From Mary Sidney to Aphra Behn |
topic | History HISTORY / Europe / Great Britain / Georgian Era (1714-1837) bisacsh |
topic_facet | History HISTORY / Europe / Great Britain / Georgian Era (1714-1837) |
url | https://www.degruyter.com/isbn/9789048551118 |
work_keys_str_mv | AT wallergary thefemalebaroqueinearlymodernenglishliteraryculturefrommarysidneytoaphrabehn |