Creativity without Law: Challenging the Assumptions of Intellectual Property
Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copy...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses—sensitive to their particular cultural, competitive, and technological circumstances—to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781479822980 |
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| 520 | |a Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses—sensitive to their particular cultural, competitive, and technological circumstances—to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system | ||
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| spelling | Creativity without Law Challenging the Assumptions of Intellectual Property Kate Darling, Aaron Perzanowski New York, NY New York University Press [2017] © 2017 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) Behind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses—sensitive to their particular cultural, competitive, and technological circumstances—to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system In English Market Medicine copyright creativity economics incentives innovation innovations law marketplace piracy subculture trademark LAW / Intellectual Property / General bisacsh Intellectual property Technological innovations - United States Kreativität (DE-588)4032903-3 gnd rswk-swf Gesetzgebung (DE-588)4020682-8 gnd rswk-swf Geistiges Eigentum (DE-588)4136832-0 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Geistiges Eigentum (DE-588)4136832-0 s Kreativität (DE-588)4032903-3 s Gesetzgebung (DE-588)4020682-8 s 2\p DE-604 Darling, Kate edt Perzanowski, Aaron edt https://www.degruyter.com/isbn/9781479822980 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Creativity without Law Challenging the Assumptions of Intellectual Property Market Medicine copyright creativity economics incentives innovation innovations law marketplace piracy subculture trademark LAW / Intellectual Property / General bisacsh Intellectual property Technological innovations - United States Kreativität (DE-588)4032903-3 gnd Gesetzgebung (DE-588)4020682-8 gnd Geistiges Eigentum (DE-588)4136832-0 gnd |
| subject_GND | (DE-588)4032903-3 (DE-588)4020682-8 (DE-588)4136832-0 (DE-588)4143413-4 |
| title | Creativity without Law Challenging the Assumptions of Intellectual Property |
| title_auth | Creativity without Law Challenging the Assumptions of Intellectual Property |
| title_exact_search | Creativity without Law Challenging the Assumptions of Intellectual Property |
| title_exact_search_txtP | Creativity without Law Challenging the Assumptions of Intellectual Property |
| title_full | Creativity without Law Challenging the Assumptions of Intellectual Property Kate Darling, Aaron Perzanowski |
| title_fullStr | Creativity without Law Challenging the Assumptions of Intellectual Property Kate Darling, Aaron Perzanowski |
| title_full_unstemmed | Creativity without Law Challenging the Assumptions of Intellectual Property Kate Darling, Aaron Perzanowski |
| title_short | Creativity without Law |
| title_sort | creativity without law challenging the assumptions of intellectual property |
| title_sub | Challenging the Assumptions of Intellectual Property |
| topic | Market Medicine copyright creativity economics incentives innovation innovations law marketplace piracy subculture trademark LAW / Intellectual Property / General bisacsh Intellectual property Technological innovations - United States Kreativität (DE-588)4032903-3 gnd Gesetzgebung (DE-588)4020682-8 gnd Geistiges Eigentum (DE-588)4136832-0 gnd |
| topic_facet | Market Medicine copyright creativity economics incentives innovation innovations law marketplace piracy subculture trademark LAW / Intellectual Property / General Intellectual property Technological innovations - United States Kreativität Gesetzgebung Geistiges Eigentum Aufsatzsammlung |
| url | https://www.degruyter.com/isbn/9781479822980 |
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