A companion to Federico Fellini:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hoboken, USA
Wiley-Blackwell
[2020]
|
| Schriftenreihe: | Wiley Blackwell companions to film directors
17 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxxviii, 537 Seiten Illustrationen |
| ISBN: | 9781119431534 |
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Datensatz im Suchindex
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| adam_text | Contents Notes on Contributors Editors Notes Foreword Preface Acknowledgments Glossary Part I Fellini and Friends xi xxi xxiii xxix xxxv xxxvii 1 1 Introduction Marguerite Waller and Frank Витке 2 Fellini, the Artist and the Man: An Interview with Vincenzo Mollica Frank Витке (with Marita Gubareva) Z3 3 Fellini: Backstory and a Dream Goffredo Fofi 27 4 A Certain Freedom in Filmmaking Lina Wertmüller 31 5 A Bit of Everything Happened: My Experience of La dolce vita Valeria Ciangottini 35 6 Fellini a Casa Nostra Carlo and Luca Verdone 37 Part II 3 Beginnings, Inspirations, Intertexts 41 7 Neorealism Masked: Fellini’s Films of the 1950s Stefania Parigi 43 8 Fellini s Graphic Heritage: Drawings, Comics, Animation, and Beyond Marco Bellono 59 9 In Bed with Fellini: Jung, Ernst Bernhard, Night Work, and П libro dei sogni Erika Suderburg 79 10 Fellini and Esoteriđsm: An Ambiguous Adherence Federico Pacchioni 95
Contents viii 11 Circo Fellini Adriano Apra 109 12 Fellini’s Sense of Place John Agnew 117 13 “Il viaggio di G. Mastoma”: FeUini Entre Deux Morts Alessandro Carrera 129 14 An “Incapacity to Affirm : Fellini’s Aesthetics and the Decadent Movement Manta Gubareva 141 15 Fellini and Fashion, a Two-way Street: An Interview with Gianluca Lo Vetro The Editors 153 Part ПІ Collaborations 163 16 Ennio, Tullio, and the Others: Fellini and His Screenwriters Giaime Alonge 165 17 Fellini and His Producers: Strange Bedfellows Barbara Corsi and Manna Nicoli 177 18 Masina and Mastroianni: Reconfiguring C. G. Jung’s Animus and Anima Victoria Surliuga 191 Part IV Aesthetics and Film Language 205 19 “Io non me ne intendo”: Fellini’s Relationship to Film Language Marco Vanelli 207 20 Fellini’s Visual Style(s): A Phenomenological Account HavaAldouby 223 21 The Liquid Hyperfilm: Pelimi, Deleuze, and the Sea as Forza Generatrice Amy Hough-Dugdak 237 22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises Antonella Sisto 251 23 Fellini and the Aesthetics of Intensity Paolo Bertetto __ 267 24 Egli Danza: Fellini’s Contexts and Influence from Before Rossellini to Sorrentino and Beyond Vito Zagarrio Part V Contemporary Dialogues 25 Remote ControlPolitics: Federico Fellini and the Politics of Parody Kriss Ravetto-Biagioli 26 П Maestro” Dismantles the Master’s House: Fellini’s Undoing of Gender and Sexuality Marguerite Waller 279 293 295 311
Contents 27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini ix 331 Sheiken Greene 28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347 Elena M. Past part VI Receptions, Appropriations, Dispersions 361 29 Fellini s Critical Reception in Italy Nicola Bussano 363 30 Fellini s Reception in France Albert Sbragia 377 31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391 Rebecca Bauman 32 Fellini Remixed: Anglo-American Film and Television Appropriations Frank Burke 403 33 Ո ritorno in patria: From Rimini to Winnipeg by Way of the Alps RussellJ, A. Kilboum 419 34 Fellini and South Asian Cinemas Eska Niyogi De 425 35 Interview with Tanvir Mokammel 429 Esha Niyogi De 36 Roma, Fellini, and Me Amara Lakhous 433 37 Fellini and Turkey: Influence and Image Cihan Gündoğdu 435 38 Fellini in Japan EarlJackson 439 39 Fellini in Russia Naum Kleiman 445 40 Fellini in the Cuban Context Luciano Castillo, Jennifer Ruth Hősek, Mario Natío López, Mario Masvidal, and Rebeca Chavez 451 Part VII Short Takes on Individual Films 455 41 Lo sceicco bianco (The White Sheik 1952) DomHoldaway 457 42 La strada (1954) Giuseppe Naude 461 43 Le notti di Cabiria (Nights ofCabiria)—Cabiria in the Classroom: Teaching Fellini in the Twenty-first Century Áine O’Healy 465
x 44 45 Contents La dolce vita (1960) Mark Nichoüs 471 Oh, Му 8i4 475 Caroline Thompson 46 Giulietta degli spiriti (Juliet of the Spirits): A Twenty-First Century Users Guide 479 Erika Suderburg 47 Fellini - Satyricon Cristina Vilia 483 48 Roma: Amor Through the Looking-Glass Rebecca West 487 49 Л Casanova di Federico Fellini (Fellini’s Casanova) in the Age of #MeToo Alberto Zambenedetti 491 50 Prova d’orchestra (Orchestra Rehearsal) and E la nave va (And the Ship Sails On) John Paul Russo 495 intervista: There Are No Rules 499 51 Elan Mastai Appendices Foundations and Archives for Fellini Research Appendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, tihe Museo Fellini, and CircAmarcord 503 505 Marco Andreucci Appendix В Additional Archival Sources 507 The Editors Index, Terms and Issues Index, Names and Titles 511 521
A Companion to Federico Fellini A groundbreaking academic study of Fellini, providing new, expansive, and diverse perspectives on his films and influence. A Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director s films in the twenty-first century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet accessible essays explore the fundamental aspects of Fellini s works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation. This timely work provides new readings of Fellini s films and illustrates his importance as a filmmaker, artist, and major cultural figure. The text explores topics such as Fellini s early cinematic experience, recurring themes and patterns in his films, his collaborations and influences, and his unique forms of cinematic expression. In a series of Short Takes sections, contributors look at specific films that have particular significance or personal relevance. Destined to become the standard research tool for Fellini studies, this volume: • Offers new theoretical frameworks, encounters, critiques, and interpretations of Fellini s work. • Discusses Fellini s creativity outside of filmmaking, such as his graphic art and his The Book of Dreams published after his death. • Examines Fellini s influence on artists not only in the
English-speaking world but in places such as Turkey, Japan, South Asia, Russia, Cuba, and North Africa. • Demonstrates the interrelationship between Fellini s work and visual art, literature, fashion, marketing, and many other dimensions of both popular and high culture. • Features personal testimonies from family, friends and associates of Fellini such as Francesca Fabbri Fellini, Gianfranco Angelucci, Valeria Ciangottini, and Lina Wertmüller.. • Includes an extensive appendix of freely accessible archival resources on Fellini s work. A Companion to Federico Fellini is an indispensable resource for students, instructors, and scholars of Fellini, Italian cinema, cinema and art history, and all areas of film and media studies.
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| adam_txt |
Contents Notes on Contributors Editors' Notes Foreword Preface Acknowledgments Glossary Part I Fellini and Friends xi xxi xxiii xxix xxxv xxxvii 1 1 Introduction Marguerite Waller and Frank Витке 2 Fellini, the Artist and the Man: An Interview with Vincenzo Mollica Frank Витке (with Marita Gubareva) Z3 3 Fellini: Backstory and a Dream Goffredo Fofi 27 4 A Certain Freedom in Filmmaking Lina Wertmüller 31 5 A Bit of Everything Happened: My Experience of La dolce vita Valeria Ciangottini 35 6 Fellini a Casa Nostra Carlo and Luca Verdone 37 Part II 3 Beginnings, Inspirations, Intertexts 41 7 Neorealism Masked: Fellini’s Films of the 1950s Stefania Parigi 43 8 Fellini s Graphic Heritage: Drawings, Comics, Animation, and Beyond Marco Bellono 59 9 In Bed with Fellini: Jung, Ernst Bernhard, Night Work, and П libro dei sogni Erika Suderburg 79 10 Fellini and Esoteriđsm: An Ambiguous Adherence Federico Pacchioni 95
Contents viii 11 Circo Fellini Adriano Apra 109 12 Fellini’s Sense of Place John Agnew 117 13 “Il viaggio di G. Mastoma”: FeUini Entre Deux Morts Alessandro Carrera 129 14 An “Incapacity to Affirm": Fellini’s Aesthetics and the Decadent Movement Manta Gubareva 141 15 Fellini and Fashion, a Two-way Street: An Interview with Gianluca Lo Vetro The Editors 153 Part ПІ Collaborations 163 16 Ennio, Tullio, and the Others: Fellini and His Screenwriters Giaime Alonge 165 17 Fellini and His Producers: Strange Bedfellows Barbara Corsi and Manna Nicoli 177 18 Masina and Mastroianni: Reconfiguring C. G. Jung’s Animus and Anima Victoria Surliuga 191 Part IV Aesthetics and Film Language 205 19 “Io non me ne intendo”: Fellini’s Relationship to Film Language Marco Vanelli 207 20 Fellini’s Visual Style(s): A Phenomenological Account HavaAldouby 223 21 The Liquid Hyperfilm: Pelimi, Deleuze, and the Sea as Forza Generatrice Amy Hough-Dugdak 237 22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises Antonella Sisto 251 23 Fellini and the Aesthetics of Intensity Paolo Bertetto _ 267 24 Egli Danza: Fellini’s Contexts and Influence from Before Rossellini to Sorrentino and Beyond Vito Zagarrio Part V Contemporary Dialogues 25 Remote ControlPolitics: Federico Fellini and the Politics of Parody Kriss Ravetto-Biagioli 26 "П Maestro” Dismantles the Master’s House: Fellini’s Undoing of Gender and Sexuality Marguerite Waller 279 293 295 311
Contents 27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini ix 331 Sheiken Greene 28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347 Elena M. Past part VI Receptions, Appropriations, Dispersions 361 29 Fellini's Critical Reception in Italy Nicola Bussano 363 30 Fellini's Reception in France Albert Sbragia 377 31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391 Rebecca Bauman 32 Fellini Remixed: Anglo-American Film and Television Appropriations Frank Burke 403 33 Ո ritorno in patria: From Rimini to Winnipeg by Way of the Alps RussellJ, A. Kilboum 419 34 Fellini and South Asian Cinemas Eska Niyogi De 425 35 Interview with Tanvir Mokammel 429 Esha Niyogi De 36 Roma, Fellini, and Me Amara Lakhous 433 37 Fellini and Turkey: Influence and Image Cihan Gündoğdu 435 38 Fellini in Japan EarlJackson 439 39 Fellini in Russia Naum Kleiman 445 40 Fellini in the Cuban Context Luciano Castillo, Jennifer Ruth Hősek, Mario Natío López, Mario Masvidal, and Rebeca Chavez 451 Part VII Short Takes on Individual Films 455 41 Lo sceicco bianco (The White Sheik 1952) DomHoldaway 457 42 La strada (1954) Giuseppe Naude 461 43 Le notti di Cabiria (Nights ofCabiria)—Cabiria in the Classroom: Teaching Fellini in the Twenty-first Century Áine O’Healy 465
x 44 45 Contents La dolce vita (1960) Mark Nichoüs 471 Oh, Му 8i4 475 Caroline Thompson 46 Giulietta degli spiriti (Juliet of the Spirits): A Twenty-First Century Users' Guide 479 Erika Suderburg 47 Fellini - Satyricon Cristina Vilia 483 48 Roma: Amor Through the Looking-Glass Rebecca West 487 49 Л Casanova di Federico Fellini (Fellini’s Casanova) in the Age of #MeToo Alberto Zambenedetti 491 50 Prova d’orchestra (Orchestra Rehearsal) and E la nave va (And the Ship Sails On) John Paul Russo 495 intervista: There Are No Rules 499 51 Elan Mastai Appendices Foundations and Archives for Fellini Research Appendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, tihe Museo Fellini, and CircAmarcord 503 505 Marco Andreucci Appendix В Additional Archival Sources 507 The Editors Index, Terms and Issues Index, Names and Titles 511 521
A Companion to Federico Fellini A groundbreaking academic study of Fellini, providing new, expansive, and diverse perspectives on his films and influence. A Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director's films in the twenty-first century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet accessible essays explore the fundamental aspects of Fellini's works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation. This timely work provides new readings of Fellini's films and illustrates his importance as a filmmaker, artist, and major cultural figure. The text explores topics such as Fellini's early cinematic experience, recurring themes and patterns in his films, his collaborations and influences, and his unique forms of cinematic expression. In a series of "Short Takes" sections, contributors look at specific films that have particular significance or personal relevance. Destined to become the standard research tool for Fellini studies, this volume: • Offers new theoretical frameworks, encounters, critiques, and interpretations of Fellini's work. • Discusses Fellini's creativity outside of filmmaking, such as his graphic art and his The Book of Dreams published after his death. • Examines Fellini's influence on artists not only in the
English-speaking world but in places such as Turkey, Japan, South Asia, Russia, Cuba, and North Africa. • Demonstrates the interrelationship between Fellini's work and visual art, literature, fashion, marketing, and many other dimensions of both popular and high culture. • Features personal testimonies from family, friends and associates of Fellini such as Francesca Fabbri Fellini, Gianfranco Angelucci, Valeria Ciangottini, and Lina Wertmüller. • Includes an extensive appendix of freely accessible archival resources on Fellini's work. A Companion to Federico Fellini is an indispensable resource for students, instructors, and scholars of Fellini, Italian cinema, cinema and art history, and all areas of film and media studies. |
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| title_exact_search | A companion to Federico Fellini |
| title_exact_search_txtP | A companion to Federico Fellini |
| title_full | A companion to Federico Fellini edited by Frank Burke, Marguerite Waller, Marita Gubareva |
| title_fullStr | A companion to Federico Fellini edited by Frank Burke, Marguerite Waller, Marita Gubareva |
| title_full_unstemmed | A companion to Federico Fellini edited by Frank Burke, Marguerite Waller, Marita Gubareva |
| title_short | A companion to Federico Fellini |
| title_sort | a companion to federico fellini |
| topic | Fellini, Federico 1920-1993 (DE-588)118532421 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Fellini, Federico 1920-1993 Film Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032158567&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032158567&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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