Brick city vanguard: Amiri Baraka, Black music, Black modernity
"Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Br...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Amherst
University of Massachusetts Press
[2020]
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Schriftenreihe: | African American intellectual history
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis"-- |
Beschreibung: | xi, 227 Seiten 24 cm |
ISBN: | 9781625345158 9781625345141 |
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Datensatz im Suchindex
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adam_text | CONTENTS Acknowledgments ix INTRODUCTION Brick City Vanguard I CHAPTER ONE “That’s Where Sarah Vaughan Lives” Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity 17 CHAPTER TWO “Formal Renditions” Revisiting the Baraka-Ellison Debate 59 CHAPTER THREE “A Marching Song for Some Strange Uncharted Country” The Black Future and Amiri Baraka ’s Liner Notes 91 CHAPTER FOUR “Soul and Madness” Baraka’s Recorded Music and Poetry from Bohemia to Black Arts 117 VII
viii CONTENTS CHAPTER FIVE “I See Him Sometimes” William Parker Reimagines and Amiri Baraka Glosses Curtis Mayfield 159 CONCLUSION Blues People at Symphony Hall 197 Notes 203 Index 221
|
adam_txt |
CONTENTS Acknowledgments ix INTRODUCTION Brick City Vanguard I CHAPTER ONE “That’s Where Sarah Vaughan Lives” Amiri Baraka, Newark, and the Landscape and Soundscape of Black Modernity 17 CHAPTER TWO “Formal Renditions” Revisiting the Baraka-Ellison Debate 59 CHAPTER THREE “A Marching Song for Some Strange Uncharted Country” The Black Future and Amiri Baraka ’s Liner Notes 91 CHAPTER FOUR “Soul and Madness” Baraka’s Recorded Music and Poetry from Bohemia to Black Arts 117 VII
viii CONTENTS CHAPTER FIVE “I See Him Sometimes” William Parker Reimagines and Amiri Baraka Glosses Curtis Mayfield 159 CONCLUSION Blues People at Symphony Hall 197 Notes 203 Index 221 |
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author | Smethurst, James Edward |
author_GND | (DE-588)188477004 |
author_facet | Smethurst, James Edward |
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author_sort | Smethurst, James Edward |
author_variant | j e s je jes |
building | Verbundindex |
bvnumber | BV046757909 |
ctrlnum | (OCoLC)1163616142 (DE-599)BVBBV046757909 |
era | Geschichte 1960- gnd |
era_facet | Geschichte 1960- |
format | Book |
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spelling | Smethurst, James Edward Verfasser (DE-588)188477004 aut Brick city vanguard Amiri Baraka, Black music, Black modernity James Smethurst Amherst University of Massachusetts Press [2020] © 2020 xi, 227 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier African American intellectual history "Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis"-- Baraka, Amiri 1934-2014 (DE-588)11863996X gnd rswk-swf Geschichte 1960- gnd rswk-swf Black arts movement (DE-588)4997095-1 gnd rswk-swf Soziale Identität (DE-588)4077567-7 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf African Americans / Music / History and criticism Baraka, Amiri / 1934-2014 / Criticism and interpretation Black nationalism / United States / History / 20th century Baraka, Amiri / 1934-2014 African Americans / Music Black nationalism United States 1900-1999 Criticism, interpretation, etc History (DE-588)4006804-3 Biografie gnd-content USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Afroamerikanische Musik (DE-588)4122767-0 s Soziale Identität (DE-588)4077567-7 s Geschichte 1960- z DE-604 Baraka, Amiri 1934-2014 (DE-588)11863996X p Black arts movement (DE-588)4997095-1 s Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167517&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Smethurst, James Edward Brick city vanguard Amiri Baraka, Black music, Black modernity Baraka, Amiri 1934-2014 (DE-588)11863996X gnd Black arts movement (DE-588)4997095-1 gnd Soziale Identität (DE-588)4077567-7 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Schwarze (DE-588)4116433-7 gnd |
subject_GND | (DE-588)11863996X (DE-588)4997095-1 (DE-588)4077567-7 (DE-588)4122767-0 (DE-588)4116433-7 (DE-588)4078704-7 (DE-588)4006804-3 |
title | Brick city vanguard Amiri Baraka, Black music, Black modernity |
title_auth | Brick city vanguard Amiri Baraka, Black music, Black modernity |
title_exact_search | Brick city vanguard Amiri Baraka, Black music, Black modernity |
title_exact_search_txtP | Brick city vanguard Amiri Baraka, Black music, Black modernity |
title_full | Brick city vanguard Amiri Baraka, Black music, Black modernity James Smethurst |
title_fullStr | Brick city vanguard Amiri Baraka, Black music, Black modernity James Smethurst |
title_full_unstemmed | Brick city vanguard Amiri Baraka, Black music, Black modernity James Smethurst |
title_short | Brick city vanguard |
title_sort | brick city vanguard amiri baraka black music black modernity |
title_sub | Amiri Baraka, Black music, Black modernity |
topic | Baraka, Amiri 1934-2014 (DE-588)11863996X gnd Black arts movement (DE-588)4997095-1 gnd Soziale Identität (DE-588)4077567-7 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Schwarze (DE-588)4116433-7 gnd |
topic_facet | Baraka, Amiri 1934-2014 Black arts movement Soziale Identität Afroamerikanische Musik Schwarze USA Biografie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167517&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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