Made in Hong Kong: studies in popular music
Made in Hong Kong: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth- and twenty-first century popular music in Hong Kong. The volume consists of essays by leading scholars in the field, and it covers the major figures...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2020
|
| Schriftenreihe: | Routledge global popular music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Made in Hong Kong: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth- and twenty-first century popular music in Hong Kong. The volume consists of essays by leading scholars in the field, and it covers the major figures, styles, and social contexts of popular music in Hong Kong. Each essay provides adequate context to allow readers to understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Cantopop, History and Legacy; Genres, Format, and Identity; Significant Artists; and Contemporary Cantopop |
| Beschreibung: | ix, 224 Seiten |
| ISBN: | 9780367226985 9780367226978 |
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Datensatz im Suchindex
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| adam_text | Contents List of figures Series Foreword Acknowledgments Introduction: Mainstreaming Hong Kong Popular Music vii viii ix 1 ANTHONY FUNG AND ALICE CHIK Part I: Cantopop, History, and Legacy 1 Mapping Sociopolitical and Cultural Changes through “The Daughters of Hong Kong”: From Anita Mui to Denise Ho 5 10 VICKY HO AND MIRANDA MA 2 Once upon a Time in Hong Kong Cantopop: 1984 21 YIU-WAI сни 3 Pax Musica and Mnets: Cantopop-Kpop Convergences and Inter-Asia Cultural Mobilities 33 KAI KHIUN LIEW AND MEICHENG SUN 4 Voices Shaped by the People and for the People: Cantopop and Political Crisis from the Colonial to Postcolonial Era 44 STELLA LAU AND IVY MAN Part II: Genres, Format, and Identity 5 The Symbolic Sound of Cantopop: Relistening to “The Fatal Irony” (1974) 53 59 TING YIU WONG 6 Rethinking Chineseness in the Cantopop of Sam Hui 66 BRENDA CHAN 7 Alternative Music, Language, and “Hong Kong” Identity: The Use of Metaphor in the English Lyrics of Hong Kong Independent Music LOK MING ERIC CHEUNG 78
vi · Contents 8 Covers and “One Melody, Two Lyrics” Songs 91 JOHNSON LEOW Part III: Significant Artists 9 Love Songs from an Island with Blurred Boundaries: Teresa Teng’s Anchoring and Wandering in Hong Kong 101 107 CHEN-CHING CHENG 10 Remembering Hong Kong as a Queer Metaphor: Leslie Cheung’s Queer Performativity and Posthumous Networked Fandom 115 HONG-CHI SHIAU 11 Hong Kong is (No Longer) My Home: From Sam Hui to My Little Airport 124 MILAN ISMANGIL 12 MC Yan and his Cantonese Conscious Rap 132 ANGEL M. Y. LIN Part IV: Contemporary Cantopop 143 13 147 Snapshots of Multilingualism in Hong Kong Popular Music PHIL BENSON AND ALICE CHIK 14 Our Little Twins Stars: Conglomerate-Catalyzed Cross-Media Stardom in the New Millennium 157 KLAVIER J. WANG AND STEPHANIE NG 15 Performing the Political: Reflections on Tatming Meeting George Orwell in 2017 168 YIU FAI CHOW, JEROEN DE KLOET, AND LEONIE SCHMIDT 16 The Politicization of Music through Nostalgic Mediation: The Memory in “Boundless Oceans, Vast Skies” 181 JESSICA KONG AND ANTHONY FUNG Coda 17 191 The Globo-Regional and the Local in Hong Kong Popular Music 193 c. j. W.-L. WEE Afterword 203 Cantopop Is Always Hybrid: A Conversation with Serina Ha 205 Notes on Contributors Index 214 217
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| adam_txt |
Contents List of figures Series Foreword Acknowledgments Introduction: Mainstreaming Hong Kong Popular Music vii viii ix 1 ANTHONY FUNG AND ALICE CHIK Part I: Cantopop, History, and Legacy 1 Mapping Sociopolitical and Cultural Changes through “The Daughters of Hong Kong”: From Anita Mui to Denise Ho 5 10 VICKY HO AND MIRANDA MA 2 Once upon a Time in Hong Kong Cantopop: 1984 21 YIU-WAI сни 3 Pax Musica and Mnets: Cantopop-Kpop Convergences and Inter-Asia Cultural Mobilities 33 KAI KHIUN LIEW AND MEICHENG SUN 4 Voices Shaped by the People and for the People: Cantopop and Political Crisis from the Colonial to Postcolonial Era 44 STELLA LAU AND IVY MAN Part II: Genres, Format, and Identity 5 The Symbolic Sound of Cantopop: Relistening to “The Fatal Irony” (1974) 53 59 TING YIU WONG 6 Rethinking Chineseness in the Cantopop of Sam Hui 66 BRENDA CHAN 7 Alternative Music, Language, and “Hong Kong” Identity: The Use of Metaphor in the English Lyrics of Hong Kong Independent Music LOK MING ERIC CHEUNG 78
vi · Contents 8 Covers and “One Melody, Two Lyrics” Songs 91 JOHNSON LEOW Part III: Significant Artists 9 Love Songs from an Island with Blurred Boundaries: Teresa Teng’s Anchoring and Wandering in Hong Kong 101 107 CHEN-CHING CHENG 10 Remembering Hong Kong as a Queer Metaphor: Leslie Cheung’s Queer Performativity and Posthumous Networked Fandom 115 HONG-CHI SHIAU 11 Hong Kong is (No Longer) My Home: From Sam Hui to My Little Airport 124 MILAN ISMANGIL 12 MC Yan and his Cantonese Conscious Rap 132 ANGEL M. Y. LIN Part IV: Contemporary Cantopop 143 13 147 Snapshots of Multilingualism in Hong Kong Popular Music PHIL BENSON AND ALICE CHIK 14 Our Little Twins Stars: Conglomerate-Catalyzed Cross-Media Stardom in the New Millennium 157 KLAVIER J. WANG AND STEPHANIE NG 15 Performing the Political: Reflections on Tatming Meeting George Orwell in 2017 168 YIU FAI CHOW, JEROEN DE KLOET, AND LEONIE SCHMIDT 16 The Politicization of Music through Nostalgic Mediation: The Memory in “Boundless Oceans, Vast Skies” 181 JESSICA KONG AND ANTHONY FUNG Coda 17 191 The Globo-Regional and the Local in Hong Kong Popular Music 193 c. j. W.-L. WEE Afterword 203 Cantopop Is Always Hybrid: A Conversation with Serina Ha 205 Notes on Contributors Index 214 217 |
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