Petrovskoe vremja v licach - 2019: materialy naučnoj konferencii
Петровское время в лицах - 2019 материалы научной конференции
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Tagungsbericht Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Sankt-Peterburg
Izdatelʹstvo Gosudarstvennogo Ėrmitaža
2019
|
| Schriftenreihe: | Trudy Gosudarstvennogo Ėrmitaža
101 Petrovskoe vremja v licach ... 2019 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract Inhaltsverzeichnis |
| Beschreibung: | 401 Seiten Illustrationen, Porträts, Pläne |
| ISBN: | 9785935728830 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV046752465 | ||
| 003 | DE-604 | ||
| 005 | 20221019 | ||
| 007 | t| | ||
| 008 | 200608s2019 xx ac|| |||| 10||| rus d | ||
| 020 | |a 9785935728830 |9 978-5-93572-883-0 | ||
| 035 | |a (OCoLC)1159355105 | ||
| 035 | |a (DE-599)BVBBV046752465 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a rus | |
| 049 | |a DE-12 |a DE-255 | ||
| 084 | |a OST |q DE-12 |2 fid | ||
| 084 | |a 2.2 |2 KUBA2 | ||
| 111 | 2 | |6 880-02 |a Petrovskoe vremja v licach (Veranstaltung) |d 2019 |c Sankt Petersburg |j Verfasser |0 (DE-588)120285334X |4 aut | |
| 245 | 1 | 0 | |6 880-03 |a Petrovskoe vremja v licach - 2019 |b materialy naučnoj konferencii |c Gosudarstvennyj ėrmitaž ; redakcionnaja kollegija: V.V. Meščerjakov ... |
| 264 | 1 | |6 880-04 |a Sankt-Peterburg |b Izdatelʹstvo Gosudarstvennogo Ėrmitaža |c 2019 | |
| 300 | |a 401 Seiten |b Illustrationen, Porträts, Pläne | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |6 880-05 |a Trudy Gosudarstvennogo Ėrmitaža |v 101 | |
| 490 | 1 | |a Petrovskoe vremja v licach ... |v 2019 | |
| 546 | |a Text russisch. - Inhaltsverzeichnis und Zusammenfassung der einzelnen Beiträge auch in englischer Sprache | ||
| 546 | |b In kyrillischer Schrift | ||
| 600 | 0 | 7 | |a Peter |b I. |c Russland, Zar |d 1672-1725 |0 (DE-588)118592955 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Sankt Petersburg |0 (DE-588)4267026-3 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Russland |0 (DE-588)4076899-5 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Peter |b I. |c Russland, Zar |d 1672-1725 |0 (DE-588)118592955 |D p |
| 689 | 0 | 1 | |a Russland |0 (DE-588)4076899-5 |D g |
| 689 | 0 | 2 | |a Sankt Petersburg |0 (DE-588)4267026-3 |D g |
| 689 | 0 | 3 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 4 | |a Kultur |0 (DE-588)4125698-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |6 880-01 |a Meščerjakov, Vladimir Vladimirovič |d ca. 20./21. Jh. |0 (DE-588)104598096X |4 edt | |
| 830 | 0 | |a Trudy Gosudarstvennogo Ėrmitaža |v 101 |w (DE-604)BV011847213 |9 101 | |
| 830 | 0 | |a Petrovskoe vremja v licach ... |v 2019 |w (DE-604)BV037262318 |9 2019 | |
| 856 | 4 | 2 | |m Digitalisierung BSB München 25 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München 25 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
| 856 | 4 | 2 | |m Digitalisierung BSB München 25 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 880 | 1 | |6 700-01/(N |a Мещеряков, Владимир Владимирович |4 edt | |
| 880 | 2 | |6 111-02/(N |a Научная конференция "Петровское время в лицах - 2019" |4 aut | |
| 880 | 1 | 0 | |6 245-03/(N |a Петровское время в лицах - 2019 |b материалы научной конференции |c Государственный эрмитаж ; редакционная коллегия: В.В. Мещеряков ... |
| 880 | 1 | |6 264-04/(N |a Санкт-Петербург |b Издательство Государственного Эрмитажа |c 2019 | |
| 880 | 0 | |6 490-05/(N |a Труды Государственного Эрмитажа |v 101 | |
| 940 | 1 | |f sla | |
| 940 | 1 | |n oe | |
| 940 | 1 | |q BSB_NED_20200706 | |
| 942 | 1 | 1 | |c 900 |e 22/bsb |f 09033 |g 471 |
| 942 | 1 | 1 | |c 929 |e 22/bsb |f 09033 |g 471 |
| 942 | 1 | 1 | |c 709 |e 22/bsb |f 09033 |g 471 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032162160 | |
Datensatz im Suchindex
| _version_ | 1817598226498322432 |
|---|---|
| adam_text |
CONTENTS 0Iga Ageeva. The Borovitsky Palace of Prince Alexander Menshikov, Owned Later by Tsarevna Catherine Ivanovna: Based on the Inventory of 1734.5 Raisa Ayiybaeva. Peter the Great’s Precepts: Police and Orphan Care in Eighteenth-Century Moscow. 12 Daria Andreeva. The Age of Peter the Great at the Moscow Polytechnic Exhibition in 1872.20 Ekaterina Andreeva. Tiled Stoves in Peter I’s St Petersburg. 20 Marina Babich. Smolensk Polish Gentleman Fyodor I. Milashevich’s Adventures in Europe and Russia.43 Tatiana Bazarova. ‘For Keeping Peace in a Better and the Most Comprehensive Way. ’: The Residency of Russian Ambassador Pyotr Tolstoy at the Ottoman Court.53 Irina Barinova. On the Foundation Ceremony of St Petersburg.61 Dmitri Gouspmtch, Irina Gouņevitch. The Vemezobre Family.76 Mikhail Dankov, Diana Prots. Salt Routes and Peter I’s Strategic Initiative (Medieval Routes
from the White Sea, and the 1702 Route). 85 Evgeny Dolgov. The Vice Governor Heading the Kazan Province: The Biography of Peter I’s Contemporary Nikita Ushakov. 96 Anatoly Dutov. Once again about Portraits of the Wife of the Moscow Ambassador’.101 Andrey Epatko. Jean-Baptiste Alexandre Le Blond’s Engineering Solutions for the Reval Haven and the Gulf of Finland.113 EvgeniaEremina-Solenikova. Dances Dedicated to Peter the Great. 130 Nadeզhda Zharkova. Adriaan Schoonebeek’s Unknown Drawings.133 Sergey Ivánjuk. Ί Personally Inspected the Area round the City’: Actions Taken by Brigadier Alexander Volkonsky when in Charge of the Fortress of Poltava Defence (December 1708 —January 1709).148 Natalia Kastanina. Peter I’s Portraits from Count Grigory Orlov’s Collection in the Marble Palace.158 Vera Kovrigina. ‘Apple of Discord’: Foreigner Jochim Frese’s Court that Drove a Wedge between his Relatives Claiming for the Heritage. 163 Julia Koksova. Peter I’s Reforms. Peter I’s Alphabet as a Primary Element for New Printing. Which of the Two
Archival Copies of the Alphabet Peter I Actually Held and Edited?.171 Viktor Korentcvit. Archaeological Research in the Areas of ‘Adam’ and ‘Eve’ Fountains in Peterhof. 175 Tatiana Kostina. On the Language Academy’: Teaching and Learning Languages in the Academy’s Gymnasium in 1726—1727.191 Leonid Kudņeevich. Settling in a New Fatherland: Prosperity and Peter Lacy’s Family.198 Boris Makarov. Steven Van Zwieten, a Dutch Architect in Russia. 206 Anna Nedospasova. Some Information on Music and Musicians in Bering’s Kamchatka Expeditions.243 Roxana Rebrova. Peter I, Origin of Winemaking, Wine Trade. Archaeological Background.248 Mikhail Руефепкоѵ. The First Architect of Alexander Menshikov’s Wooden Palace on Vasilyevsky Island.257 401
CONTENTS Karlygash Sergasįna. On Anna Stepanova, a Peasant from the Kostroma Uyezd Revered as the Holy Mother of God.267 Galina Sergeeva. On Paintings Decorating the Interiors of Buildings in the Summer Garden in the Age of Peter the Great: Researches and Materials. 274 īLkaterina Skvortsova. Lost Portraits of Peter ľs Children from the Plane-Tree Study in the Marly Palace in Peterhof: Iconography Mysteries.295 Nikolay Slavnitsky. Vasily Zotov’s Activities in Reval (1710—1713). 311 Ekaterina Tyukhmeneva. State Symbols Used in the Artistic Decoration of Imperial Funeral Ceremonies in Russia in the First Half of the Eighteenth Century. 316 Andrey Ukhnalev. The Menshikov Palace and the Italian Style in Architecture. 327 Polina Chebakova. Tsarevich Peter Petrovich’s Miniature Portrait inside a Snuff-Box from the State Hermitage Museum Collection: Iconographie Sources and Parallels. 336 Pyotr Chistiakov. Prince Yakov Odoyevsky and the Construction of a Wooden Church in the Malakhovo Village. 347 Galina
Shebaldina. ‘Moscow Foreigner’ Adam Weyde.350 Nataka Shirokova, Vitaly Antipin. On Works and Findings in the Comer Rooms of the Menshikov Palace. 359 Igor Yurkin. . .1 Give, Devise and Bequeath’? (On an Attempt to Avoid Peter I's Decree on Single Inheritance). 367 Vladimir Yakovlev. Metropolitan Parthenius Neboza and Peter I. 374 About Authors.383 Abbreviations. 385 Summaries. 387
SUMMARIES Olga Ageeva THE BOROVITSKY PALACE OF PRINCE ALEXANDER MENSHIKOV, OWNED LATER BY TSAREVNA CATHERINE IVANOVNA: BASED ON THE INVENTORY OF 1734 The paper describes Prince Alexander Menshikov’s Borovitsky Palace which was handed over to Tsarevna Catherine Ivanovna in the 1720s. It is based on the Russian State Archive of Ancient Acts case (Fund 14) started in 1734, when, after the tsarevna’s death, the palace was given to the Main Palace Chancery. The case describes a hall and ah rooms of the two-storey palace, as well as its servants’ quarters, stable, smithy and other buildings located in the courtyard. The folder con tains a particularly interesting description of icons and church ware, furniture, household items, carriages, etc. The palace with its courtyard structures burnt down in 1737 and was partly restored. It was granted to Prince Alexey Mikhailovich Cherkassky in 1742 and handed over to Alexander Alexandrovich Menshikov in the 1750s. Transkted by Angpelika Bogdanova Raisa Azizbaeva PETER THE GREAT’S PRECEPTS: POLICE AND ORPHAN CARE IN EIGHTEENTH-CENTURY MOSCOW The paper looks back at the first half of the eighteenth century and briefly describes implemen tation of Peter I’s decrees with regard to care for babies born out of wedlock before the reign of Empress Elizabeth Petrovna. The paper discusses establishment of the police and its role in or phan care. The Moscow Province chancery began dealing with all issues related to state-supported children in 1737. This promoted development of new methods of orphan care organisation based on Peter’s decrees. Its
early functioning in Moscow in the 1740s — 1750s is described in detail, with emphasis on a highly significant role of the Moscow Police Chancery. The paper focuses on police officers’ role in saving lives of abandoned children. Translated by Angelika Bogdanova Daria Andreeva THE AGE OF PETER THE GREAT AT THE MOSCOW POLYTECHNIC EXHIBITION IN 1872 In May 1870, following the Imperial Society of Devotees of Natural Science, Anthropology and Ethnography request, Count Dmitry Tolstoy, the Minister of National Education, filed a peti tion to Alexander II to arrange a Polytechnic Exhibition in Moscow marking the 200th anniversary of Emperor Peter the Great. Alexander II replied ‘Agreed’. The organisers were to link the exhibition to the celebrations of Peter’s anniversary and to select museum exhibits highlighting how Peter’s reforms were continued and developed by Alexander IPs reforms. Each part of the exhibition stressed the fact that the age of Peter the Great was the starting point for the Russian Empire’s history. The exhibition visitors were also supposed to realise the importance and necessity of developing technical sciences in the future. Transkted by Angelika Bogdanova 387
SUMMARIES Ekaterina Andreeva TILED STOVES IN PETER I’S ST PETERSBURG The paper analyses stoves from the reign of Peter I, as well as tiles of that age remaining on stoves made earlier, or discovered during archaeological researches. Tiles are categorised on the ba sis of their decoration. They include smooth (i.e. fiat) ones, with glazed (monochrome) decoration, painted stove tiles, etc. The paper discusses potteries, their number in early St Petersburg, when they were established, what kind of stove tiles specific potteries were making and what buildings the stove tiles were designed for. Translated by Атфеlika Bogdanova Marina Babich SMOLENSK POLISH GENTLEMAN FYODOR I. MILASHEVICH’S ADVENTURES IN EUROPE AND RUSSIA The paper rediscovers the biography of little-known Russo-Polish adventurer Fyodor I. Milashevich (Milašević). The story of his well-documented involvement in several political ‘affairs’ and his preserved personal archive (in the Russian Archive of Ancient Acts) significantly supplement our knowledge of court and provincial life in the first third of the eighteenth century, as well as highlight struggle for the throne, tracing the origin of the ‘German dominance’ theory. The pa per describes actual episodes from biographies of and public rumours about Alexey BestuzhevRyumin, Ernst Johann von Biron, Artemy Volynsky, Alexander Menshikov, Burkhard Christoph von Münnich, Andrey Osterman, Leonty Soimonov, Andrey Ushakov and Alexander Cherkassky Translated by АпѕфеИка Bogdanova Tatiana Bazarova ‘FOR KEEPING PEACE IN A BETTER AND THE MOST COMPREHENSIVE WAY.’: THE
RESIDENCY OF RUSSIAN AMBASSADOR PYOTR TOLSTOY AT THE OTTOMAN COURT The paper focuses on the work of the first Russian permanent ambassador to the Ottoman Empire Pyotr Tolstoy (1645—1729), to whom Peter I posed the task of keeping peace on Russia’s southern borders. Since 1702 on, for eight years, Pyotr Tolstoy had been mitigating issues arising between the two states, negotiating trade agreements, protecting interests of the tsar’s subjects in the Ottoman Empire, establishing contacts and exchanging information with foreign diplomats, etc. When Charles XII arrived in the Ottoman Empire with the remaining army after his defeat in the Battle of Poltava, it changed the political situation. On 9 November 1710 the sultan declared war on Russia. Pyotr Tolstoy was imprisoned and lost the ambassador plenipotentiary stams. Translated by Angelika Bogdanova Irina Barinova ON THE FOUNDATION CEREMONY OF ST PETERSBURG The Manuscript on the Foundation and Planning of the Boyal City of St Petersburg deposited in the Hermitage collection of the Manuscripts Department in the National Library of Russia states that the city was founded on 16 May 1703 by the ceremonial church service. 388
SUMMARIES This date is confirmed by the record made in the Daybook or the Daynote. of Emperor Peter the Great. The papēris attempting to prove the ‘bookish’ nature of the manuscript and doubt less significance of stated facts related to peculiarities of the sacral rite held on Lust Eiland on the Pentecost day, and to the tsar’s personal participation in it. Translated by Anfroelika Bogdanova Dmitri Gouzévitch, Irina Gouzévitch THE VERNEZOBRE FAMILY This paper is based on data collected in the process of work on the dictionary Foreign Specialists in Russia in the Age of Peter the Great: Biographical Dictionary Dedicated to People Born in France, Wallonia, French-Speaking Switzerland and Savaya: 1682—1727. It discusses the Vernezobres, whose four genera tions were linked to Russia and included bankers, traders, translators, administrators and officers. The Huguenots who had left France lived in six countries on three continents (France, England, Holland, Prussia, Poland, Russia, Dutch and English colonies in the North and South America). It was one of the most peculiar French families with extremely complex kin relationship that lived in Russia. There were several reasons for such complexity in the Yernezobre family. There were men named Solomon in each generation, and they had to be numbered; they worked at the same time and replaced one another, thus, sometimes it is impossible to understand who was described, moreover, the documents contain mainly last names. On the other hand, few family members were public servants, thus there are fewer documents concerning them. We
can’t state that we have suc ceeded in resolving a11 the issues, but we hope that we were able to identify almost all the members of this family, give their biographies and clarify their individual and collective contribution to the development of Russian maritime trade. The authors of the paper are only part of the team that tried to resolve the complexity of the Vernezobre family. Alexey Kraikovsky, Vladislav Rzheutsky, Атппе Mézen, Viktor Bryzgalov and Alla Krasko also participated in the study. Translated by Anfrtekka Bogdanova Mikhail Dankov, Diana Prots SALT ROUTES AND PETER I’S STRATEGIC INITIATIVE (MEDIEVAL ROUTES FROM THE WHITE SEA, AND THE 1702 ROUTE) The paper covers noteworthy yet understudied issues related to archaic and poorly arranged salt transportation routes from the White Sea to the centre of the country. Three main ‘Karehan’ me dieval communication corridors can be traced based on archival sources and remaining evidence. The first was the ‘western route’ linking the sea coast to Ladoga Lake, the second was the ‘eastern route involving Kenozero and Ilets portage, and finally, it was a particularly significant ‘middle route’ leading to Povenets. It is associated with Peter I’s Nöteborg strategic campaign of 1702 at the Neva source. The study is based on archival data, including Swedish Brief Description of the Russian Route from Kexholm . 1556, notes written by foreigners Thomas Southam, John Spark and Simon von Saling in the middle of the sixteenth century, Description of Three Routes from the State of Flis Majesty the Tsar, from the Shores of the
White Sea by Athanasius Kholmogorsky and other eighteenthcentury documents, such as epistolary materials from the Russian State Archive of Ancient Acts. Translated by Anfreelika Bogdanova 389
SUMMARIES Evgeny Dolgov THE VICE GOVERNOR HEADING THE KAZAN PROVINCE: THE BIOGRAPHY OF PETER I’S CONTEMPORARY NIKITA USHAKOV The paper covers the life and career of Peter the Great's contemporary Nikita Ushakov, a par ticipant of many military campaigns and battles of the Russian troops in the first quarter of the eighteenth century, and later a diligent official in the period following Peter the Great’s reign. The author analyses publications and literature on the subject and portrayed this typical personality from the time. The example of the Kazan Province is used to highlight some issues of Russia’s governorship and describe one of its representatives. Translated by Angelika Bogdanova Anatoly Dutov ONCE AGAIN ABOUT PORTRAITS OF THE WIFE OF THE MOSCOW AMBASSADOR’ The paper features portraits of Martha Fyodorovna, née Princess Baryatinskaya, whose exact name has been long unknown to researchers. She was the wife of Andrey Matveev, Russian Ambassador to the Netherlands and France. The portraits were painted by Western European artists in the late seventeenth — early eighteenth centuries. Martha Matveeva’s likenesses deposi ted in different collections are a unique phenomena in Russian portraiture from the age of Peter the Great, as they make a significant contribution to the small range of few female portraits from that time. Martha Apraksina’s portrait kept in the State Russian Museum and its attribution are discussed in detail, since the person it shows might be identified as Martha Matveeva. Translated by Anņbelika Bogdanova Andrey Epatko JEAN-BAPTISTE ALEXANDRE LE
BLOND’S ENGINEERING SOLUTIONS FOR THE REVAL HAVEN AND THE GULF OF FINLAND French landscape architect Jean-Baptiste Alexandre Le Blond is frequendy called the architect of Peter the Great. He was taught by famous André Le Nôtre and wrote the fundamental study The Theory and Tradice of Gardening (1709). He was invited to Russia by Peter I in 1716. Jean-Baptiste Alexandre Le Blond lived in St Petersburg for over two years, and even in such a short period he managed to significandy contribute to its architecture: he was in charge of the Russian capital’s planning and development, worked on many park landscapes in the suburbs, including Peterhof and Strelna, as well as the Summer Garden in the city. Jean-Baptiste Alexandre Le Blond’s architec tural concepts implemented in those royal residences are well covered by a number of researches. The architect's engineering solutions are less known, in particular, those related to the restoration of the haven in Ravel (1717) and lifting of the sunken Narva ship (1718). The author also discusses Jean-Baptiste Alexandre Le Blond’s portrait as young architect, from 1710, which has recently been exhibited at the Paris exhibition. Translated by Angelika Bogdanova 390
SUMMARIES Evgenia Eremina-Solenikova DANCES DEDICATED TO PETER THE GREAT When Peter the Great visited France, he met Louis XV and his court. The court choreographer Claude Ballon staged La Сцатппе dance for the ball marking this event. Another dance, Cyarof Muscovy, formerly considered to be dedicated to Russia’s first emperor, was originally the final counterdance in the play of the same name and had nothing to do with Peter I. Translated by Angelika Bogdanova Nadezhda Zharkova ADRIAAN SCHOONEBEEK’S UNKNOWN DRAWINGS In 1941 an album of drawings was handed over to the State Hermitage Museum by the Library of the Academy of Sciences. The 1973 catalogue devoted to prints from the age of Peter the Great states that this album contains many drawings by Adriaan Schoonebeek. That is why this album has been bearing Schoonebeek’s name from the second half of the twentieth century. Actually, only one drawing from this album was doubdessiy considered Schoonebeek’s artwork then. Today seven more of his drawings have been identified in the album. These drawings are from the same series, and were created when Adriaan Schoonebeek was illustrating his book Histone van alk Ridderiyke en Krygs Orders [History of Knighthood and Military Orders] first published in Amsterdam in 1697. Its second edition was issued in 1699. This rare book can be found in some large European libra ries, while the newly discovered drawings made for the book’s illustrations are truly unique. Translated by Angelika Bogdanova Sergey Ivanyuk Ί PERSONALLY INSPECTED THE AREA ROUND THE CITY’: ACTIONS TAKEN BY BRIGADIER
ALEXANDER VOLKONSKY WHEN IN CHARGE OF THE FORTRESS OF POLTAVA DEFENCE (DECEMBER 1708 - JANUARY 1709) The name of Alexey Kelen, the commandant of the fortress of Poltava during the assault of Charles XII's troops, is well known in the historiography associated with the Battle of Poltava (27 June 1709). Nevertheless, few historians keep in mind that the basis for its successful defence in the spring and summer of 1709 had been laid beforehand. This paper refers to both published and previously unknown sources on the subject and describes in detail the role played by Alexander Volkonsky’s troops in Poltava in December 1708 — January 1709 and his successful preparation of its fortress for defence. Translated by Anyhelika Bogdanova Natalia Kazanina PETER I’S PORTRAITS FROM COUNT GRIGORY ORLOVS COLLECTION IN THE MARBLE PALACE The paper features Peter I’s portraits from the Marble Palace gallery owned by Count Grigory Orlov. The collection comprised seven portraits of the monarch depicted at different age. It also included Peter’s official lifetime portrait painted by Benoît Le Coffre. АЛ the paintings were in 391
SUMMARIES the same gallery room placed among portraits of other tsars and emperors from the House of Romanov, as well as European royal portraits. In 1783, upon Count Grigory Orlov’s death, Catherine II bought the collection, and the paint ings became part of the imperial collection, though remaining in the Marble Palace. After 1832 the portraits were handed over to the Hermitage storerooms; they were restored, examined and sent to various imperial residencies on Nicholas I’s order. In the process of research all Peter I’s portraits, previously deposited in the Marble Palace gal lery, were discovered in modern museum collections. Over the years attribution of four portraits has changed. Today only three canvases from the collection are seen as reliable representations of Peter I, while the other four have nothing to do with his iconography. All the portraits of Peter I hung in the Marble Palace gallery in the late eighteenth century were indicative of the popularity of this historical personality and aspiration to emphasise the continuity of his ideas in Catherine II’s rule. They also reveal the perception of the epoch of Peter I by those living in Catherine II’s time. Translated by Апфеііка Bogdanova Vera Kovrigina APPLE OF DISCORD’: FOREIGNER ЈОСШМ FRESE’S COURT THAT DROVE A WEDGE BETWEEN HIS RELATIVES CLAIMING FOR THE HERITAGE The paper covers the legal proceeding for inheritance of the court owned by deceased foreign goldsmith Jochim Frese, which involved two of his relatives: silversmith Hans Jurgen Kohler and Otto Fürst, the director of the Red Square theatre.
Jochim Frese left the court by will to Fürst, the spouse of his niece. Meanwhile, Hans Jurgen Kohler, the son of Frese’s sister, tried to win it by a court action. The legal proceeding lasted for two years (1707—1709) and caused the tsar’s order as of 1709 to make foreigners register their wills in real estate offices. Files of this proceeding and other archival sources used for the first time help us understand relations inside the family, characters of its members and the foreigners’ fife style in the Moscow German Quarter in the last quarter of the seventeenth — first quarter of the eighteenth centuries. Translated by Апфеііка Bogdanova Julia Kolosova PETER I’S REFORMS. PETER I’S ALPHABET AS A PRIMARY ELEMENT FOR NEW PRINTING. WHICH OF THE TWO ARCHIVAL COPIES OF THE ALPHABET PETER I ACTUALLY HELD AND EDITED? The secular script introduced by Peter I on 29 January (9 February) 1710 remained unchanged till 1918. First, Peter I personally developed the alphabet and the way of writing capital and lowercase letters. The standard alphabet edited by Peter I is deposited in the Russian State Historical Archive. However, the archive keeps two similar copies of the alphabet. It actually means that one of them is original and the other is a reproduction, or a copy. The paper covers the result of the ex press analysis in visible luminescent light that helped to detect the copy edited personally by Peter I. Translated by Angelika Bogdanova 392
SUMMARIES Viktor Korentcvit ARCHAEOLOGICAL RESEARCH IN THE AREAS OF ADAM’ AND ‘EVE’ FOUNTAINS IN PETERHOF The Peterhof conservation project was developed between 1976 and 1982, in the course of which an archaeological survey was carried out in the Lower Park to study its lost structures: fountains, gazeboes, garden labyrinths, etc. This paper covers excavations done in the area of Adam’ and ‘Eve’ fountains located in the Marly alley, the main park alley. Particular atten tion has been paid to the area decoration from the age of Peter the Great on. Treillages, gal leries, gazeboes followed one another and made the space look like palace ceremonial rooms. Foundations of the lost structures were discovered during the excavations. They were recreated in graphics using available documents. Based on archaeological data, the conservators took a jus tified decision to bring the space back to its pre-war appearance, i.e. to restore wooden gazeboes designed by architect Brower in the early nineteenth century and destroyed during the Great Patriotic War (WWII). Translated by Angelika Bogdanova Tatiana Kostina ON THE LANGUAGE ACADEMY’: TEACHING AND LEARNING LANGUAGES IN THE ACADEMY’S GYMNASIUM IN 1726-1727 The paper traces the origin of the Academy’s gymnasium as a school of the Latin, German and, in part, French languages; it analyses alternatives to these languages which came into being when the Academy of Sciences was established. The need for learning Latin and German had got very high by 1726, so the Academy’s gymnasium was founded. It admitted 172 students in two years.
Fifteen of them continued their education at a higher level, which provided for the opportunity to start teaching in five classes at the same time. The classes were made based on the level of Latin. Lists of students reveal which students enrolled at the Academy’s gymnasium as they had a high level of Latin (Vasiliy Adodurov, Panaiota Kondoidy, Petr and Yakov Mirovich, Martin Potapsky, Ivan Fedotyev). Apparently, no information regarding their education is to be found in other sour ces, except for Vasily Adodurov and Panaiota (Pavel) Kondoidy. Transkted by Angelika Bogdanova Leonid Kudzeevich SETTLING IN A NEW FATHERLAND: PROSPERITY AND PETER LACY’S FAMILY Peter Lacy’s experience of adaptation in a foreign country and finding a new fatherland was rather successful and it is worth studying. An Irish immigrant in exile, he was a non-commissioned officer and mercenary in the beginning of his Russian career, to become a Field Marshal, rather prosperous man and the head of a large family by the end of his life. Initially, he was paid 120 rou bles a year, yet he got more than 13,000 roubles a year in his last period. Five of his daughters married men born into well-known families of the Baltic knighthood, Ireland and Scotland, and his younger son became an Austrian Field Marshal. In the end of his life Peter Lacy owned significant estates in the region of modern Latvia. Transkted by Апефеііка Bogdanova 393
SUMMARIES Boris Makarov STEVEN VAN ZWIETEN, A DUTCH ARCHITECT IN RUSSIA The Dutch architect’s life and works in St Petersburg and suburbs are described in the paper based on a number of archival documents available in the scholarly domain. A particular atten tion is paid to the relations of Steven Van Zwieten and his deputy, Belgian civil engineer Françoy de Waal. The paper also highlights reasons for which the Dutch architect was laid off from the Admiralty but returned there in 1728—1729. Translated by Апфзеііка Bogdanova Anna Nedospasova SOME INFORMATION ON MUSIC AND MUSICIANS IN BERING’S KAMCHATKA EXPEDITIONS Foreign musicians promoted development of a new type of Russian musical culture in the first half of the eighteenth century. Their performances in ensembles and orchestras of the Russian nobility filled the latter’s everyday life with new harmony and content. The process of master ing European musical culture was diverse and its intensity was different in remote regions. Litde known is the fact that musicians were present in Vitus Bering’s Kamchatka expeditions. Musicians playing trumpets, oboes, percussion instruments not only carried out official functions onboard ships, but highlighted the high status of such expeditions, including inland ones. The Second Kamchatka expedition was thoroughly arranged, so the musicians’ names, lists of musical instru ments and other interesting facts were recorded. The paper discusses these data within the context of musical life in Siberia and in the Far East at that period. Translated ЬуАпфеІіка Bogdanova Roxana Rebrova PETER
I, ORIGIN OF WINEMAKING, WINE TRADE. ARCHAEOLOGICAL BACKGROUND The paper describes how Peter I’s tastes influenced the expansion of wine trade and develop ment of winemaking, changed the use of wine and attitude to it. Both archival documents and archaeological materials confirm these changes. Translated by Апфеііка Bogdanova Mikhail Ryzhenkov THE FIRST ARCHITECT OF ALEXANDER MENSHIKOV’S WOODEN PALACE ON VASILYEVSKY ISLAND Study of the history of the first St Petersburg Governor’s residence on Vasilyevsky Island has a long tradition. Nevertheless, some issues are still unclear. The researches have mostly focused on the history of his stone palace and paid significantly less attention to his wooden house (palace), construction of which began in the eastern part of Vasilyevsky Island in 1704. There is some un certainty regarding the personality of the architect of the wooden palace and its garden, which was a regular park designed as a single estate. The Russian State Archive of Ancient Acts can answer this question and name the first architect of the wooden palace and its garden on Vasilyevsy Island. Its Fund 161 has the Folder 462 which contains letters of doctor Nicolaas Bidloo. The letter dated 394
SUMMARIES 3 July 1704 is addressed to Alexander Menshikov. That was the letter attached to the plans and drawings of Menshikov’s house and garden on Vasilyevsy Island. Nicolaas Bidloo established the first hospital in Moscow. In 1702 the Russian ambassador in the Hague invited him to Russia as Peter ľs personal physician. Besides Bidloo’s merits in medicine, he was also an architect, which is less known. When Bidloo learnt about Menshikov’s intention to build a house on Vasilyevsky Island, he started designing the house with a garden for him. The initial design of the Menshikov house (palace) significantly resembled the Moscow hospital. Transkted by ճոզհ6ՍԽ Bogdanova Karlygash Sergazina ON ANNA STEPANOVA, A PEASANT FROM THE KOSTROMA UYEZD REVERED AS THE HOLY MOTHER OF GOD The paper is devoted to the Kostroma Christ-believers community of the eighteenth century. It is based on the merchant Krupenikov case of 1747 contained in the Most Holy Synod files de posited in the State Historical Archive. One of the case personalities was Anna Stepanova, a peas ant from the Kostroma Uyezd revered as the Holy Mother of God. The paper is aimed at introduc ing the archival materials into the scholarly domain and describing religious practices of heterodox communities in eighteenth-century Kostroma. Transkted by АпѕфеШа Bogdanova Galina Sergeeva ON PAINTINGS DECORATING THE INTERIORS OF BUILDINGS IN THE SUMMER GARDEN IN THE AGE OF PETER THE GREAT: RESEARCHES AND MATERIALS The Summer Garden used to have buildings of various purposes in different periods within the reign of Peter the Great
and later. They included elegant palaces of Peter and his wife Catherine, as well as various galleries, a cavern, menagerie, aviaries, orangeries, bathhouses, water towers, etc. They were highly decorated with murals and easel paintings, in tune with the fashion of that time. Today only the stone palace, or the Summer Palace of Peter the Great, is still extant. The rest of the structures have disappeared from the garden. To decorate the palace Peter I’s agents Osip Solovyov and Yuri Kologrivov bought artworks of Dutch, Flemish, Italian and other artists from abroad, which included those of Rubens, Anthony van Dyck, Rembrandt, van der Werf, Jan Steen, Philips Wouwerman, Adriaen van Ostade and Bruegel. The tsar often personally visited artwork auctions. The room before the bedroom in the Summer Palace of Peter the Great was adorned with Adam Silo’s paintings. Russian artists Ivan Nikitin and Ivan Odolsky created paintings for Catherine’s New Summer Palace. Famous foreign artists holding contracts in Russia, like Swiss Georg Gsell, Italian Bartolomeo Tarsia, Frenchman Louis Caravaque, and Russian artists Vasily Yeroshevsky, Leonid Fyodorov, Andrey Matveev, Mikhail Zacharov, Vasily Vorobyev, Mikhail Negrubov etc. produced murals and decorative paintings for the Summer Garden buildings. Transkted by Angelika Bogdanova Ekaterina Skvortsova LOST PORTRAITS OF PETER I’S CHILDREN FROM THE PLANE-TREE STUDY IN THE MARLY PALACE IN PETERHOF: ICONOGRAPHY MYSTERIES This paper is the first to bring together and analyse the data from scholarly literature, as well as from publications and
archives related to the three portraits of Peter I’s children from the 395
SUMMARIES Plane-Tree Study in the Peterhof Marly palace. They were a double portrait of young Tsarinas Anna and Elizaveta (Elizabeth) and two paired portraits of single boys depicted as cupids. These paintings were lost in fire in 1901. Louis Caravaque mentioned these three portraits in the list [‘Rospis’] of his artworks and stated that they were created in 1721 for ‘the Plane-Tree Study in the new Mon Plaisir in Peterhof’. The paper covers versions offered in different publications regarding the persons portrayed in two of these paintings depicting a little boy (Tsarevich Peter Petrovich? Tsareviches Peter Petrovich and Alexey Petrovich?). The paper also discusses if these were por traits in costume or allegoric compositions with no likeness. However, the final conclusion cannot be made based on available materials. The photo of the Plane-Tree Study from the Peterhof State Museum Reserve archive is published for the first time. It was made before Marly’s restoration in 1898—1899, and depicts one of the paired cupids and the portrait of Tsarinas Anna and Elizaveta known today from written sources only. This photo makes it clear that the portrait of Tsarinas Anna and Elizaveta deposited in the Museum of Fine Arts in Petrozavodsk, Republic of Karelia, is a copy of their portrait from Marly. The photo demonstrates the remarkable artistic quality of the original portrait. Transhied by Angelika Bogdanova Nikolay Slavnitsky VASILY ZOTOV’S ACTIVITIES IN REVAL (1710-1713) The paper covers the activities of Peter the Great’s little-known associate Vasily Zotov, the Reval
Commandant. He was appointed to Reval upon its fortifications being seized in 1710, and he had to organise its coast defence under complicated conditions. The difficulties faced by Zotov are described in his correspondence with Alexander Menshikov and Fyodor Apraksin kept in the Archive of the St Petersburg Institute of History at the Russian Academy of Sciences and in the Russian State Naval Archive. Translated by Angelika Bogdanova Ekaterina Tyukhmeneva STATE SYMBOLS USED IN THE ARTISTIC DECORATION OF IMPERIAL FUNERAL CEREMONIES IN RUSSIA IN THE FIRST HALF OF THE EIGHTEENTH CENTURY Alongside actual artifacts, depiction of state symbols was particularly important for the con ceptual and artistic decoration of funeral ceremonies in Russia in the first half of the eighteenth century. The imperial crown was the most spread symbol used to decorate funerals; it was copied multiple times and in variable ways. On the contrary, the orb and the scepter were rarely used and were mainly combined with other symbols, such as a crown, a sword or order ribbons. St Andrew’s Cross played a particular role in decorating Peter I’s Mourning Room. Contrary to festive celebra tions, the Russian coat of arms, as well as its territories’ coats of arms, were fully introduced into the rimerai ceremony according to the monarch’s title and considering their significance. They were repeated many times and used for all the three components of the ceremony, i.e. for the palace and cathedral decorations and for funeral processions. The emperor’s or empress’s monograms had a function similar to those of
heraldic patterns. Translated by An^helika Bogdanova 396
SUMMARIES Andrey Ukhnalev THE MENSHIKOV PALACE AND THE ITALIAN STYLE IN ARCHITECTURE The concept of ‘Italian style’ employed in the first half of the eighteenth century expressed a general understanding of Italian architecture at that time. The paper analyses features of the ‘Italian style’ in the Menshikov Palace perceived by its contemporaries as an Itähän palace. It dis cusses several European architectural landmarks similar in design to the St Petersburg palace. It points out that the palace and its architectural analogues make a typological range that originated from Rome’s Renaissance landmarks, primarily, the Villa Farnesina. A little studied project of this kind from the Library of the Russian Academy of Sciences is introduced. Translated by Апчфеlika Bogdanova Polina Chebakova TSAREVICH PETER PETROVICH’S MINIATURE PORTRAIT INSIDE A SNUFF-BOX FROM THE STATE HERMITAGE MUSEUM COLLECTION: ICONOGRAPHIC SOURCES AND PARALLELS Analysis of the European context has made it possible to enrich our knowledge about Tsarevich Peter Petrovich’s miniature portrait created by Johann Gottfried Tannauer inside a snuff-box with a view of St Petersburg on the outside, from the State Hermitage Museum collection. The paper identifies the source of iconography of the child in this portrait, which has so far been consi dered to be an original creation of the artist. It is one of the engravings portraying Prince William, Duke of Gloucester after Sir Godfrey Kneller’s painting (c. 1691, The Royal Collection Trust, Hillsborough Casde). The Duke’s portrait was often used as a source of
iconography for children’s portraits in Europe. The headwear with two ostrich feathers which was a traditional marker of nobility and, most importandy, in some cases — an attribute of the heir of the title, is likely to have been borrowed from another source — a portrait of Charles Fitzroy, 2nd Duke of Grafton, also based on Sir Godfrey Kneller’s painting. Although the authors of numerous children’s portraits (fifteen paintings) based on the portrait of Prince William made use of the same source, they managed to create various images corresponding to the characteristics of young models and the circumstances of commission. Whereas William of Gloucester is depicted against the background of a landscape with an arcade, behind Tsarevich Peter is some water space with ships and a frag ment of a fortress wall obviously symbolising the new capital of Peter the Great. The headdress and the presence of an oval portrait of Peter I in the composition proves that Peter Petrovich was his father’s hope and the new heir to the Russian throne: his status was con firmed in the Manifesto of 3 (14) February 1718. Translated by Angelika Bogdanova Pyotr Chistiakov PRINCE YAKOV ODOYEVSKY AND THE CONSTRUCTION OF A WOODEN CHURCH IN THE MALAKHOVO VILLAGE The paper traces the history of the Malakhovo village near Moscow and discusses its owners. It is based on the data from the Russian State Historical Archive and focuses on the circumstances of construction of a wooden church by Prince Yakov Odoyevsky in 1691. Transkted by Атфеііка Bogdanova 397
SUMMARIES Galina Shebaldina ‘MOSCOW FOREIGNER’ ADAM WEYDE Adam Weyde [Veyde] was a prominent personality in the age of Peter the Great. However, it often happens to historical personalities that one or several significant deeds overshadow their life’s entire history. Adam Weyde developed one of the first military regulations of the Russian army, which has been attracting attention of researchers from the nineteenth century on, while the rest of his deeds remain in the shade. Brief articles in encyclopedic reference publications do not pro vide for a comprehensive understanding of his activity. Meanwhile, Adam Weyde was a typical phenomenon in the age of Peter the Great, as he had many features of the great reformer’s associate. He was both foreigner and Russian; Peter knew him from his visits to the German Quarter in his youth when he shared his best untroubled years with Weyde. He was not a professional in any sphere, which was also natural for Peter’s supporters; however, he was enthusiastic and determined about everything the emperor ordered him to do. Ironically, it was his ten-year absence from Russia that steered him clear from temptations which obsessed his patron Alexander Menshikov. As a result, General Weyde’s reputation remained undamaged and after his return from Sweden, he continued his career and became a Senator of new Russia. Translated by Angelika Bogdanova Natalia Shirokova, Vitaly Antipin ON WORKS AND FINDINGS IN THE CORNER ROOMS OF THE MENSHIKOV PALACE The paper discusses preliminary outcomes of the research and describes findings made by a supervision
group during the works carried out in January — March 2019. The building’s masonry structure was analysed; the courtyard outline and the façade appearance, as well as the palace’s layout in the first half of the eighteenth century were establsihed. The paper describes the results of the structure’s examination, clarifies data from archival documents regarding the building’s con servation. Some findings made in the interiors and in the vault hollow fillings improve our knowl edge about the interiors of the Menshikov Palace western wing that later became the Cadet Corps. Transhted by Angelika Bogdanova Igor Yurkin ‘. .1 GIVE, DEVISE AND BEQUEATH’? (ON AN ATTEMPT TO AVOID PETER I'S DECREE ON SINGLE INHERITANCE) In 1728 Ivan Demidov, the only son of landlord Grigory Nikitich Demidov, killed his father who threatened to disinherit him. The paper points out the mistake frequendy found in publica tions on the subject which state that Ivan was the son from Grigory's second marriage. It explains that he was born in the first wedlock. The paper discusses if it was possible to disinherit him ac cording to the legislation of that time. The author shows that the decree dated 23 March 1714 did not entrile the testator to do so. Meanwhile, another Law on Mining Privilege [Berg privilegiya], dated 10 December 1719, contained a clause that provided an opportunity to escape the 1714 de cree. It is presumed that Nikita Demidovich Demidov, the founder of the industrial dynasty, had earlier intended to use it, when he seemed real estate for his son Akinfy. The author attempts to restore
Grigory Nikitich’s attitude to his heir issue and covers the behavior of his brothers after the crime. The paper reviews differences and similarities of Akinfy's behavior after this event and after a crime involving his son Prokofy one month later. Transhied by Angelika Bogdanova 398
SUMMARIES Vladimir Yakovlev METROPOLITAN PARTHENIUS NEBOZA AND PETER I The paper is dedicated to Metropolitan Parthenius Neboza (late seventeenth century) who spent many years in the Middle East, served in various cities and freed many Orthodox Christians from Turkish slavery. He became the Metropolitan of Laodicea in 1691. He assisted delegates of Peter I sent to the Patriarch of Constantinople. In 1696 Parthenius arrived in Moscow and wrote a letter to Peter the Great describing himself and his activities in detail. He also attached a long panegyric poem to the letter. He might have persuaded the tsar to continue active military opera tions against Turkey. The paper contains all known evidence regarding Parthenius’s life and literary works. The full text of his address to Peter I is based on the manuscript of the early eighteenth century that has been beyond the researchers’ attention before. Translated by Angelika Bogdanova
СОДЕРЖАНИЕ O. Г. Агеева. Боровицкий дворец светлейшего князя А. Д. Меншикова — царевны Екатерины Иоанновны: по описи 1734 года. 5 P. Е. Азизбаева. Заветы Петра Великого: полиция и призрение
детей в Москве XVIII века. 12 А- А. Андреева. Петровская тема в экспозиции Московской политехнической выставки 1872
года.20 Е. А. Андреева. Изразцовые печи петровского Петербурга.27 М. В. Бабич. О приключениях
смоленского шляхтича Ф. И. Милашевича в Европе и России. 43 Т. А. Базарова. Для лутчаго и состоятельнейшаго оного мира охранения.»: Пребывание русского посла П. А.
Толстого при османском дворе.53 И. Н. Баринова. О церемонии основания города Санкт-Петербурга.61 А■ Ю. Гузевич, И. А■ Гузевич. Семейство Вернизоберов
(Vemizobre).76 М. Ю. Аанков, А- А. Проц. Соляные «суземки» и стратегическая инициатива царя Петра (О средневековых путях от Белого моря и о маршруте 1702 г.)
.85 Е. Б. Аолгов. Губернаторский товарищ во главе Казанской губернии: к биографии петровского ветерана Никиты Ивановича Ушакова. 96 А. А. Аутов. Еще раз о портретах «жены московского посла
. 101 A. Ю. Епатко. Инженерные работы Ж.-Б. Леблона в Ревеле и на Финском заливе. ИЗ Е. В. Еремина-Соленикова. Танцы, посвященные Петру
Первому. 130 Н. Ю. Жаркова. Неизвестные рисунки Адриана Шхонебека. 133 С. А. Иванюк. «Около города всего сам осмотрел»: действия бригадира А. Г. Волконского как организатора обороны полтавской
крепости (декабрь 1708 — январь 1709).148 Н. В. Казатна. Портреты Петра I из коллекции графа Г. Г. Орлова в Мраморном дворце.158 B. А. Ковригина. «Яблоко раздора»: двор иноземца Ефима
Фреза, рассоривший родственников, претендовавший на наследство.163 Ю. Л. Колосова. Петровские реформы. Азбука Петра I как первичный элемент нового книгопечатания. Какой из двух архивных экземпляров азбуки был в руках Петра
и использован им для
правки?. 171 В. А. Коренцвит. Археологические исследования на площадках у фонтанов «Адам» и «Ева» в Петергофе.175 Т. В. Костина. «О Академии ученья языкам»: преподавание и изучение языков в Академической гимназии 1726—1727 годов. 191 А. В. Кудзеевич. Обустройство на новой родине: благосостояние и семья П. П. Ласси.198 Б. С. Макаров. Голландский архитектор Стивен Ван Звитен в России. 206 А. П. Недоспасова. Некоторые сведения о музыке и музыкантах камчатских экспедиций Витуса Беринга.243 Р. В. Реброва. Петр I — начало виноделия, виноторговля. Археологический контекст. 248 М. Р. Риженков. Первый архитектор деревянного дворца А. Д. Меншикова на Васильевском острове. 257 400
СОДЕРЖАНИЕ К Т. Сергазина. Об Анне Степановой, крестьянке Костромской губернии, «почитаемой за Богородицу». 267 Г. И. Сергеева. О живописном убранстве построек на
территории Летнего сада в петровское время: исследования, материалы.274 Е. Л. Скворцова. Утраченные портреты детей Петра I из Чинарового кабинета дворце Марли в Петергофе: загадки
иконографии. 295 Н. Р. Славнитский. Деятельность В.Н. Зотова в Ревеле (1710-1713).311 Е. А. Тюхменева. Государственные символы в художественном оформлении
императорского траурного церемониала в России первой половины XVIII века.316 A. Е. Ухналев. Меншиковский дворец и итальянская архитектурная манера. 327 П. А. Чебакова. Миниатюрный портрет царевича Петра Петровича внутри табакерки из собрания
Государственного Эрмитажа: иконографические источники и аналоги.336 П. Г. Чистяков. Князь Яков Никитич Одоевский и строительство деревянной церкви в селе Малахове
.347 Г. В. Шебалдиш. «Московский иноземец» Адам Вейде. 350 Н.
В. Широкова, В. М. Антипин. О ходе работ и находках в Наугольных палатах Дворца Меншикова. 359 И. Н. Юркин. «. .Тому в наследие и будет»? (Об одной попытке обойти петровский указ о единонаследии).367 B. В. Яковлев. Митрополит Парфений Небоза и Петр Первый. 374 Сведения об авторах. 383 Список сокращений. 385 Summaries.387 |
| adam_txt |
CONTENTS 0Iga Ageeva. The Borovitsky Palace of Prince Alexander Menshikov, Owned Later by Tsarevna Catherine Ivanovna: Based on the Inventory of 1734.5 Raisa Ayiybaeva. Peter the Great’s Precepts: Police and Orphan Care in Eighteenth-Century Moscow. 12 Daria Andreeva. The Age of Peter the Great at the Moscow Polytechnic Exhibition in 1872.20 Ekaterina Andreeva. Tiled Stoves in Peter I’s St Petersburg. 20 Marina Babich. Smolensk Polish Gentleman Fyodor I. Milashevich’s Adventures in Europe and Russia.43 Tatiana Bazarova. ‘For Keeping Peace in a Better and the Most Comprehensive Way. ’: The Residency of Russian Ambassador Pyotr Tolstoy at the Ottoman Court.53 Irina Barinova. On the Foundation Ceremony of St Petersburg.61 Dmitri Gouspmtch, Irina Gouņevitch. The Vemezobre Family.76 Mikhail Dankov, Diana Prots. Salt Routes and Peter I’s Strategic Initiative (Medieval Routes
from the White Sea, and the 1702 Route). 85 Evgeny Dolgov. The Vice Governor Heading the Kazan Province: The Biography of Peter I’s Contemporary Nikita Ushakov. 96 Anatoly Dutov. Once again about Portraits of the Wife of the Moscow Ambassador’.101 Andrey Epatko. Jean-Baptiste Alexandre Le Blond’s Engineering Solutions for the Reval Haven and the Gulf of Finland.113 EvgeniaEremina-Solenikova. Dances Dedicated to Peter the Great. 130 Nadeզhda Zharkova. Adriaan Schoonebeek’s Unknown Drawings.133 Sergey Ivánjuk. Ί Personally Inspected the Area round the City’: Actions Taken by Brigadier Alexander Volkonsky when in Charge of the Fortress of Poltava Defence (December 1708 —January 1709).148 Natalia Kastanina. Peter I’s Portraits from Count Grigory Orlov’s Collection in the Marble Palace.158 Vera Kovrigina. ‘Apple of Discord’: Foreigner Jochim Frese’s Court that Drove a Wedge between his Relatives Claiming for the Heritage. 163 Julia Koksova. Peter I’s Reforms. Peter I’s Alphabet as a Primary Element for New Printing. Which of the Two
Archival Copies of the Alphabet Peter I Actually Held and Edited?.171 Viktor Korentcvit. Archaeological Research in the Areas of ‘Adam’ and ‘Eve’ Fountains in Peterhof. 175 Tatiana Kostina. On the Language Academy’: Teaching and Learning Languages in the Academy’s Gymnasium in 1726—1727.191 Leonid Kudņeevich. Settling in a New Fatherland: Prosperity and Peter Lacy’s Family.198 Boris Makarov. Steven Van Zwieten, a Dutch Architect in Russia. 206 Anna Nedospasova. Some Information on Music and Musicians in Bering’s Kamchatka Expeditions.243 Roxana Rebrova. Peter I, Origin of Winemaking, Wine Trade. Archaeological Background.248 Mikhail Руефепкоѵ. The First Architect of Alexander Menshikov’s Wooden Palace on Vasilyevsky Island.257 401
CONTENTS Karlygash Sergasįna. On Anna Stepanova, a Peasant from the Kostroma Uyezd Revered as the Holy Mother of God.267 Galina Sergeeva. On Paintings Decorating the Interiors of Buildings in the Summer Garden in the Age of Peter the Great: Researches and Materials. 274 īLkaterina Skvortsova. Lost Portraits of Peter ľs Children from the Plane-Tree Study in the Marly Palace in Peterhof: Iconography Mysteries.295 Nikolay Slavnitsky. Vasily Zotov’s Activities in Reval (1710—1713). 311 Ekaterina Tyukhmeneva. State Symbols Used in the Artistic Decoration of Imperial Funeral Ceremonies in Russia in the First Half of the Eighteenth Century. 316 Andrey Ukhnalev. The Menshikov Palace and the Italian Style in Architecture. 327 Polina Chebakova. Tsarevich Peter Petrovich’s Miniature Portrait inside a Snuff-Box from the State Hermitage Museum Collection: Iconographie Sources and Parallels. 336 Pyotr Chistiakov. Prince Yakov Odoyevsky and the Construction of a Wooden Church in the Malakhovo Village. 347 Galina
Shebaldina. ‘Moscow Foreigner’ Adam Weyde.350 Nataka Shirokova, Vitaly Antipin. On Works and Findings in the Comer Rooms of the Menshikov Palace. 359 Igor Yurkin. . .1 Give, Devise and Bequeath’? (On an Attempt to Avoid Peter I's Decree on Single Inheritance). 367 Vladimir Yakovlev. Metropolitan Parthenius Neboza and Peter I. 374 About Authors.383 Abbreviations. 385 Summaries. 387
SUMMARIES Olga Ageeva THE BOROVITSKY PALACE OF PRINCE ALEXANDER MENSHIKOV, OWNED LATER BY TSAREVNA CATHERINE IVANOVNA: BASED ON THE INVENTORY OF 1734 The paper describes Prince Alexander Menshikov’s Borovitsky Palace which was handed over to Tsarevna Catherine Ivanovna in the 1720s. It is based on the Russian State Archive of Ancient Acts case (Fund 14) started in 1734, when, after the tsarevna’s death, the palace was given to the Main Palace Chancery. The case describes a hall and ah rooms of the two-storey palace, as well as its servants’ quarters, stable, smithy and other buildings located in the courtyard. The folder con tains a particularly interesting description of icons and church ware, furniture, household items, carriages, etc. The palace with its courtyard structures burnt down in 1737 and was partly restored. It was granted to Prince Alexey Mikhailovich Cherkassky in 1742 and handed over to Alexander Alexandrovich Menshikov in the 1750s. Transkted by Angpelika Bogdanova Raisa Azizbaeva PETER THE GREAT’S PRECEPTS: POLICE AND ORPHAN CARE IN EIGHTEENTH-CENTURY MOSCOW The paper looks back at the first half of the eighteenth century and briefly describes implemen tation of Peter I’s decrees with regard to care for babies born out of wedlock before the reign of Empress Elizabeth Petrovna. The paper discusses establishment of the police and its role in or phan care. The Moscow Province chancery began dealing with all issues related to state-supported children in 1737. This promoted development of new methods of orphan care organisation based on Peter’s decrees. Its
early functioning in Moscow in the 1740s — 1750s is described in detail, with emphasis on a highly significant role of the Moscow Police Chancery. The paper focuses on police officers’ role in saving lives of abandoned children. Translated by Angelika Bogdanova Daria Andreeva THE AGE OF PETER THE GREAT AT THE MOSCOW POLYTECHNIC EXHIBITION IN 1872 In May 1870, following the Imperial Society of Devotees of Natural Science, Anthropology and Ethnography request, Count Dmitry Tolstoy, the Minister of National Education, filed a peti tion to Alexander II to arrange a Polytechnic Exhibition in Moscow marking the 200th anniversary of Emperor Peter the Great. Alexander II replied ‘Agreed’. The organisers were to link the exhibition to the celebrations of Peter’s anniversary and to select museum exhibits highlighting how Peter’s reforms were continued and developed by Alexander IPs reforms. Each part of the exhibition stressed the fact that the age of Peter the Great was the starting point for the Russian Empire’s history. The exhibition visitors were also supposed to realise the importance and necessity of developing technical sciences in the future. Transkted by Angelika Bogdanova 387
SUMMARIES Ekaterina Andreeva TILED STOVES IN PETER I’S ST PETERSBURG The paper analyses stoves from the reign of Peter I, as well as tiles of that age remaining on stoves made earlier, or discovered during archaeological researches. Tiles are categorised on the ba sis of their decoration. They include smooth (i.e. fiat) ones, with glazed (monochrome) decoration, painted stove tiles, etc. The paper discusses potteries, their number in early St Petersburg, when they were established, what kind of stove tiles specific potteries were making and what buildings the stove tiles were designed for. Translated by Атфеlika Bogdanova Marina Babich SMOLENSK POLISH GENTLEMAN FYODOR I. MILASHEVICH’S ADVENTURES IN EUROPE AND RUSSIA The paper rediscovers the biography of little-known Russo-Polish adventurer Fyodor I. Milashevich (Milašević). The story of his well-documented involvement in several political ‘affairs’ and his preserved personal archive (in the Russian Archive of Ancient Acts) significantly supplement our knowledge of court and provincial life in the first third of the eighteenth century, as well as highlight struggle for the throne, tracing the origin of the ‘German dominance’ theory. The pa per describes actual episodes from biographies of and public rumours about Alexey BestuzhevRyumin, Ernst Johann von Biron, Artemy Volynsky, Alexander Menshikov, Burkhard Christoph von Münnich, Andrey Osterman, Leonty Soimonov, Andrey Ushakov and Alexander Cherkassky Translated by АпѕфеИка Bogdanova Tatiana Bazarova ‘FOR KEEPING PEACE IN A BETTER AND THE MOST COMPREHENSIVE WAY.’: THE
RESIDENCY OF RUSSIAN AMBASSADOR PYOTR TOLSTOY AT THE OTTOMAN COURT The paper focuses on the work of the first Russian permanent ambassador to the Ottoman Empire Pyotr Tolstoy (1645—1729), to whom Peter I posed the task of keeping peace on Russia’s southern borders. Since 1702 on, for eight years, Pyotr Tolstoy had been mitigating issues arising between the two states, negotiating trade agreements, protecting interests of the tsar’s subjects in the Ottoman Empire, establishing contacts and exchanging information with foreign diplomats, etc. When Charles XII arrived in the Ottoman Empire with the remaining army after his defeat in the Battle of Poltava, it changed the political situation. On 9 November 1710 the sultan declared war on Russia. Pyotr Tolstoy was imprisoned and lost the ambassador plenipotentiary stams. Translated by Angelika Bogdanova Irina Barinova ON THE FOUNDATION CEREMONY OF ST PETERSBURG The Manuscript on the Foundation and Planning of the Boyal City of St Petersburg deposited in the Hermitage collection of the Manuscripts Department in the National Library of Russia states that the city was founded on 16 May 1703 by the ceremonial church service. 388
SUMMARIES This date is confirmed by the record made in the Daybook or the Daynote. of Emperor Peter the Great. The papēris attempting to prove the ‘bookish’ nature of the manuscript and doubt less significance of stated facts related to peculiarities of the sacral rite held on Lust Eiland on the Pentecost day, and to the tsar’s personal participation in it. Translated by Anfroelika Bogdanova Dmitri Gouzévitch, Irina Gouzévitch THE VERNEZOBRE FAMILY This paper is based on data collected in the process of work on the dictionary Foreign Specialists in Russia in the Age of Peter the Great: Biographical Dictionary Dedicated to People Born in France, Wallonia, French-Speaking Switzerland and Savaya: 1682—1727. It discusses the Vernezobres, whose four genera tions were linked to Russia and included bankers, traders, translators, administrators and officers. The Huguenots who had left France lived in six countries on three continents (France, England, Holland, Prussia, Poland, Russia, Dutch and English colonies in the North and South America). It was one of the most peculiar French families with extremely complex kin relationship that lived in Russia. There were several reasons for such complexity in the Yernezobre family. There were men named Solomon in each generation, and they had to be numbered; they worked at the same time and replaced one another, thus, sometimes it is impossible to understand who was described, moreover, the documents contain mainly last names. On the other hand, few family members were public servants, thus there are fewer documents concerning them. We
can’t state that we have suc ceeded in resolving a11 the issues, but we hope that we were able to identify almost all the members of this family, give their biographies and clarify their individual and collective contribution to the development of Russian maritime trade. The authors of the paper are only part of the team that tried to resolve the complexity of the Vernezobre family. Alexey Kraikovsky, Vladislav Rzheutsky, Атппе Mézen, Viktor Bryzgalov and Alla Krasko also participated in the study. Translated by Anfrtekka Bogdanova Mikhail Dankov, Diana Prots SALT ROUTES AND PETER I’S STRATEGIC INITIATIVE (MEDIEVAL ROUTES FROM THE WHITE SEA, AND THE 1702 ROUTE) The paper covers noteworthy yet understudied issues related to archaic and poorly arranged salt transportation routes from the White Sea to the centre of the country. Three main ‘Karehan’ me dieval communication corridors can be traced based on archival sources and remaining evidence. The first was the ‘western route’ linking the sea coast to Ladoga Lake, the second was the ‘eastern route involving Kenozero and Ilets portage, and finally, it was a particularly significant ‘middle route’ leading to Povenets. It is associated with Peter I’s Nöteborg strategic campaign of 1702 at the Neva source. The study is based on archival data, including Swedish Brief Description of the Russian Route from Kexholm . 1556, notes written by foreigners Thomas Southam, John Spark and Simon von Saling in the middle of the sixteenth century, Description of Three Routes from the State of Flis Majesty the Tsar, from the Shores of the
White Sea by Athanasius Kholmogorsky and other eighteenthcentury documents, such as epistolary materials from the Russian State Archive of Ancient Acts. Translated by Anfreelika Bogdanova 389
SUMMARIES Evgeny Dolgov THE VICE GOVERNOR HEADING THE KAZAN PROVINCE: THE BIOGRAPHY OF PETER I’S CONTEMPORARY NIKITA USHAKOV The paper covers the life and career of Peter the Great's contemporary Nikita Ushakov, a par ticipant of many military campaigns and battles of the Russian troops in the first quarter of the eighteenth century, and later a diligent official in the period following Peter the Great’s reign. The author analyses publications and literature on the subject and portrayed this typical personality from the time. The example of the Kazan Province is used to highlight some issues of Russia’s governorship and describe one of its representatives. Translated by Angelika Bogdanova Anatoly Dutov ONCE AGAIN ABOUT PORTRAITS OF THE WIFE OF THE MOSCOW AMBASSADOR’ The paper features portraits of Martha Fyodorovna, née Princess Baryatinskaya, whose exact name has been long unknown to researchers. She was the wife of Andrey Matveev, Russian Ambassador to the Netherlands and France. The portraits were painted by Western European artists in the late seventeenth — early eighteenth centuries. Martha Matveeva’s likenesses deposi ted in different collections are a unique phenomena in Russian portraiture from the age of Peter the Great, as they make a significant contribution to the small range of few female portraits from that time. Martha Apraksina’s portrait kept in the State Russian Museum and its attribution are discussed in detail, since the person it shows might be identified as Martha Matveeva. Translated by Anņbelika Bogdanova Andrey Epatko JEAN-BAPTISTE ALEXANDRE LE
BLOND’S ENGINEERING SOLUTIONS FOR THE REVAL HAVEN AND THE GULF OF FINLAND French landscape architect Jean-Baptiste Alexandre Le Blond is frequendy called the architect of Peter the Great. He was taught by famous André Le Nôtre and wrote the fundamental study The Theory and Tradice of Gardening (1709). He was invited to Russia by Peter I in 1716. Jean-Baptiste Alexandre Le Blond lived in St Petersburg for over two years, and even in such a short period he managed to significandy contribute to its architecture: he was in charge of the Russian capital’s planning and development, worked on many park landscapes in the suburbs, including Peterhof and Strelna, as well as the Summer Garden in the city. Jean-Baptiste Alexandre Le Blond’s architec tural concepts implemented in those royal residences are well covered by a number of researches. The architect's engineering solutions are less known, in particular, those related to the restoration of the haven in Ravel (1717) and lifting of the sunken Narva ship (1718). The author also discusses Jean-Baptiste Alexandre Le Blond’s portrait as young architect, from 1710, which has recently been exhibited at the Paris exhibition. Translated by Angelika Bogdanova 390
SUMMARIES Evgenia Eremina-Solenikova DANCES DEDICATED TO PETER THE GREAT When Peter the Great visited France, he met Louis XV and his court. The court choreographer Claude Ballon staged La Сцатппе dance for the ball marking this event. Another dance, Cyarof Muscovy, formerly considered to be dedicated to Russia’s first emperor, was originally the final counterdance in the play of the same name and had nothing to do with Peter I. Translated by Angelika Bogdanova Nadezhda Zharkova ADRIAAN SCHOONEBEEK’S UNKNOWN DRAWINGS In 1941 an album of drawings was handed over to the State Hermitage Museum by the Library of the Academy of Sciences. The 1973 catalogue devoted to prints from the age of Peter the Great states that this album contains many drawings by Adriaan Schoonebeek. That is why this album has been bearing Schoonebeek’s name from the second half of the twentieth century. Actually, only one drawing from this album was doubdessiy considered Schoonebeek’s artwork then. Today seven more of his drawings have been identified in the album. These drawings are from the same series, and were created when Adriaan Schoonebeek was illustrating his book Histone van alk Ridderiyke en Krygs Orders [History of Knighthood and Military Orders] first published in Amsterdam in 1697. Its second edition was issued in 1699. This rare book can be found in some large European libra ries, while the newly discovered drawings made for the book’s illustrations are truly unique. Translated by Angelika Bogdanova Sergey Ivanyuk Ί PERSONALLY INSPECTED THE AREA ROUND THE CITY’: ACTIONS TAKEN BY BRIGADIER
ALEXANDER VOLKONSKY WHEN IN CHARGE OF THE FORTRESS OF POLTAVA DEFENCE (DECEMBER 1708 - JANUARY 1709) The name of Alexey Kelen, the commandant of the fortress of Poltava during the assault of Charles XII's troops, is well known in the historiography associated with the Battle of Poltava (27 June 1709). Nevertheless, few historians keep in mind that the basis for its successful defence in the spring and summer of 1709 had been laid beforehand. This paper refers to both published and previously unknown sources on the subject and describes in detail the role played by Alexander Volkonsky’s troops in Poltava in December 1708 — January 1709 and his successful preparation of its fortress for defence. Translated by Anyhelika Bogdanova Natalia Kazanina PETER I’S PORTRAITS FROM COUNT GRIGORY ORLOVS COLLECTION IN THE MARBLE PALACE The paper features Peter I’s portraits from the Marble Palace gallery owned by Count Grigory Orlov. The collection comprised seven portraits of the monarch depicted at different age. It also included Peter’s official lifetime portrait painted by Benoît Le Coffre. АЛ the paintings were in 391
SUMMARIES the same gallery room placed among portraits of other tsars and emperors from the House of Romanov, as well as European royal portraits. In 1783, upon Count Grigory Orlov’s death, Catherine II bought the collection, and the paint ings became part of the imperial collection, though remaining in the Marble Palace. After 1832 the portraits were handed over to the Hermitage storerooms; they were restored, examined and sent to various imperial residencies on Nicholas I’s order. In the process of research all Peter I’s portraits, previously deposited in the Marble Palace gal lery, were discovered in modern museum collections. Over the years attribution of four portraits has changed. Today only three canvases from the collection are seen as reliable representations of Peter I, while the other four have nothing to do with his iconography. All the portraits of Peter I hung in the Marble Palace gallery in the late eighteenth century were indicative of the popularity of this historical personality and aspiration to emphasise the continuity of his ideas in Catherine II’s rule. They also reveal the perception of the epoch of Peter I by those living in Catherine II’s time. Translated by Апфеііка Bogdanova Vera Kovrigina APPLE OF DISCORD’: FOREIGNER ЈОСШМ FRESE’S COURT THAT DROVE A WEDGE BETWEEN HIS RELATIVES CLAIMING FOR THE HERITAGE The paper covers the legal proceeding for inheritance of the court owned by deceased foreign goldsmith Jochim Frese, which involved two of his relatives: silversmith Hans Jurgen Kohler and Otto Fürst, the director of the Red Square theatre.
Jochim Frese left the court by will to Fürst, the spouse of his niece. Meanwhile, Hans Jurgen Kohler, the son of Frese’s sister, tried to win it by a court action. The legal proceeding lasted for two years (1707—1709) and caused the tsar’s order as of 1709 to make foreigners register their wills in real estate offices. Files of this proceeding and other archival sources used for the first time help us understand relations inside the family, characters of its members and the foreigners’ fife style in the Moscow German Quarter in the last quarter of the seventeenth — first quarter of the eighteenth centuries. Translated by Апфеііка Bogdanova Julia Kolosova PETER I’S REFORMS. PETER I’S ALPHABET AS A PRIMARY ELEMENT FOR NEW PRINTING. WHICH OF THE TWO ARCHIVAL COPIES OF THE ALPHABET PETER I ACTUALLY HELD AND EDITED? The secular script introduced by Peter I on 29 January (9 February) 1710 remained unchanged till 1918. First, Peter I personally developed the alphabet and the way of writing capital and lowercase letters. The standard alphabet edited by Peter I is deposited in the Russian State Historical Archive. However, the archive keeps two similar copies of the alphabet. It actually means that one of them is original and the other is a reproduction, or a copy. The paper covers the result of the ex press analysis in visible luminescent light that helped to detect the copy edited personally by Peter I. Translated by Angelika Bogdanova 392
SUMMARIES Viktor Korentcvit ARCHAEOLOGICAL RESEARCH IN THE AREAS OF ADAM’ AND ‘EVE’ FOUNTAINS IN PETERHOF The Peterhof conservation project was developed between 1976 and 1982, in the course of which an archaeological survey was carried out in the Lower Park to study its lost structures: fountains, gazeboes, garden labyrinths, etc. This paper covers excavations done in the area of Adam’ and ‘Eve’ fountains located in the Marly alley, the main park alley. Particular atten tion has been paid to the area decoration from the age of Peter the Great on. Treillages, gal leries, gazeboes followed one another and made the space look like palace ceremonial rooms. Foundations of the lost structures were discovered during the excavations. They were recreated in graphics using available documents. Based on archaeological data, the conservators took a jus tified decision to bring the space back to its pre-war appearance, i.e. to restore wooden gazeboes designed by architect Brower in the early nineteenth century and destroyed during the Great Patriotic War (WWII). Translated by Angelika Bogdanova Tatiana Kostina ON THE LANGUAGE ACADEMY’: TEACHING AND LEARNING LANGUAGES IN THE ACADEMY’S GYMNASIUM IN 1726-1727 The paper traces the origin of the Academy’s gymnasium as a school of the Latin, German and, in part, French languages; it analyses alternatives to these languages which came into being when the Academy of Sciences was established. The need for learning Latin and German had got very high by 1726, so the Academy’s gymnasium was founded. It admitted 172 students in two years.
Fifteen of them continued their education at a higher level, which provided for the opportunity to start teaching in five classes at the same time. The classes were made based on the level of Latin. Lists of students reveal which students enrolled at the Academy’s gymnasium as they had a high level of Latin (Vasiliy Adodurov, Panaiota Kondoidy, Petr and Yakov Mirovich, Martin Potapsky, Ivan Fedotyev). Apparently, no information regarding their education is to be found in other sour ces, except for Vasily Adodurov and Panaiota (Pavel) Kondoidy. Transkted by Angelika Bogdanova Leonid Kudzeevich SETTLING IN A NEW FATHERLAND: PROSPERITY AND PETER LACY’S FAMILY Peter Lacy’s experience of adaptation in a foreign country and finding a new fatherland was rather successful and it is worth studying. An Irish immigrant in exile, he was a non-commissioned officer and mercenary in the beginning of his Russian career, to become a Field Marshal, rather prosperous man and the head of a large family by the end of his life. Initially, he was paid 120 rou bles a year, yet he got more than 13,000 roubles a year in his last period. Five of his daughters married men born into well-known families of the Baltic knighthood, Ireland and Scotland, and his younger son became an Austrian Field Marshal. In the end of his life Peter Lacy owned significant estates in the region of modern Latvia. Transkted by Апефеііка Bogdanova 393
SUMMARIES Boris Makarov STEVEN VAN ZWIETEN, A DUTCH ARCHITECT IN RUSSIA The Dutch architect’s life and works in St Petersburg and suburbs are described in the paper based on a number of archival documents available in the scholarly domain. A particular atten tion is paid to the relations of Steven Van Zwieten and his deputy, Belgian civil engineer Françoy de Waal. The paper also highlights reasons for which the Dutch architect was laid off from the Admiralty but returned there in 1728—1729. Translated by Апфзеііка Bogdanova Anna Nedospasova SOME INFORMATION ON MUSIC AND MUSICIANS IN BERING’S KAMCHATKA EXPEDITIONS Foreign musicians promoted development of a new type of Russian musical culture in the first half of the eighteenth century. Their performances in ensembles and orchestras of the Russian nobility filled the latter’s everyday life with new harmony and content. The process of master ing European musical culture was diverse and its intensity was different in remote regions. Litde known is the fact that musicians were present in Vitus Bering’s Kamchatka expeditions. Musicians playing trumpets, oboes, percussion instruments not only carried out official functions onboard ships, but highlighted the high status of such expeditions, including inland ones. The Second Kamchatka expedition was thoroughly arranged, so the musicians’ names, lists of musical instru ments and other interesting facts were recorded. The paper discusses these data within the context of musical life in Siberia and in the Far East at that period. Translated ЬуАпфеІіка Bogdanova Roxana Rebrova PETER
I, ORIGIN OF WINEMAKING, WINE TRADE. ARCHAEOLOGICAL BACKGROUND The paper describes how Peter I’s tastes influenced the expansion of wine trade and develop ment of winemaking, changed the use of wine and attitude to it. Both archival documents and archaeological materials confirm these changes. Translated by Апфеііка Bogdanova Mikhail Ryzhenkov THE FIRST ARCHITECT OF ALEXANDER MENSHIKOV’S WOODEN PALACE ON VASILYEVSKY ISLAND Study of the history of the first St Petersburg Governor’s residence on Vasilyevsky Island has a long tradition. Nevertheless, some issues are still unclear. The researches have mostly focused on the history of his stone palace and paid significantly less attention to his wooden house (palace), construction of which began in the eastern part of Vasilyevsky Island in 1704. There is some un certainty regarding the personality of the architect of the wooden palace and its garden, which was a regular park designed as a single estate. The Russian State Archive of Ancient Acts can answer this question and name the first architect of the wooden palace and its garden on Vasilyevsy Island. Its Fund 161 has the Folder 462 which contains letters of doctor Nicolaas Bidloo. The letter dated 394
SUMMARIES 3 July 1704 is addressed to Alexander Menshikov. That was the letter attached to the plans and drawings of Menshikov’s house and garden on Vasilyevsy Island. Nicolaas Bidloo established the first hospital in Moscow. In 1702 the Russian ambassador in the Hague invited him to Russia as Peter ľs personal physician. Besides Bidloo’s merits in medicine, he was also an architect, which is less known. When Bidloo learnt about Menshikov’s intention to build a house on Vasilyevsky Island, he started designing the house with a garden for him. The initial design of the Menshikov house (palace) significantly resembled the Moscow hospital. Transkted by ճոզհ6ՍԽ Bogdanova Karlygash Sergazina ON ANNA STEPANOVA, A PEASANT FROM THE KOSTROMA UYEZD REVERED AS THE HOLY MOTHER OF GOD The paper is devoted to the Kostroma Christ-believers community of the eighteenth century. It is based on the merchant Krupenikov case of 1747 contained in the Most Holy Synod files de posited in the State Historical Archive. One of the case personalities was Anna Stepanova, a peas ant from the Kostroma Uyezd revered as the Holy Mother of God. The paper is aimed at introduc ing the archival materials into the scholarly domain and describing religious practices of heterodox communities in eighteenth-century Kostroma. Transkted by АпѕфеШа Bogdanova Galina Sergeeva ON PAINTINGS DECORATING THE INTERIORS OF BUILDINGS IN THE SUMMER GARDEN IN THE AGE OF PETER THE GREAT: RESEARCHES AND MATERIALS The Summer Garden used to have buildings of various purposes in different periods within the reign of Peter the Great
and later. They included elegant palaces of Peter and his wife Catherine, as well as various galleries, a cavern, menagerie, aviaries, orangeries, bathhouses, water towers, etc. They were highly decorated with murals and easel paintings, in tune with the fashion of that time. Today only the stone palace, or the Summer Palace of Peter the Great, is still extant. The rest of the structures have disappeared from the garden. To decorate the palace Peter I’s agents Osip Solovyov and Yuri Kologrivov bought artworks of Dutch, Flemish, Italian and other artists from abroad, which included those of Rubens, Anthony van Dyck, Rembrandt, van der Werf, Jan Steen, Philips Wouwerman, Adriaen van Ostade and Bruegel. The tsar often personally visited artwork auctions. The room before the bedroom in the Summer Palace of Peter the Great was adorned with Adam Silo’s paintings. Russian artists Ivan Nikitin and Ivan Odolsky created paintings for Catherine’s New Summer Palace. Famous foreign artists holding contracts in Russia, like Swiss Georg Gsell, Italian Bartolomeo Tarsia, Frenchman Louis Caravaque, and Russian artists Vasily Yeroshevsky, Leonid Fyodorov, Andrey Matveev, Mikhail Zacharov, Vasily Vorobyev, Mikhail Negrubov etc. produced murals and decorative paintings for the Summer Garden buildings. Transkted by Angelika Bogdanova Ekaterina Skvortsova LOST PORTRAITS OF PETER I’S CHILDREN FROM THE PLANE-TREE STUDY IN THE MARLY PALACE IN PETERHOF: ICONOGRAPHY MYSTERIES This paper is the first to bring together and analyse the data from scholarly literature, as well as from publications and
archives related to the three portraits of Peter I’s children from the 395
SUMMARIES Plane-Tree Study in the Peterhof Marly palace. They were a double portrait of young Tsarinas Anna and Elizaveta (Elizabeth) and two paired portraits of single boys depicted as cupids. These paintings were lost in fire in 1901. Louis Caravaque mentioned these three portraits in the list [‘Rospis’] of his artworks and stated that they were created in 1721 for ‘the Plane-Tree Study in the new Mon Plaisir in Peterhof’. The paper covers versions offered in different publications regarding the persons portrayed in two of these paintings depicting a little boy (Tsarevich Peter Petrovich? Tsareviches Peter Petrovich and Alexey Petrovich?). The paper also discusses if these were por traits in costume or allegoric compositions with no likeness. However, the final conclusion cannot be made based on available materials. The photo of the Plane-Tree Study from the Peterhof State Museum Reserve archive is published for the first time. It was made before Marly’s restoration in 1898—1899, and depicts one of the paired cupids and the portrait of Tsarinas Anna and Elizaveta known today from written sources only. This photo makes it clear that the portrait of Tsarinas Anna and Elizaveta deposited in the Museum of Fine Arts in Petrozavodsk, Republic of Karelia, is a copy of their portrait from Marly. The photo demonstrates the remarkable artistic quality of the original portrait. Transhied by Angelika Bogdanova Nikolay Slavnitsky VASILY ZOTOV’S ACTIVITIES IN REVAL (1710-1713) The paper covers the activities of Peter the Great’s little-known associate Vasily Zotov, the Reval
Commandant. He was appointed to Reval upon its fortifications being seized in 1710, and he had to organise its coast defence under complicated conditions. The difficulties faced by Zotov are described in his correspondence with Alexander Menshikov and Fyodor Apraksin kept in the Archive of the St Petersburg Institute of History at the Russian Academy of Sciences and in the Russian State Naval Archive. Translated by Angelika Bogdanova Ekaterina Tyukhmeneva STATE SYMBOLS USED IN THE ARTISTIC DECORATION OF IMPERIAL FUNERAL CEREMONIES IN RUSSIA IN THE FIRST HALF OF THE EIGHTEENTH CENTURY Alongside actual artifacts, depiction of state symbols was particularly important for the con ceptual and artistic decoration of funeral ceremonies in Russia in the first half of the eighteenth century. The imperial crown was the most spread symbol used to decorate funerals; it was copied multiple times and in variable ways. On the contrary, the orb and the scepter were rarely used and were mainly combined with other symbols, such as a crown, a sword or order ribbons. St Andrew’s Cross played a particular role in decorating Peter I’s Mourning Room. Contrary to festive celebra tions, the Russian coat of arms, as well as its territories’ coats of arms, were fully introduced into the rimerai ceremony according to the monarch’s title and considering their significance. They were repeated many times and used for all the three components of the ceremony, i.e. for the palace and cathedral decorations and for funeral processions. The emperor’s or empress’s monograms had a function similar to those of
heraldic patterns. Translated by An^helika Bogdanova 396
SUMMARIES Andrey Ukhnalev THE MENSHIKOV PALACE AND THE ITALIAN STYLE IN ARCHITECTURE The concept of ‘Italian style’ employed in the first half of the eighteenth century expressed a general understanding of Italian architecture at that time. The paper analyses features of the ‘Italian style’ in the Menshikov Palace perceived by its contemporaries as an Itähän palace. It dis cusses several European architectural landmarks similar in design to the St Petersburg palace. It points out that the palace and its architectural analogues make a typological range that originated from Rome’s Renaissance landmarks, primarily, the Villa Farnesina. A little studied project of this kind from the Library of the Russian Academy of Sciences is introduced. Translated by Апчфеlika Bogdanova Polina Chebakova TSAREVICH PETER PETROVICH’S MINIATURE PORTRAIT INSIDE A SNUFF-BOX FROM THE STATE HERMITAGE MUSEUM COLLECTION: ICONOGRAPHIC SOURCES AND PARALLELS Analysis of the European context has made it possible to enrich our knowledge about Tsarevich Peter Petrovich’s miniature portrait created by Johann Gottfried Tannauer inside a snuff-box with a view of St Petersburg on the outside, from the State Hermitage Museum collection. The paper identifies the source of iconography of the child in this portrait, which has so far been consi dered to be an original creation of the artist. It is one of the engravings portraying Prince William, Duke of Gloucester after Sir Godfrey Kneller’s painting (c. 1691, The Royal Collection Trust, Hillsborough Casde). The Duke’s portrait was often used as a source of
iconography for children’s portraits in Europe. The headwear with two ostrich feathers which was a traditional marker of nobility and, most importandy, in some cases — an attribute of the heir of the title, is likely to have been borrowed from another source — a portrait of Charles Fitzroy, 2nd Duke of Grafton, also based on Sir Godfrey Kneller’s painting. Although the authors of numerous children’s portraits (fifteen paintings) based on the portrait of Prince William made use of the same source, they managed to create various images corresponding to the characteristics of young models and the circumstances of commission. Whereas William of Gloucester is depicted against the background of a landscape with an arcade, behind Tsarevich Peter is some water space with ships and a frag ment of a fortress wall obviously symbolising the new capital of Peter the Great. The headdress and the presence of an oval portrait of Peter I in the composition proves that Peter Petrovich was his father’s hope and the new heir to the Russian throne: his status was con firmed in the Manifesto of 3 (14) February 1718. Translated by Angelika Bogdanova Pyotr Chistiakov PRINCE YAKOV ODOYEVSKY AND THE CONSTRUCTION OF A WOODEN CHURCH IN THE MALAKHOVO VILLAGE The paper traces the history of the Malakhovo village near Moscow and discusses its owners. It is based on the data from the Russian State Historical Archive and focuses on the circumstances of construction of a wooden church by Prince Yakov Odoyevsky in 1691. Transkted by Атфеііка Bogdanova 397
SUMMARIES Galina Shebaldina ‘MOSCOW FOREIGNER’ ADAM WEYDE Adam Weyde [Veyde] was a prominent personality in the age of Peter the Great. However, it often happens to historical personalities that one or several significant deeds overshadow their life’s entire history. Adam Weyde developed one of the first military regulations of the Russian army, which has been attracting attention of researchers from the nineteenth century on, while the rest of his deeds remain in the shade. Brief articles in encyclopedic reference publications do not pro vide for a comprehensive understanding of his activity. Meanwhile, Adam Weyde was a typical phenomenon in the age of Peter the Great, as he had many features of the great reformer’s associate. He was both foreigner and Russian; Peter knew him from his visits to the German Quarter in his youth when he shared his best untroubled years with Weyde. He was not a professional in any sphere, which was also natural for Peter’s supporters; however, he was enthusiastic and determined about everything the emperor ordered him to do. Ironically, it was his ten-year absence from Russia that steered him clear from temptations which obsessed his patron Alexander Menshikov. As a result, General Weyde’s reputation remained undamaged and after his return from Sweden, he continued his career and became a Senator of new Russia. Translated by Angelika Bogdanova Natalia Shirokova, Vitaly Antipin ON WORKS AND FINDINGS IN THE CORNER ROOMS OF THE MENSHIKOV PALACE The paper discusses preliminary outcomes of the research and describes findings made by a supervision
group during the works carried out in January — March 2019. The building’s masonry structure was analysed; the courtyard outline and the façade appearance, as well as the palace’s layout in the first half of the eighteenth century were establsihed. The paper describes the results of the structure’s examination, clarifies data from archival documents regarding the building’s con servation. Some findings made in the interiors and in the vault hollow fillings improve our knowl edge about the interiors of the Menshikov Palace western wing that later became the Cadet Corps. Transhted by Angelika Bogdanova Igor Yurkin ‘. .1 GIVE, DEVISE AND BEQUEATH’? (ON AN ATTEMPT TO AVOID PETER I'S DECREE ON SINGLE INHERITANCE) In 1728 Ivan Demidov, the only son of landlord Grigory Nikitich Demidov, killed his father who threatened to disinherit him. The paper points out the mistake frequendy found in publica tions on the subject which state that Ivan was the son from Grigory's second marriage. It explains that he was born in the first wedlock. The paper discusses if it was possible to disinherit him ac cording to the legislation of that time. The author shows that the decree dated 23 March 1714 did not entrile the testator to do so. Meanwhile, another Law on Mining Privilege [Berg privilegiya], dated 10 December 1719, contained a clause that provided an opportunity to escape the 1714 de cree. It is presumed that Nikita Demidovich Demidov, the founder of the industrial dynasty, had earlier intended to use it, when he seemed real estate for his son Akinfy. The author attempts to restore
Grigory Nikitich’s attitude to his heir issue and covers the behavior of his brothers after the crime. The paper reviews differences and similarities of Akinfy's behavior after this event and after a crime involving his son Prokofy one month later. Transhied by Angelika Bogdanova 398
SUMMARIES Vladimir Yakovlev METROPOLITAN PARTHENIUS NEBOZA AND PETER I The paper is dedicated to Metropolitan Parthenius Neboza (late seventeenth century) who spent many years in the Middle East, served in various cities and freed many Orthodox Christians from Turkish slavery. He became the Metropolitan of Laodicea in 1691. He assisted delegates of Peter I sent to the Patriarch of Constantinople. In 1696 Parthenius arrived in Moscow and wrote a letter to Peter the Great describing himself and his activities in detail. He also attached a long panegyric poem to the letter. He might have persuaded the tsar to continue active military opera tions against Turkey. The paper contains all known evidence regarding Parthenius’s life and literary works. The full text of his address to Peter I is based on the manuscript of the early eighteenth century that has been beyond the researchers’ attention before. Translated by Angelika Bogdanova
СОДЕРЖАНИЕ O. Г. Агеева. Боровицкий дворец светлейшего князя А. Д. Меншикова — царевны Екатерины Иоанновны: по описи 1734 года. 5 P. Е. Азизбаева. Заветы Петра Великого: полиция и призрение
детей в Москве XVIII века. 12 А- А. Андреева. Петровская тема в экспозиции Московской политехнической выставки 1872
года.20 Е. А. Андреева. Изразцовые печи петровского Петербурга.27 М. В. Бабич. О приключениях
смоленского шляхтича Ф. И. Милашевича в Европе и России. 43 Т. А. Базарова. Для лутчаго и состоятельнейшаго оного мира охранения.»: Пребывание русского посла П. А.
Толстого при османском дворе.53 И. Н. Баринова. О церемонии основания города Санкт-Петербурга.61 А■ Ю. Гузевич, И. А■ Гузевич. Семейство Вернизоберов
(Vemizobre).76 М. Ю. Аанков, А- А. Проц. Соляные «суземки» и стратегическая инициатива царя Петра (О средневековых путях от Белого моря и о маршруте 1702 г.)
.85 Е. Б. Аолгов. Губернаторский товарищ во главе Казанской губернии: к биографии петровского ветерана Никиты Ивановича Ушакова. 96 А. А. Аутов. Еще раз о портретах «жены московского посла
. 101 A. Ю. Епатко. Инженерные работы Ж.-Б. Леблона в Ревеле и на Финском заливе. ИЗ Е. В. Еремина-Соленикова. Танцы, посвященные Петру
Первому. 130 Н. Ю. Жаркова. Неизвестные рисунки Адриана Шхонебека. 133 С. А. Иванюк. «Около города всего сам осмотрел»: действия бригадира А. Г. Волконского как организатора обороны полтавской
крепости (декабрь 1708 — январь 1709).148 Н. В. Казатна. Портреты Петра I из коллекции графа Г. Г. Орлова в Мраморном дворце.158 B. А. Ковригина. «Яблоко раздора»: двор иноземца Ефима
Фреза, рассоривший родственников, претендовавший на наследство.163 Ю. Л. Колосова. Петровские реформы. Азбука Петра I как первичный элемент нового книгопечатания. Какой из двух архивных экземпляров азбуки был в руках Петра
и использован им для
правки?. 171 В. А. Коренцвит. Археологические исследования на площадках у фонтанов «Адам» и «Ева» в Петергофе.175 Т. В. Костина. «О Академии ученья языкам»: преподавание и изучение языков в Академической гимназии 1726—1727 годов. 191 А. В. Кудзеевич. Обустройство на новой родине: благосостояние и семья П. П. Ласси.198 Б. С. Макаров. Голландский архитектор Стивен Ван Звитен в России. 206 А. П. Недоспасова. Некоторые сведения о музыке и музыкантах камчатских экспедиций Витуса Беринга.243 Р. В. Реброва. Петр I — начало виноделия, виноторговля. Археологический контекст. 248 М. Р. Риженков. Первый архитектор деревянного дворца А. Д. Меншикова на Васильевском острове. 257 400
СОДЕРЖАНИЕ К Т. Сергазина. Об Анне Степановой, крестьянке Костромской губернии, «почитаемой за Богородицу». 267 Г. И. Сергеева. О живописном убранстве построек на
территории Летнего сада в петровское время: исследования, материалы.274 Е. Л. Скворцова. Утраченные портреты детей Петра I из Чинарового кабинета дворце Марли в Петергофе: загадки
иконографии. 295 Н. Р. Славнитский. Деятельность В.Н. Зотова в Ревеле (1710-1713).311 Е. А. Тюхменева. Государственные символы в художественном оформлении
императорского траурного церемониала в России первой половины XVIII века.316 A. Е. Ухналев. Меншиковский дворец и итальянская архитектурная манера. 327 П. А. Чебакова. Миниатюрный портрет царевича Петра Петровича внутри табакерки из собрания
Государственного Эрмитажа: иконографические источники и аналоги.336 П. Г. Чистяков. Князь Яков Никитич Одоевский и строительство деревянной церкви в селе Малахове
.347 Г. В. Шебалдиш. «Московский иноземец» Адам Вейде. 350 Н.
В. Широкова, В. М. Антипин. О ходе работ и находках в Наугольных палатах Дворца Меншикова. 359 И. Н. Юркин. «. .Тому в наследие и будет»? (Об одной попытке обойти петровский указ о единонаследии).367 B. В. Яковлев. Митрополит Парфений Небоза и Петр Первый. 374 Сведения об авторах. 383 Список сокращений. 385 Summaries.387 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Meščerjakov, Vladimir Vladimirovič ca. 20./21. Jh |
| author2_role | edt |
| author2_variant | v v m vv vvm |
| author_GND | (DE-588)104598096X |
| author_corporate | Petrovskoe vremja v licach (Veranstaltung) Sankt Petersburg |
| author_corporate_role | aut |
| author_facet | Meščerjakov, Vladimir Vladimirovič ca. 20./21. Jh Petrovskoe vremja v licach (Veranstaltung) Sankt Petersburg |
| author_sort | Petrovskoe vremja v licach (Veranstaltung) Sankt Petersburg |
| building | Verbundindex |
| bvnumber | BV046752465 |
| ctrlnum | (OCoLC)1159355105 (DE-599)BVBBV046752465 |
| format | Conference Proceeding Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV046752465</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221019</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200608s2019 xx ac|| |||| 10||| rus d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9785935728830</subfield><subfield code="9">978-5-93572-883-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1159355105</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046752465</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">rus</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">2.2</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="111" ind1="2" ind2=" "><subfield code="6">880-02</subfield><subfield code="a">Petrovskoe vremja v licach (Veranstaltung)</subfield><subfield code="d">2019</subfield><subfield code="c">Sankt Petersburg</subfield><subfield code="j">Verfasser</subfield><subfield code="0">(DE-588)120285334X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="6">880-03</subfield><subfield code="a">Petrovskoe vremja v licach - 2019</subfield><subfield code="b">materialy naučnoj konferencii</subfield><subfield code="c">Gosudarstvennyj ėrmitaž ; redakcionnaja kollegija: V.V. Meščerjakov ...</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="6">880-04</subfield><subfield code="a">Sankt-Peterburg</subfield><subfield code="b">Izdatelʹstvo Gosudarstvennogo Ėrmitaža</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">401 Seiten</subfield><subfield code="b">Illustrationen, Porträts, Pläne</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="6">880-05</subfield><subfield code="a">Trudy Gosudarstvennogo Ėrmitaža</subfield><subfield code="v">101</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Petrovskoe vremja v licach ...</subfield><subfield code="v">2019</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Text russisch. - Inhaltsverzeichnis und Zusammenfassung der einzelnen Beiträge auch in englischer Sprache</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="b">In kyrillischer Schrift</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Peter</subfield><subfield code="b">I.</subfield><subfield code="c">Russland, Zar</subfield><subfield code="d">1672-1725</subfield><subfield code="0">(DE-588)118592955</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Sankt Petersburg</subfield><subfield code="0">(DE-588)4267026-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Peter</subfield><subfield code="b">I.</subfield><subfield code="c">Russland, Zar</subfield><subfield code="d">1672-1725</subfield><subfield code="0">(DE-588)118592955</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Sankt Petersburg</subfield><subfield code="0">(DE-588)4267026-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="6">880-01</subfield><subfield code="a">Meščerjakov, Vladimir Vladimirovič</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)104598096X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Trudy Gosudarstvennogo Ėrmitaža</subfield><subfield code="v">101</subfield><subfield code="w">(DE-604)BV011847213</subfield><subfield code="9">101</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Petrovskoe vremja v licach ...</subfield><subfield code="v">2019</subfield><subfield code="w">(DE-604)BV037262318</subfield><subfield code="9">2019</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München 25 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München 25 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Abstract</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München 25 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="880" ind1="1" ind2=" "><subfield code="6">700-01/(N</subfield><subfield code="a">Мещеряков, Владимир Владимирович</subfield><subfield code="4">edt</subfield></datafield><datafield tag="880" ind1="2" ind2=" "><subfield code="6">111-02/(N</subfield><subfield code="a">Научная конференция "Петровское время в лицах - 2019"</subfield><subfield code="4">aut</subfield></datafield><datafield tag="880" ind1="1" ind2="0"><subfield code="6">245-03/(N</subfield><subfield code="a">Петровское время в лицах - 2019</subfield><subfield code="b">материалы научной конференции</subfield><subfield code="c">Государственный эрмитаж ; редакционная коллегия: В.В. Мещеряков ...</subfield></datafield><datafield tag="880" ind1=" " ind2="1"><subfield code="6">264-04/(N</subfield><subfield code="a">Санкт-Петербург</subfield><subfield code="b">Издательство Государственного Эрмитажа</subfield><subfield code="c">2019</subfield></datafield><datafield tag="880" ind1="0" ind2=" "><subfield code="6">490-05/(N</subfield><subfield code="a">Труды Государственного Эрмитажа</subfield><subfield code="v">101</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="f">sla</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200706</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">900</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">471</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">929</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">471</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">471</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032162160</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift gnd-content |
| genre_facet | Konferenzschrift |
| geographic | Sankt Petersburg (DE-588)4267026-3 gnd Russland (DE-588)4076899-5 gnd |
| geographic_facet | Sankt Petersburg Russland |
| id | DE-604.BV046752465 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:42:20Z |
| indexdate | 2024-12-05T11:05:45Z |
| institution | BVB |
| institution_GND | (DE-588)120285334X |
| isbn | 9785935728830 |
| language | Russian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032162160 |
| oclc_num | 1159355105 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 401 Seiten Illustrationen, Porträts, Pläne |
| psigel | BSB_NED_20200706 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Izdatelʹstvo Gosudarstvennogo Ėrmitaža |
| record_format | marc |
| series | Trudy Gosudarstvennogo Ėrmitaža Petrovskoe vremja v licach ... |
| series2 | Trudy Gosudarstvennogo Ėrmitaža Petrovskoe vremja v licach ... |
| spelling | 880-02 Petrovskoe vremja v licach (Veranstaltung) 2019 Sankt Petersburg Verfasser (DE-588)120285334X aut 880-03 Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii Gosudarstvennyj ėrmitaž ; redakcionnaja kollegija: V.V. Meščerjakov ... 880-04 Sankt-Peterburg Izdatelʹstvo Gosudarstvennogo Ėrmitaža 2019 401 Seiten Illustrationen, Porträts, Pläne txt rdacontent n rdamedia nc rdacarrier 880-05 Trudy Gosudarstvennogo Ėrmitaža 101 Petrovskoe vremja v licach ... 2019 Text russisch. - Inhaltsverzeichnis und Zusammenfassung der einzelnen Beiträge auch in englischer Sprache In kyrillischer Schrift Peter I. Russland, Zar 1672-1725 (DE-588)118592955 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Sankt Petersburg (DE-588)4267026-3 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Peter I. Russland, Zar 1672-1725 (DE-588)118592955 p Russland (DE-588)4076899-5 g Sankt Petersburg (DE-588)4267026-3 g Kunst (DE-588)4114333-4 s Kultur (DE-588)4125698-0 s DE-604 880-01 Meščerjakov, Vladimir Vladimirovič ca. 20./21. Jh. (DE-588)104598096X edt Trudy Gosudarstvennogo Ėrmitaža 101 (DE-604)BV011847213 101 Petrovskoe vremja v licach ... 2019 (DE-604)BV037262318 2019 Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 700-01/(N Мещеряков, Владимир Владимирович edt 111-02/(N Научная конференция "Петровское время в лицах - 2019" aut 245-03/(N Петровское время в лицах - 2019 материалы научной конференции Государственный эрмитаж ; редакционная коллегия: В.В. Мещеряков ... 264-04/(N Санкт-Петербург Издательство Государственного Эрмитажа 2019 490-05/(N Труды Государственного Эрмитажа 101 |
| spellingShingle | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii Trudy Gosudarstvennogo Ėrmitaža Petrovskoe vremja v licach ... Peter I. Russland, Zar 1672-1725 (DE-588)118592955 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)118592955 (DE-588)4114333-4 (DE-588)4125698-0 (DE-588)4267026-3 (DE-588)4076899-5 (DE-588)1071861417 |
| title | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii |
| title_auth | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii |
| title_exact_search | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii |
| title_exact_search_txtP | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii |
| title_full | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii Gosudarstvennyj ėrmitaž ; redakcionnaja kollegija: V.V. Meščerjakov ... |
| title_fullStr | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii Gosudarstvennyj ėrmitaž ; redakcionnaja kollegija: V.V. Meščerjakov ... |
| title_full_unstemmed | Petrovskoe vremja v licach - 2019 materialy naučnoj konferencii Gosudarstvennyj ėrmitaž ; redakcionnaja kollegija: V.V. Meščerjakov ... |
| title_short | Petrovskoe vremja v licach - 2019 |
| title_sort | petrovskoe vremja v licach 2019 materialy naucnoj konferencii |
| title_sub | materialy naučnoj konferencii |
| topic | Peter I. Russland, Zar 1672-1725 (DE-588)118592955 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Peter I. Russland, Zar 1672-1725 Kunst Kultur Sankt Petersburg Russland Konferenzschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032162160&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011847213 (DE-604)BV037262318 |
| work_keys_str_mv | AT petrovskoevremjavlicachveranstaltungsanktpetersburg petrovskoevremjavlicach2019materialynaucnojkonferencii AT mescerjakovvladimirvladimirovic petrovskoevremjavlicach2019materialynaucnojkonferencii |
Es ist kein Print-Exemplar vorhanden.
Inhaltsverzeichnis