Crime and spy jazz on screen, 1950-1970: a history and discography
""Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden d...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Jefferson
McFarland & Company, Inc., Publishers
[2020]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | ""Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden decade" that highlighted an era when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made during this period were propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book traces the embryonic use of jazz in mainstream entertainment from the early 1950s-when conservative viewers still considered this genre "the devil's music"-to its explosive heyday throughout the 1960s. Fans frustrated by the lack of attention paid to jazz soundtrack composers-including Jerry Goldsmith, Edwin Astley, Roy Budd, Quincy Jones, Dave Grusin, Jerry Fielding and many, many others-will find solace in these pages (along with all the information needed to enhance one's music library). The exploration of action jazz continues in this book's companion volume, Crime and Action Jazz on Screen Since 1971."-Provided by publisher"-- |
Beschreibung: | ix, 312 Seiten Illustrationen, Portraits |
ISBN: | 9781476667478 |
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Datensatz im Suchindex
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adam_text | Table of Contents Acknowledgments vii Foreword by Cheryl Pawelski 1 Introduction 5 Prologue: The Naked Truth 11 1. Audition: 1947-1956 15 2. Dreamsville: 1957-1958 32 3. Blue Satin: 1959 54 4. Breezy Capers: 1960 72 5. Contract with Depravity: 1961 88 6. Jamaica Jazz: 1962 101 7. Champagne and Quail: 1963 113 8. Meet Mr. Solo: 1964 129 9. Mr. Kiss Kiss Bang Bang: 1965 144 10. Mission Blues: 1966 167 11. Home, James, Don’t Sparethe Horses: 1967 200 12. Shifting Gears: 1968 226 13. This Never Happened to theOther Fella: 1969 248 14. Soul Flower: 1970 257 Appendix A: Instrument Abbreviations 265 Appendix B: Discography 266 Chapter Notes 291 Bibliography 299 Index 301 v
|
adam_txt |
Table of Contents Acknowledgments vii Foreword by Cheryl Pawelski 1 Introduction 5 Prologue: The Naked Truth 11 1. Audition: 1947-1956 15 2. Dreamsville: 1957-1958 32 3. Blue Satin: 1959 54 4. Breezy Capers: 1960 72 5. Contract with Depravity: 1961 88 6. Jamaica Jazz: 1962 101 7. Champagne and Quail: 1963 113 8. Meet Mr. Solo: 1964 129 9. Mr. Kiss Kiss Bang Bang: 1965 144 10. Mission Blues: 1966 167 11. Home, James, Don’t Sparethe Horses: 1967 200 12. Shifting Gears: 1968 226 13. This Never Happened to theOther Fella: 1969 248 14. Soul Flower: 1970 257 Appendix A: Instrument Abbreviations 265 Appendix B: Discography 266 Chapter Notes 291 Bibliography 299 Index 301 v |
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spelling | Bang, Derrick 1955- Verfasser (DE-588)1211678903 aut Crime and spy jazz on screen, 1950-1970 a history and discography Derrick Bang ; foreword by Cheryl Pawelski Jefferson McFarland & Company, Inc., Publishers [2020] © 2020 ix, 312 Seiten Illustrationen, Portraits txt rdacontent n rdamedia nc rdacarrier ""Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden decade" that highlighted an era when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made during this period were propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book traces the embryonic use of jazz in mainstream entertainment from the early 1950s-when conservative viewers still considered this genre "the devil's music"-to its explosive heyday throughout the 1960s. Fans frustrated by the lack of attention paid to jazz soundtrack composers-including Jerry Goldsmith, Edwin Astley, Roy Budd, Quincy Jones, Dave Grusin, Jerry Fielding and many, many others-will find solace in these pages (along with all the information needed to enhance one's music library). The exploration of action jazz continues in this book's companion volume, Crime and Action Jazz on Screen Since 1971."-Provided by publisher"-- Geschichte 1950-1970 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Spionagefilm (DE-588)4248223-9 gnd rswk-swf Kriminalfilm (DE-588)4033175-1 gnd rswk-swf Motion picture music / History and criticism Jazz in motion pictures Jazz / History and criticism Crime films / History and criticism Spy films / History and criticism Television music / History and criticism Crime films Jazz Motion picture music Spy films Television music Criticism, interpretation, etc (DE-588)1071864416 Diskografie gnd-content Kriminalfilm (DE-588)4033175-1 s Spionagefilm (DE-588)4248223-9 s Jazz (DE-588)4028532-7 s Filmmusik (DE-588)4017129-2 s Geschichte 1950-1970 z DE-604 Pawelski, Cheryl Sonstige (DE-588)1213301610 oth Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167228&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Bang, Derrick 1955- Crime and spy jazz on screen, 1950-1970 a history and discography Jazz (DE-588)4028532-7 gnd Filmmusik (DE-588)4017129-2 gnd Spionagefilm (DE-588)4248223-9 gnd Kriminalfilm (DE-588)4033175-1 gnd |
subject_GND | (DE-588)4028532-7 (DE-588)4017129-2 (DE-588)4248223-9 (DE-588)4033175-1 (DE-588)1071864416 |
title | Crime and spy jazz on screen, 1950-1970 a history and discography |
title_auth | Crime and spy jazz on screen, 1950-1970 a history and discography |
title_exact_search | Crime and spy jazz on screen, 1950-1970 a history and discography |
title_exact_search_txtP | Crime and spy jazz on screen, 1950-1970 a history and discography |
title_full | Crime and spy jazz on screen, 1950-1970 a history and discography Derrick Bang ; foreword by Cheryl Pawelski |
title_fullStr | Crime and spy jazz on screen, 1950-1970 a history and discography Derrick Bang ; foreword by Cheryl Pawelski |
title_full_unstemmed | Crime and spy jazz on screen, 1950-1970 a history and discography Derrick Bang ; foreword by Cheryl Pawelski |
title_short | Crime and spy jazz on screen, 1950-1970 |
title_sort | crime and spy jazz on screen 1950 1970 a history and discography |
title_sub | a history and discography |
topic | Jazz (DE-588)4028532-7 gnd Filmmusik (DE-588)4017129-2 gnd Spionagefilm (DE-588)4248223-9 gnd Kriminalfilm (DE-588)4033175-1 gnd |
topic_facet | Jazz Filmmusik Spionagefilm Kriminalfilm Diskografie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167228&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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