Sounding dissent: rebel songs, resistance, and Irish republicanism
"The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public has overwhelmingly rejected a return to the violence of the Troubles (1968-1998), loyalist and republican groups have sought other outlets to...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
May 2020
|
| Schriftenreihe: | Music and social justice
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public has overwhelmingly rejected a return to the violence of the Troubles (1968-1998), loyalist and republican groups have sought other outlets to continue their struggle. Music has long been used to celebrate cultural identity in the North of Ireland: from street parades to football chants, and from folk festivals to YouTube videos, music facilitates the continuation of pre-Agreement identity narratives in a "post-conflict" era. Sounding Dissent draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland. The book examines the hagiographic potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but play a central role in the reproduction of conflict and exclusion in times of peace"-- |
| Beschreibung: | xv, 248 Seiten 12 Illustrationen und Portraits 24 cm |
| ISBN: | 9780472131945 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046757516 | ||
| 003 | DE-604 | ||
| 005 | 20200731 | ||
| 007 | t | ||
| 008 | 200610s2020 ac|| b||| 00||| eng d | ||
| 020 | |a 9780472131945 |c hardback |9 978-0-472-13194-5 | ||
| 035 | |a (OCoLC)1192313543 | ||
| 035 | |a (DE-599)BVBBV046757516 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-B170 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Millar, Stephen R. |e Verfasser |0 (DE-588)1119758041 |4 aut | |
| 245 | 1 | 0 | |a Sounding dissent |b rebel songs, resistance, and Irish republicanism |c Stephen R. Millar |
| 264 | 1 | |a Ann Arbor |b University of Michigan Press |c May 2020 | |
| 300 | |a xv, 248 Seiten |b 12 Illustrationen und Portraits |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music and social justice | |
| 505 | 8 | |a Irish Rebel Songs and Their Origins -- The Red and the Green : Socialism and Nationalism in Early Twentieth-Century Ireland -- Irish Rebel Songs and the Onset of the Troubles -- Music from the Blocks : Long Kesh to the Present -- Sounding Dissent : The Rebel Music Scene in Belfast -- Performing Pre-Agreement Narratives in a "Post-Conflict" Era | |
| 520 | 3 | |a "The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public has overwhelmingly rejected a return to the violence of the Troubles (1968-1998), loyalist and republican groups have sought other outlets to continue their struggle. Music has long been used to celebrate cultural identity in the North of Ireland: from street parades to football chants, and from folk festivals to YouTube videos, music facilitates the continuation of pre-Agreement identity narratives in a "post-conflict" era. Sounding Dissent draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland. The book examines the hagiographic potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but play a central role in the reproduction of conflict and exclusion in times of peace"-- | |
| 650 | 0 | 7 | |a Protestsong |0 (DE-588)4176005-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Republikanismus |0 (DE-588)4115751-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Irland |0 (DE-588)4027667-3 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music / Political aspects / Ireland / History | |
| 653 | 0 | |a Political ballads and songs / Ireland / History and criticism | |
| 653 | 0 | |a Revolutionary ballads and songs / Ireland / History and criticism | |
| 653 | 0 | |a Republicanism / Ireland | |
| 653 | 0 | |a Music / Political aspects | |
| 653 | 0 | |a Political ballads and songs | |
| 653 | 0 | |a Republicanism | |
| 653 | 0 | |a Revolutionary ballads and songs | |
| 653 | 2 | |a Ireland | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Irland |0 (DE-588)4027667-3 |D g |
| 689 | 0 | 1 | |a Protestsong |0 (DE-588)4176005-0 |D s |
| 689 | 0 | 2 | |a Republikanismus |0 (DE-588)4115751-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Online version |a Millar, Stephen R. |t Sounding dissent |d Ann Arbor : University of Michigan Press, 2020 |z 9780472126736 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167131&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200731 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032167131 | ||
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 0904 |g 415 |
| 942 | 1 | 1 | |c 909 |e 22/bsb |f 0904 |g 415 |
Datensatz im Suchindex
| _version_ | 1804181521088643073 |
|---|---|
| adam_text | Contents List ofAbbreviations and Irish Words ix Acknowledgments xi Preface xii Introduction i chapter i. Irish Rebel Songs and Their Origins н chapter 2. The Red and the Green: Socialism and Nationalism in Early Twentieth-Century Ireland 49 chapter 3. Irish Rebel Songs and the Onset of the Troubles 90 chapter 4. Music from the Blocks: Long Kesh to the Present 122 chapter 5. Sounding Dissent: The Rebel Music Scenein Belfast 145 chapter 6. Performing Pre-Agreement Narratives in a “Post-Conflict” Era 168 Conclusion 200 Notes 207 Bibliography 223 Index 237 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL https://doi.org/10.3998/mpub.11393212
|
| adam_txt |
Contents List ofAbbreviations and Irish Words ix Acknowledgments xi Preface xii Introduction i chapter i. Irish Rebel Songs and Their Origins н chapter 2. The Red and the Green: Socialism and Nationalism in Early Twentieth-Century Ireland 49 chapter 3. Irish Rebel Songs and the Onset of the Troubles 90 chapter 4. Music from the Blocks: Long Kesh to the Present 122 chapter 5. Sounding Dissent: The Rebel Music Scenein Belfast 145 chapter 6. Performing Pre-Agreement Narratives in a “Post-Conflict” Era 168 Conclusion 200 Notes 207 Bibliography 223 Index 237 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL https://doi.org/10.3998/mpub.11393212 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Millar, Stephen R. |
| author_GND | (DE-588)1119758041 |
| author_facet | Millar, Stephen R. |
| author_role | aut |
| author_sort | Millar, Stephen R. |
| author_variant | s r m sr srm |
| building | Verbundindex |
| bvnumber | BV046757516 |
| contents | Irish Rebel Songs and Their Origins -- The Red and the Green : Socialism and Nationalism in Early Twentieth-Century Ireland -- Irish Rebel Songs and the Onset of the Troubles -- Music from the Blocks : Long Kesh to the Present -- Sounding Dissent : The Rebel Music Scene in Belfast -- Performing Pre-Agreement Narratives in a "Post-Conflict" Era |
| ctrlnum | (OCoLC)1192313543 (DE-599)BVBBV046757516 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03920nam a2200577 c 4500</leader><controlfield tag="001">BV046757516</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200731 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200610s2020 ac|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472131945</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-472-13194-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1192313543</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046757516</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Millar, Stephen R.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1119758041</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sounding dissent</subfield><subfield code="b">rebel songs, resistance, and Irish republicanism</subfield><subfield code="c">Stephen R. Millar</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ann Arbor</subfield><subfield code="b">University of Michigan Press</subfield><subfield code="c">May 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xv, 248 Seiten</subfield><subfield code="b">12 Illustrationen und Portraits</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music and social justice</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Irish Rebel Songs and Their Origins -- The Red and the Green : Socialism and Nationalism in Early Twentieth-Century Ireland -- Irish Rebel Songs and the Onset of the Troubles -- Music from the Blocks : Long Kesh to the Present -- Sounding Dissent : The Rebel Music Scene in Belfast -- Performing Pre-Agreement Narratives in a "Post-Conflict" Era</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public has overwhelmingly rejected a return to the violence of the Troubles (1968-1998), loyalist and republican groups have sought other outlets to continue their struggle. Music has long been used to celebrate cultural identity in the North of Ireland: from street parades to football chants, and from folk festivals to YouTube videos, music facilitates the continuation of pre-Agreement identity narratives in a "post-conflict" era. Sounding Dissent draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland. The book examines the hagiographic potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but play a central role in the reproduction of conflict and exclusion in times of peace"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Protestsong</subfield><subfield code="0">(DE-588)4176005-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Republikanismus</subfield><subfield code="0">(DE-588)4115751-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Irland</subfield><subfield code="0">(DE-588)4027667-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Political aspects / Ireland / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Political ballads and songs / Ireland / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Revolutionary ballads and songs / Ireland / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Republicanism / Ireland</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Political ballads and songs</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Republicanism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Revolutionary ballads and songs</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Ireland</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Irland</subfield><subfield code="0">(DE-588)4027667-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Protestsong</subfield><subfield code="0">(DE-588)4176005-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Republikanismus</subfield><subfield code="0">(DE-588)4115751-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="a">Millar, Stephen R.</subfield><subfield code="t">Sounding dissent</subfield><subfield code="d">Ann Arbor : University of Michigan Press, 2020</subfield><subfield code="z">9780472126736</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167131&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200731</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032167131</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">415</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">415</subfield></datafield></record></collection> |
| geographic | Irland (DE-588)4027667-3 gnd |
| geographic_facet | Irland |
| id | DE-604.BV046757516 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:43:33Z |
| indexdate | 2024-07-10T08:52:58Z |
| institution | BVB |
| isbn | 9780472131945 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032167131 |
| oclc_num | 1192313543 |
| open_access_boolean | |
| owner | DE-12 DE-B170 |
| owner_facet | DE-12 DE-B170 |
| physical | xv, 248 Seiten 12 Illustrationen und Portraits 24 cm |
| psigel | BSB_NED_20200731 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Michigan Press |
| record_format | marc |
| series2 | Music and social justice |
| spelling | Millar, Stephen R. Verfasser (DE-588)1119758041 aut Sounding dissent rebel songs, resistance, and Irish republicanism Stephen R. Millar Ann Arbor University of Michigan Press May 2020 xv, 248 Seiten 12 Illustrationen und Portraits 24 cm txt rdacontent n rdamedia nc rdacarrier Music and social justice Irish Rebel Songs and Their Origins -- The Red and the Green : Socialism and Nationalism in Early Twentieth-Century Ireland -- Irish Rebel Songs and the Onset of the Troubles -- Music from the Blocks : Long Kesh to the Present -- Sounding Dissent : The Rebel Music Scene in Belfast -- Performing Pre-Agreement Narratives in a "Post-Conflict" Era "The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public has overwhelmingly rejected a return to the violence of the Troubles (1968-1998), loyalist and republican groups have sought other outlets to continue their struggle. Music has long been used to celebrate cultural identity in the North of Ireland: from street parades to football chants, and from folk festivals to YouTube videos, music facilitates the continuation of pre-Agreement identity narratives in a "post-conflict" era. Sounding Dissent draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland. The book examines the hagiographic potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but play a central role in the reproduction of conflict and exclusion in times of peace"-- Protestsong (DE-588)4176005-0 gnd rswk-swf Republikanismus (DE-588)4115751-5 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Music / Political aspects / Ireland / History Political ballads and songs / Ireland / History and criticism Revolutionary ballads and songs / Ireland / History and criticism Republicanism / Ireland Music / Political aspects Political ballads and songs Republicanism Revolutionary ballads and songs Ireland Criticism, interpretation, etc History Irland (DE-588)4027667-3 g Protestsong (DE-588)4176005-0 s Republikanismus (DE-588)4115751-5 s DE-604 Online version Millar, Stephen R. Sounding dissent Ann Arbor : University of Michigan Press, 2020 9780472126736 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167131&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Millar, Stephen R. Sounding dissent rebel songs, resistance, and Irish republicanism Irish Rebel Songs and Their Origins -- The Red and the Green : Socialism and Nationalism in Early Twentieth-Century Ireland -- Irish Rebel Songs and the Onset of the Troubles -- Music from the Blocks : Long Kesh to the Present -- Sounding Dissent : The Rebel Music Scene in Belfast -- Performing Pre-Agreement Narratives in a "Post-Conflict" Era Protestsong (DE-588)4176005-0 gnd Republikanismus (DE-588)4115751-5 gnd |
| subject_GND | (DE-588)4176005-0 (DE-588)4115751-5 (DE-588)4027667-3 |
| title | Sounding dissent rebel songs, resistance, and Irish republicanism |
| title_auth | Sounding dissent rebel songs, resistance, and Irish republicanism |
| title_exact_search | Sounding dissent rebel songs, resistance, and Irish republicanism |
| title_exact_search_txtP | Sounding dissent rebel songs, resistance, and Irish republicanism |
| title_full | Sounding dissent rebel songs, resistance, and Irish republicanism Stephen R. Millar |
| title_fullStr | Sounding dissent rebel songs, resistance, and Irish republicanism Stephen R. Millar |
| title_full_unstemmed | Sounding dissent rebel songs, resistance, and Irish republicanism Stephen R. Millar |
| title_short | Sounding dissent |
| title_sort | sounding dissent rebel songs resistance and irish republicanism |
| title_sub | rebel songs, resistance, and Irish republicanism |
| topic | Protestsong (DE-588)4176005-0 gnd Republikanismus (DE-588)4115751-5 gnd |
| topic_facet | Protestsong Republikanismus Irland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032167131&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT millarstephenr soundingdissentrebelsongsresistanceandirishrepublicanism |