The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema
The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2012]
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| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020) |
| Beschreibung: | 1 online resource (280 pages) 15 photographs |
| ISBN: | 9780813553245 |
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| spelling | Davis, Blair Verfasser aut The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema Blair Davis New Brunswick, NJ Rutgers University Press [2012] © 2012 1 online resource (280 pages) 15 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020) The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come In English Geschichte 1950-1959 gnd rswk-swf PERFORMING ARTS / General bisacsh B films History and criticism United States B films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures History 20th century United States Motion pictures United States History 20th century B-Film (DE-588)4359958-8 gnd rswk-swf Low-Budget-Film (DE-588)4629696-7 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g B-Film (DE-588)4359958-8 s Low-Budget-Film (DE-588)4629696-7 s Geschichte 1950-1959 z 1\p DE-604 https://www.degruyter.com/isbn/9780813553245 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Davis, Blair The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema PERFORMING ARTS / General bisacsh B films History and criticism United States B films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures History 20th century United States Motion pictures United States History 20th century B-Film (DE-588)4359958-8 gnd Low-Budget-Film (DE-588)4629696-7 gnd |
| subject_GND | (DE-588)4359958-8 (DE-588)4629696-7 (DE-588)4099817-4 |
| title | The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema |
| title_auth | The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema |
| title_exact_search | The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema |
| title_exact_search_txtP | The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema |
| title_full | The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema Blair Davis |
| title_fullStr | The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema Blair Davis |
| title_full_unstemmed | The Battle for the Bs 1950s Hollywood and the Rebirth of Low-Budget Cinema Blair Davis |
| title_short | The Battle for the Bs |
| title_sort | the battle for the bs 1950s hollywood and the rebirth of low budget cinema |
| title_sub | 1950s Hollywood and the Rebirth of Low-Budget Cinema |
| topic | PERFORMING ARTS / General bisacsh B films History and criticism United States B films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures History 20th century United States Motion pictures United States History 20th century B-Film (DE-588)4359958-8 gnd Low-Budget-Film (DE-588)4629696-7 gnd |
| topic_facet | PERFORMING ARTS / General B films History and criticism United States B films United States History and criticism Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures History 20th century United States Motion pictures United States History 20th century B-Film Low-Budget-Film Los Angeles- Hollywood |
| url | https://www.degruyter.com/isbn/9780813553245 |
| work_keys_str_mv | AT davisblair thebattleforthebs1950shollywoodandtherebirthoflowbudgetcinema |