Trafficking: narcoculture in Mexico and the United States
"TRAFFICKING surveys the public culture that has arisen around criminal drug violence in Mexico and the U.S. over the past few decades. Drawing on an extensive cultural archive, Hector Amaya shows how the violence of drug trafficking becomes visible and audible through media and communication t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2020
|
| Schriftenreihe: | Media studies/Latin American studies/American studies
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "TRAFFICKING surveys the public culture that has arisen around criminal drug violence in Mexico and the U.S. over the past few decades. Drawing on an extensive cultural archive, Hector Amaya shows how the violence of drug trafficking becomes visible and audible through media and communication technologies-including newspapers, television, music, blogs, and other forms of public engagement-and how those technologies reflect the temporal and spatial displacements that characterize the transnational drug trade. Drug violence is both a site of public debate about the role of the state in maintaining democratic order, and a site of publicity, where that violence is mediated, commercialized, and used to reinforce racial and colonial orders. By considering the "narcoculture" that surrounds this violence, Amaya seeks to highlight the ways that publicity has underpinned forms of state violence, often in the name of democracy. The book begins with a chapter on the Mexican government's 2006-2007 war on drug criminal organizations and the centrality of publicity efforts-both on the part of the government and by the cartels-to how this war was waged and how the media covered it. Amaya then turns to the popularity of narcocorridos, songs or ballads that narrate drug trafficking and violence, as a mode of criticizing the state. He shows how digital recording and distribution have altered the circulation and censorship of narcoculture, offering a space for a political counterdiscourse that travels across borders. The last two chapters focus on the role of citizen journalism in bringing to light the violent realities of the drug trade, and particularly how blogs (often anonymously written) and other online news media have transformed public discourse about who gets to tell the story of drug violence and how audiences consume and respond to those stories. Amaya focuses on one controversial and highly trafficked blog, El Blog del Narco, to consider how the author's reporting gets framed as a heroic form of public duty, but also how authorial anonymity usefully challenges conventional notions of civic discourse and public trust. This timely book will be appeal to scholars in media studies, communications, cultural studies, and Latinx studies, as well as to readers interested in the role drug violence plays in U.S. and Mexican politics and culture"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | ix, 265 Seiten Illustrationen, Diagramme |
| ISBN: | 9781478007647 9781478008040 |
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| 520 | 3 | |a "TRAFFICKING surveys the public culture that has arisen around criminal drug violence in Mexico and the U.S. over the past few decades. Drawing on an extensive cultural archive, Hector Amaya shows how the violence of drug trafficking becomes visible and audible through media and communication technologies-including newspapers, television, music, blogs, and other forms of public engagement-and how those technologies reflect the temporal and spatial displacements that characterize the transnational drug trade. Drug violence is both a site of public debate about the role of the state in maintaining democratic order, and a site of publicity, where that violence is mediated, commercialized, and used to reinforce racial and colonial orders. By considering the "narcoculture" that surrounds this violence, Amaya seeks to highlight the ways that publicity has underpinned forms of state violence, often in the name of democracy. | |
| 520 | 3 | |a The book begins with a chapter on the Mexican government's 2006-2007 war on drug criminal organizations and the centrality of publicity efforts-both on the part of the government and by the cartels-to how this war was waged and how the media covered it. Amaya then turns to the popularity of narcocorridos, songs or ballads that narrate drug trafficking and violence, as a mode of criticizing the state. He shows how digital recording and distribution have altered the circulation and censorship of narcoculture, offering a space for a political counterdiscourse that travels across borders. The last two chapters focus on the role of citizen journalism in bringing to light the violent realities of the drug trade, and particularly how blogs (often anonymously written) and other online news media have transformed public discourse about who gets to tell the story of drug violence and how audiences consume and respond to those stories. | |
| 520 | 3 | |a Amaya focuses on one controversial and highly trafficked blog, El Blog del Narco, to consider how the author's reporting gets framed as a heroic form of public duty, but also how authorial anonymity usefully challenges conventional notions of civic discourse and public trust. This timely book will be appeal to scholars in media studies, communications, cultural studies, and Latinx studies, as well as to readers interested in the role drug violence plays in U.S. and Mexican politics and culture"-- | |
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Datensatz im Suchindex
| _version_ | 1804181509930745856 |
|---|---|
| adam_text | MEDIA
STUDIES/LATIN
AMERICAN
STUDIES/AMERICAN
STUDIES
IN
TRAFFICKING
HECTOR
AMAYA
EXAMINES
HOW
THE
DRAMATIC
ESCALATION
OF
DRUG
VIO
LENCE
IN
MEXICO
IN
2008
PROMPTED
NEW
FORMS
OF
PARTICIPATION
IN
PUBLIC
CULTURE
IN
MEXICO
AND
THE
UNITED
STATES.
HE
CONTENDS
THAT,
BY
BECOMING
A
SITE
OF
NA
TIONAL
AND
TRANSNATIONAL
DEBATE
ABOUT
THE
ROLE
OF
THE
STATE,
THIS
VIOLENCE
ALTERED
THE
MODES
PUBLICNESS
COULD
TAKE,
TRANSFORMING
ASSUMPTIONS
ABOUT
FREEDOM
OF
EXPRESSION
AND
THE
RULES
OF
PUBLIC
PARTICIPATION.
AMAYA
EXAMINES
THE
PRACTICES
OF
NARCOCORRIDO
MUSICIANS,
WHO
TAKE
ADVANTAGE
OF
DIGITAL
PRODUCTION
AND
DISTRI
BUTION
TECHNOLOGIES
TO
ESCAPE
MEXICAN
CENSORS
AND
TO
SHARE
MUSIC
ACROSS
THE
US-MEXICO
BORDER,
AS
WELL
AS
ANONYMOUS
BLOGGERS
WHOSE
COVERAGE
OF
TRAFFICK
ING
AND
VIOLENCE
FROM
A
PLACE
OF
RELATIVE
SAFETY
MADE
THEM
PUBLIC
HEROES.
THESE
NEW
FORMS
OF
BEING
IN
THE
PUBLIC
SPHERE,
AMAYA
DEMONSTRATES,
EVOLVED
TO
EXCEED
THE
BOUNDS
OF
THE
STATE
AND
TRADITIONAL
MEDIA
SOURCES,
SIGNALING
THE
INADEQUACY
OF
DEMOCRATIC
THEORIES
OF
FREEDOM
AND
PUBLICNESS
TO
UNDERSTAND
HOW
VIOLENCE
SHAPES
PUBLIC
DISCOURSE.
*
TRAFFICKING
IS
A
VITAL
AND
CRITICALLY
SOPHISTICATED
STUDY
OF
US-MEXICO
POLITICS
AND
CULTURE
AT
A
TIME
OF
GREAT
POLITICAL
AND
SOCIAL
URGENCY
FOR
THE
COMMUNITIES,
ECON
OMIES,
AND
LIVES
THAT
HECTOR
AMAYA
THEORIZES
AND
EXAMINES.
TURNING
OUR
ATTEN
TION
TO
THE
WAYS
IN
WHICH
THE
TRAFFICKING
OF
VIOLENCE
IS
RESTRUCTURING
LIFE
ON
BOTH
SIDES
OF
THE
BORDER,
AMAYA
MAKES
A
SIGNIFICANT
CONTRIBUTION
TO
HOW
WE
THINK
ABOUT
AND
STUDY
CONTEMPORARY
US-MEXICO
RELATIONS.
*
*
EDITOR
OF
THE
TIDE
WAS
ALWAYS
HIGH:
THE
MUSIC
OF
LATIN
AMERICA
IN
LOS
ANGELES
*
HECTOR
AMAYA
*
S
WEIGHTY,
AMBITIOUS
BOOK
SHEDS
NEW
LIGHT
ON
THE
PLAGUE
OF
VIO
LENCE
AROUND
TRAFFICKING
NETWORKS
BETWEEN
MEXICO
AND
THE
UNITED
STATES
BY
TAKING
IT
SERIOUSLY
AS
A
DEEP
PHILOSOPHICAL
PROBLEM.
TRAFFICKINGS
SCOPE
IS
BREATH
TAKING;
IT
IS
FIRST-RATE
SCHOLARSHIP
THAT
MAKES
AN
IMPORTANT
INTERVENTION
INTO
AN
ESSENTIAL
TOPIC
OF
OUR
TIME.
*
*
AUTHOR
OF
THE
MESTIZO
STATE:
READ
ING
RACE
IN
MODEM
MEXICO
IS
PROFESSOR
OF
COMMUNICATION
AT
THE
UNIVERSITY
OF
SOUTHERN
CALIFORNIA
AND
AUTHOR
OF
CITIZENSHIP
EXCESS:
LATINO/AS,
MEDIA,
AND
THE
NATION
AND
SCREENING
CUBA:
FILM
CRITICISM
AS
POLITICAL
PERFORMANCE
DURING
THE
COLD
WAR.
PROLOGUE
VII
INTRODUCTION
TRAFFICKING, PUBLICNESS,
AND VIOLENCE
I
1
PRELUDE TO
TWO WARS
25
ALMOST FAILING
VIOLENCE, SPACE, AND
DISCOURSE
57
CENSORING
NARCOCULTURE
MEXICAN REPUBLICANISM
AND PUBLICITY
9
1
CONTENTS
NARCOCORRIDOS
IN THE USA
DETERRITORIALIZATION
AND THE BUSINESS OF
AUTHENTICITY
124
BLOODY BLOGS
PUBLICITY AND OPACITY
158
CONCLUSION
PUBLICITY S
CONTINGENT
INSULARITY
213
TRUST
THE BURDEN OF CIVICS
192
NOTES
225
REFERENCES
2
35
INDEX
|
| adam_txt |
MEDIA
STUDIES/LATIN
AMERICAN
STUDIES/AMERICAN
STUDIES
IN
TRAFFICKING
HECTOR
AMAYA
EXAMINES
HOW
THE
DRAMATIC
ESCALATION
OF
DRUG
VIO
LENCE
IN
MEXICO
IN
2008
PROMPTED
NEW
FORMS
OF
PARTICIPATION
IN
PUBLIC
CULTURE
IN
MEXICO
AND
THE
UNITED
STATES.
HE
CONTENDS
THAT,
BY
BECOMING
A
SITE
OF
NA
TIONAL
AND
TRANSNATIONAL
DEBATE
ABOUT
THE
ROLE
OF
THE
STATE,
THIS
VIOLENCE
ALTERED
THE
MODES
PUBLICNESS
COULD
TAKE,
TRANSFORMING
ASSUMPTIONS
ABOUT
FREEDOM
OF
EXPRESSION
AND
THE
RULES
OF
PUBLIC
PARTICIPATION.
AMAYA
EXAMINES
THE
PRACTICES
OF
NARCOCORRIDO
MUSICIANS,
WHO
TAKE
ADVANTAGE
OF
DIGITAL
PRODUCTION
AND
DISTRI
BUTION
TECHNOLOGIES
TO
ESCAPE
MEXICAN
CENSORS
AND
TO
SHARE
MUSIC
ACROSS
THE
US-MEXICO
BORDER,
AS
WELL
AS
ANONYMOUS
BLOGGERS
WHOSE
COVERAGE
OF
TRAFFICK
ING
AND
VIOLENCE
FROM
A
PLACE
OF
RELATIVE
SAFETY
MADE
THEM
PUBLIC
HEROES.
THESE
NEW
FORMS
OF
BEING
IN
THE
PUBLIC
SPHERE,
AMAYA
DEMONSTRATES,
EVOLVED
TO
EXCEED
THE
BOUNDS
OF
THE
STATE
AND
TRADITIONAL
MEDIA
SOURCES,
SIGNALING
THE
INADEQUACY
OF
DEMOCRATIC
THEORIES
OF
FREEDOM
AND
PUBLICNESS
TO
UNDERSTAND
HOW
VIOLENCE
SHAPES
PUBLIC
DISCOURSE.
*
TRAFFICKING
IS
A
VITAL
AND
CRITICALLY
SOPHISTICATED
STUDY
OF
US-MEXICO
POLITICS
AND
CULTURE
AT
A
TIME
OF
GREAT
POLITICAL
AND
SOCIAL
URGENCY
FOR
THE
COMMUNITIES,
ECON
OMIES,
AND
LIVES
THAT
HECTOR
AMAYA
THEORIZES
AND
EXAMINES.
TURNING
OUR
ATTEN
TION
TO
THE
WAYS
IN
WHICH
THE
TRAFFICKING
OF
VIOLENCE
IS
RESTRUCTURING
LIFE
ON
BOTH
SIDES
OF
THE
BORDER,
AMAYA
MAKES
A
SIGNIFICANT
CONTRIBUTION
TO
HOW
WE
THINK
ABOUT
AND
STUDY
CONTEMPORARY
US-MEXICO
RELATIONS.
*
*
EDITOR
OF
THE
TIDE
WAS
ALWAYS
HIGH:
THE
MUSIC
OF
LATIN
AMERICA
IN
LOS
ANGELES
*
HECTOR
AMAYA
*
S
WEIGHTY,
AMBITIOUS
BOOK
SHEDS
NEW
LIGHT
ON
THE
PLAGUE
OF
VIO
LENCE
AROUND
TRAFFICKING
NETWORKS
BETWEEN
MEXICO
AND
THE
UNITED
STATES
BY
TAKING
IT
SERIOUSLY
AS
A
DEEP
PHILOSOPHICAL
PROBLEM.
TRAFFICKINGS
SCOPE
IS
BREATH
TAKING;
IT
IS
FIRST-RATE
SCHOLARSHIP
THAT
MAKES
AN
IMPORTANT
INTERVENTION
INTO
AN
ESSENTIAL
TOPIC
OF
OUR
TIME.
*
*
AUTHOR
OF
THE
MESTIZO
STATE:
READ
ING
RACE
IN
MODEM
MEXICO
IS
PROFESSOR
OF
COMMUNICATION
AT
THE
UNIVERSITY
OF
SOUTHERN
CALIFORNIA
AND
AUTHOR
OF
CITIZENSHIP
EXCESS:
LATINO/AS,
MEDIA,
AND
THE
NATION
AND
SCREENING
CUBA:
FILM
CRITICISM
AS
POLITICAL
PERFORMANCE
DURING
THE
COLD
WAR.
PROLOGUE
VII
INTRODUCTION
TRAFFICKING, PUBLICNESS,
AND VIOLENCE
I
1
PRELUDE TO
TWO WARS
25
ALMOST FAILING
VIOLENCE, SPACE, AND
DISCOURSE
57
CENSORING
NARCOCULTURE
MEXICAN REPUBLICANISM
AND PUBLICITY
9
1
CONTENTS
NARCOCORRIDOS
IN THE USA
DETERRITORIALIZATION
AND THE BUSINESS OF
AUTHENTICITY
124
BLOODY BLOGS
PUBLICITY AND OPACITY
158
CONCLUSION
PUBLICITY'S
CONTINGENT
INSULARITY
213
TRUST
THE BURDEN OF CIVICS
192
NOTES
225
REFERENCES
2
35
INDEX |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Amaya, Hector |
| author_GND | (DE-588)1044992972 |
| author_facet | Amaya, Hector |
| author_role | aut |
| author_sort | Amaya, Hector |
| author_variant | h a ha |
| building | Verbundindex |
| bvnumber | BV046750714 |
| callnumber-first | H - Social Science |
| callnumber-label | HV5840 |
| callnumber-raw | HV5840.M6 |
| callnumber-search | HV5840.M6 |
| callnumber-sort | HV 45840 M6 |
| callnumber-subject | HV - Social Pathology, Criminology |
| classification_rvk | MG 70950 MI 72950 |
| ctrlnum | (OCoLC)1183467389 (DE-599)KXP1678997056 |
| dewey-full | 364.133650972 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 364 - Criminology |
| dewey-raw | 364.133650972 |
| dewey-search | 364.133650972 |
| dewey-sort | 3364.133650972 |
| dewey-tens | 360 - Social problems and services; associations |
| discipline | Rechtswissenschaft Politologie |
| discipline_str_mv | Rechtswissenschaft Politologie |
| format | Book |
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Drawing on an extensive cultural archive, Hector Amaya shows how the violence of drug trafficking becomes visible and audible through media and communication technologies-including newspapers, television, music, blogs, and other forms of public engagement-and how those technologies reflect the temporal and spatial displacements that characterize the transnational drug trade. Drug violence is both a site of public debate about the role of the state in maintaining democratic order, and a site of publicity, where that violence is mediated, commercialized, and used to reinforce racial and colonial orders. By considering the "narcoculture" that surrounds this violence, Amaya seeks to highlight the ways that publicity has underpinned forms of state violence, often in the name of democracy. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The book begins with a chapter on the Mexican government's 2006-2007 war on drug criminal organizations and the centrality of publicity efforts-both on the part of the government and by the cartels-to how this war was waged and how the media covered it. Amaya then turns to the popularity of narcocorridos, songs or ballads that narrate drug trafficking and violence, as a mode of criticizing the state. He shows how digital recording and distribution have altered the circulation and censorship of narcoculture, offering a space for a political counterdiscourse that travels across borders. The last two chapters focus on the role of citizen journalism in bringing to light the violent realities of the drug trade, and particularly how blogs (often anonymously written) and other online news media have transformed public discourse about who gets to tell the story of drug violence and how audiences consume and respond to those stories. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Amaya focuses on one controversial and highly trafficked blog, El Blog del Narco, to consider how the author's reporting gets framed as a heroic form of public duty, but also how authorial anonymity usefully challenges conventional notions of civic discourse and public trust. 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| geographic | USA (DE-588)4078704-7 gnd Mexiko (DE-588)4039058-5 gnd |
| geographic_facet | USA Mexiko |
| id | DE-604.BV046750714 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:41:55Z |
| indexdate | 2024-07-10T08:52:48Z |
| institution | BVB |
| isbn | 9781478007647 9781478008040 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032160456 |
| oclc_num | 1183467389 |
| open_access_boolean | |
| owner | DE-824 DE-12 DE-188 |
| owner_facet | DE-824 DE-12 DE-188 |
| physical | ix, 265 Seiten Illustrationen, Diagramme |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Media studies/Latin American studies/American studies |
| spelling | Amaya, Hector Verfasser (DE-588)1044992972 aut Trafficking narcoculture in Mexico and the United States Hector Amaya Durham ; London Duke University Press 2020 © 2020 ix, 265 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Media studies/Latin American studies/American studies Includes bibliographical references and index "TRAFFICKING surveys the public culture that has arisen around criminal drug violence in Mexico and the U.S. over the past few decades. Drawing on an extensive cultural archive, Hector Amaya shows how the violence of drug trafficking becomes visible and audible through media and communication technologies-including newspapers, television, music, blogs, and other forms of public engagement-and how those technologies reflect the temporal and spatial displacements that characterize the transnational drug trade. Drug violence is both a site of public debate about the role of the state in maintaining democratic order, and a site of publicity, where that violence is mediated, commercialized, and used to reinforce racial and colonial orders. By considering the "narcoculture" that surrounds this violence, Amaya seeks to highlight the ways that publicity has underpinned forms of state violence, often in the name of democracy. The book begins with a chapter on the Mexican government's 2006-2007 war on drug criminal organizations and the centrality of publicity efforts-both on the part of the government and by the cartels-to how this war was waged and how the media covered it. Amaya then turns to the popularity of narcocorridos, songs or ballads that narrate drug trafficking and violence, as a mode of criticizing the state. He shows how digital recording and distribution have altered the circulation and censorship of narcoculture, offering a space for a political counterdiscourse that travels across borders. The last two chapters focus on the role of citizen journalism in bringing to light the violent realities of the drug trade, and particularly how blogs (often anonymously written) and other online news media have transformed public discourse about who gets to tell the story of drug violence and how audiences consume and respond to those stories. Amaya focuses on one controversial and highly trafficked blog, El Blog del Narco, to consider how the author's reporting gets framed as a heroic form of public duty, but also how authorial anonymity usefully challenges conventional notions of civic discourse and public trust. This timely book will be appeal to scholars in media studies, communications, cultural studies, and Latinx studies, as well as to readers interested in the role drug violence plays in U.S. and Mexican politics and culture"-- Drogenhandel (DE-588)4139162-7 gnd rswk-swf Gewalt (DE-588)4020832-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Mexiko (DE-588)4039058-5 gnd rswk-swf Drug traffic / Prevention / Mexico Violence / Prevention / Mexico USA (DE-588)4078704-7 g Mexiko (DE-588)4039058-5 g Drogenhandel (DE-588)4139162-7 s Gewalt (DE-588)4020832-1 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4780-0903-0 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032160456&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032160456&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Amaya, Hector Trafficking narcoculture in Mexico and the United States Drogenhandel (DE-588)4139162-7 gnd Gewalt (DE-588)4020832-1 gnd |
| subject_GND | (DE-588)4139162-7 (DE-588)4020832-1 (DE-588)4078704-7 (DE-588)4039058-5 |
| title | Trafficking narcoculture in Mexico and the United States |
| title_auth | Trafficking narcoculture in Mexico and the United States |
| title_exact_search | Trafficking narcoculture in Mexico and the United States |
| title_exact_search_txtP | Trafficking narcoculture in Mexico and the United States |
| title_full | Trafficking narcoculture in Mexico and the United States Hector Amaya |
| title_fullStr | Trafficking narcoculture in Mexico and the United States Hector Amaya |
| title_full_unstemmed | Trafficking narcoculture in Mexico and the United States Hector Amaya |
| title_short | Trafficking |
| title_sort | trafficking narcoculture in mexico and the united states |
| title_sub | narcoculture in Mexico and the United States |
| topic | Drogenhandel (DE-588)4139162-7 gnd Gewalt (DE-588)4020832-1 gnd |
| topic_facet | Drogenhandel Gewalt USA Mexiko |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032160456&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032160456&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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