German song onstage: lieder performance in the nineteenth and early twentieth centuries
"A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style...
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| Format: | Buch |
| Sprache: | English |
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Bloomington, Indiana
Indiana University Press
[2020]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods-including the United States, the United Kingdom, Russia, and Germany-from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today"-- |
| Beschreibung: | vii, 292 Seiten Illustrationen, Notenbeispiele, Portraits 23 cm |
| ISBN: | 9780253047014 9780253047007 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments Introduction: Restaging German Song / Laura Tunbridge vii і 1 “Eine wahre Olla Patrida [sic]”: Anna Milder-Hauptmann, Schubert, and Programming the Orient / Susan Youens ю 2 Song in Concert as Observed by the Schumanns: Toward the Personalization of the Public Stage / Benjamin Binder 52 3 From Miscellanies to Musical Works: Julius Stockhausen, Clara Schumann, and Dichterliebe / Natasha Loges 70 4 Natalia Macfarren and the English German Lied / Katy Hamilton 87 5 “For Any Ordinary Performer It Would Be Absurd, Ridiculous, or Offensive”: Performing Lieder Cycles on the American Stage / Heather Platt 111 6 The Concert Hall as a Gender-Neutral Space: The Case of Amalie Joachim, née Schneeweiss / Beatrix Borchard, Translated by Jeremy Coleman 132 7 Nikolai Medtner: Championing the German Lied and Russian Spirit / Maria Razumovskaya 154 8 From the Benefit Concert to the Solo Song Recital in London, 1870-1914 / Simon McVeigh and William Weber 179 9 German Song and the Working Classes in Berlin, 1890-1914 / Wiebke Rademacher 203 10 Lilli Lehmann’s Dedicated Lieder Recitals / Rosamund Cole 223
vi I Contents її “Eine Reihe bunter Zauberbilder”: Thomas Mann, Hans Pfitzner, and the Politics of Song Accompaniment / Nicholas Attfield 244 12 Performers’ Reflections / Natasha Loges and Laura Tunbridge 262 Timeline 281 Index 285
|
| adam_txt |
Contents Acknowledgments Introduction: Restaging German Song / Laura Tunbridge vii і 1 “Eine wahre Olla Patrida [sic]”: Anna Milder-Hauptmann, Schubert, and Programming the Orient / Susan Youens ю 2 Song in Concert as Observed by the Schumanns: Toward the Personalization of the Public Stage / Benjamin Binder 52 3 From Miscellanies to Musical Works: Julius Stockhausen, Clara Schumann, and Dichterliebe / Natasha Loges 70 4 Natalia Macfarren and the English German Lied / Katy Hamilton 87 5 “For Any Ordinary Performer It Would Be Absurd, Ridiculous, or Offensive”: Performing Lieder Cycles on the American Stage / Heather Platt 111 6 The Concert Hall as a Gender-Neutral Space: The Case of Amalie Joachim, née Schneeweiss / Beatrix Borchard, Translated by Jeremy Coleman 132 7 Nikolai Medtner: Championing the German Lied and Russian Spirit / Maria Razumovskaya 154 8 From the Benefit Concert to the Solo Song Recital in London, 1870-1914 / Simon McVeigh and William Weber 179 9 German Song and the Working Classes in Berlin, 1890-1914 / Wiebke Rademacher 203 10 Lilli Lehmann’s Dedicated Lieder Recitals / Rosamund Cole 223
vi I Contents її “Eine Reihe bunter Zauberbilder”: Thomas Mann, Hans Pfitzner, and the Politics of Song Accompaniment / Nicholas Attfield 244 12 Performers’ Reflections / Natasha Loges and Laura Tunbridge 262 Timeline 281 Index 285 |
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| spelling | German song onstage lieder performance in the nineteenth and early twentieth centuries edited by Natasha Loges and Laura Tunbridge Bloomington, Indiana Indiana University Press [2020] © 2020 vii, 292 Seiten Illustrationen, Notenbeispiele, Portraits 23 cm txt rdacontent n rdamedia nc rdacarrier "A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods-including the United States, the United Kingdom, Russia, and Germany-from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today"-- Geschichte 1789-1914 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Kunstlied (DE-588)4166040-7 gnd rswk-swf Songs, German / 19th century / History and criticism Songs, German / 20th century / History and criticism Songs, German / Performances Songs, German 1800-1999 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutsch (DE-588)4113292-0 s Kunstlied (DE-588)4166040-7 s Aufführung (DE-588)4143388-9 s Geschichte 1789-1914 z DE-604 Loges, Natasha ca. 20./21. Jh. (DE-588)1027526829 edt Tunbridge, Laura 1974- (DE-588)143744135 edt Erscheint auch als Online-Ausgabe 978-0-253-04703-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167527&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | German song onstage lieder performance in the nineteenth and early twentieth centuries Deutsch (DE-588)4113292-0 gnd Aufführung (DE-588)4143388-9 gnd Kunstlied (DE-588)4166040-7 gnd |
| subject_GND | (DE-588)4113292-0 (DE-588)4143388-9 (DE-588)4166040-7 (DE-588)4143413-4 |
| title | German song onstage lieder performance in the nineteenth and early twentieth centuries |
| title_auth | German song onstage lieder performance in the nineteenth and early twentieth centuries |
| title_exact_search | German song onstage lieder performance in the nineteenth and early twentieth centuries |
| title_exact_search_txtP | German song onstage lieder performance in the nineteenth and early twentieth centuries |
| title_full | German song onstage lieder performance in the nineteenth and early twentieth centuries edited by Natasha Loges and Laura Tunbridge |
| title_fullStr | German song onstage lieder performance in the nineteenth and early twentieth centuries edited by Natasha Loges and Laura Tunbridge |
| title_full_unstemmed | German song onstage lieder performance in the nineteenth and early twentieth centuries edited by Natasha Loges and Laura Tunbridge |
| title_short | German song onstage |
| title_sort | german song onstage lieder performance in the nineteenth and early twentieth centuries |
| title_sub | lieder performance in the nineteenth and early twentieth centuries |
| topic | Deutsch (DE-588)4113292-0 gnd Aufführung (DE-588)4143388-9 gnd Kunstlied (DE-588)4166040-7 gnd |
| topic_facet | Deutsch Aufführung Kunstlied Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167527&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT logesnatasha germansongonstageliederperformanceinthenineteenthandearlytwentiethcenturies AT tunbridgelaura germansongonstageliederperformanceinthenineteenthandearlytwentiethcenturies |