Unnamable: The Ends of Asian American Art
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way f...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) |
| Beschreibung: | 1 online resource 65 black and white illustrations |
| ISBN: | 9780814764312 |
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| 520 | |a Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. | ||
| 520 | |a Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. | ||
| 520 | |a Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. | ||
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Datensatz im Suchindex
| _version_ | 1804181527506976768 |
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| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Min, Susette |
| author_facet | Min, Susette |
| author_role | aut |
| author_sort | Min, Susette |
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| building | Verbundindex |
| bvnumber | BV046761261 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780814764312 (OCoLC)1164620243 (DE-599)BVBBV046761261 |
| dewey-full | 704.03/95073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.03/95073 |
| dewey-search | 704.03/95073 |
| dewey-sort | 3704.03 595073 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1970-2010 gnd |
| era_facet | Geschichte 1970-2010 |
| format | Electronic eBook |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV046761261 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:44:35Z |
| indexdate | 2024-07-10T08:53:04Z |
| institution | BVB |
| isbn | 9780814764312 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032170797 |
| oclc_num | 1164620243 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource 65 black and white illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | New York University Press |
| record_format | marc |
| spelling | Min, Susette Verfasser aut Unnamable The Ends of Asian American Art Susette Min New York, NY New York University Press [2018] © 2018 1 online resource 65 black and white illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020) Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. In English Lee, Nikki S. 1970- (DE-588)121660877 gnd rswk-swf Leung, Simon 1964- (DE-588)128387297 gnd rswk-swf Hsieh, Tehching 1950- (DE-588)123378397 gnd rswk-swf Kim, Byron 1961- (DE-588)130549703 gnd rswk-swf Lum, Mary 1951- (DE-588)131491482 gnd rswk-swf Geschichte 1970-2010 gnd rswk-swf LITERARY CRITICISM / American / Asian American bisacsh Asian American art Exhibitions Asian American art Themes, motives Curatorship Kunst (DE-588)4114333-4 gnd rswk-swf Asiaten (DE-588)4198081-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Asiaten (DE-588)4198081-5 s Geschichte 1970-2010 z 1\p DE-604 Kim, Byron 1961- (DE-588)130549703 p Leung, Simon 1964- (DE-588)128387297 p Hsieh, Tehching 1950- (DE-588)123378397 p 2\p DE-604 Lum, Mary 1951- (DE-588)131491482 p 3\p DE-604 Lee, Nikki S. 1970- (DE-588)121660877 p 4\p DE-604 https://www.degruyter.com/isbn/9780814764312 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Min, Susette Unnamable The Ends of Asian American Art Lee, Nikki S. 1970- (DE-588)121660877 gnd Leung, Simon 1964- (DE-588)128387297 gnd Hsieh, Tehching 1950- (DE-588)123378397 gnd Kim, Byron 1961- (DE-588)130549703 gnd Lum, Mary 1951- (DE-588)131491482 gnd LITERARY CRITICISM / American / Asian American bisacsh Asian American art Exhibitions Asian American art Themes, motives Curatorship Kunst (DE-588)4114333-4 gnd Asiaten (DE-588)4198081-5 gnd |
| subject_GND | (DE-588)121660877 (DE-588)128387297 (DE-588)123378397 (DE-588)130549703 (DE-588)131491482 (DE-588)4114333-4 (DE-588)4198081-5 (DE-588)4078704-7 |
| title | Unnamable The Ends of Asian American Art |
| title_auth | Unnamable The Ends of Asian American Art |
| title_exact_search | Unnamable The Ends of Asian American Art |
| title_exact_search_txtP | Unnamable The Ends of Asian American Art |
| title_full | Unnamable The Ends of Asian American Art Susette Min |
| title_fullStr | Unnamable The Ends of Asian American Art Susette Min |
| title_full_unstemmed | Unnamable The Ends of Asian American Art Susette Min |
| title_short | Unnamable |
| title_sort | unnamable the ends of asian american art |
| title_sub | The Ends of Asian American Art |
| topic | Lee, Nikki S. 1970- (DE-588)121660877 gnd Leung, Simon 1964- (DE-588)128387297 gnd Hsieh, Tehching 1950- (DE-588)123378397 gnd Kim, Byron 1961- (DE-588)130549703 gnd Lum, Mary 1951- (DE-588)131491482 gnd LITERARY CRITICISM / American / Asian American bisacsh Asian American art Exhibitions Asian American art Themes, motives Curatorship Kunst (DE-588)4114333-4 gnd Asiaten (DE-588)4198081-5 gnd |
| topic_facet | Lee, Nikki S. 1970- Leung, Simon 1964- Hsieh, Tehching 1950- Kim, Byron 1961- Lum, Mary 1951- LITERARY CRITICISM / American / Asian American Asian American art Exhibitions Asian American art Themes, motives Curatorship Kunst Asiaten USA |
| url | https://www.degruyter.com/isbn/9780814764312 |
| work_keys_str_mv | AT minsusette unnamabletheendsofasianamericanart |