In a while or two we will find the tone: essays and proposals, curatorial concepts, and critiques
This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung?s expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
ARCHIVE Books
2020
|
| Schriftenreihe: | Perspectives
|
| Schlagworte: | |
| Zusammenfassung: | This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung?s expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other, and present perspectives on the political, poetic, and philosophical potentials of exhibition making, beyond the tight corset of the discipline itself. Bonaventure Soh Bejeng Ndikung, PhD (born in 1977 in Yaoundé, Cameroon), is an independent curator, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was curator-at-large for documenta 14 in Athens and Kassel 2017, artistic director of the 12th Rencontres de Bamako 2019, a biennale for African photography in Mali, as well as guest curator of the 2018 Dak?Art Biennale in Senegal. Together with the Miracle Workers Collective, he curated the Finland Pavilion at the Venice Biennale in 2019, and is artistic director of Sonsbeek 2020-2024, a quadrennial contemporary art exhibition in Arnhem, the Netherlands. He was guest professor in curatorial studies and sound art at the Städelschule in Frankfurt, and is the recipient of the first OCAD University International Curators Residency fellowship in Toronto in 2020 |
| Beschreibung: | 250 Seiten |
| ISBN: | 9783948212131 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046742562 | ||
| 003 | DE-604 | ||
| 005 | 20210823 | ||
| 007 | t | ||
| 008 | 200529s2020 |||| 00||| eng d | ||
| 020 | |a 9783948212131 |9 978-3-948212-13-1 | ||
| 035 | |a (OCoLC)1231961158 | ||
| 035 | |a (DE-599)BVBBV046742562 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y7 |a DE-255 | ||
| 084 | |a 3 |2 KUBA2 | ||
| 100 | 1 | |a Ndikung, Bonaventure Soh Bejeng |d 1977- |0 (DE-588)132571447 |4 aut | |
| 245 | 1 | 0 | |a In a while or two we will find the tone |b essays and proposals, curatorial concepts, and critiques |c Bonaventure Soh Bejeng Ndikung |
| 264 | 1 | |a Berlin |b ARCHIVE Books |c 2020 | |
| 300 | |a 250 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Perspectives | |
| 520 | 3 | |a This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung?s expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other, and present perspectives on the political, poetic, and philosophical potentials of exhibition making, beyond the tight corset of the discipline itself. | |
| 520 | 3 | |a Bonaventure Soh Bejeng Ndikung, PhD (born in 1977 in Yaoundé, Cameroon), is an independent curator, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was curator-at-large for documenta 14 in Athens and Kassel 2017, artistic director of the 12th Rencontres de Bamako 2019, a biennale for African photography in Mali, as well as guest curator of the 2018 Dak?Art Biennale in Senegal. Together with the Miracle Workers Collective, he curated the Finland Pavilion at the Venice Biennale in 2019, and is artistic director of Sonsbeek 2020-2024, a quadrennial contemporary art exhibition in Arnhem, the Netherlands. He was guest professor in curatorial studies and sound art at the Städelschule in Frankfurt, and is the recipient of the first OCAD University International Curators Residency fellowship in Toronto in 2020 | |
| 650 | 0 | 7 | |a Kunstausstellung |0 (DE-588)4033628-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kurator |g Museumskunde |0 (DE-588)4688848-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Kunstausstellung |0 (DE-588)4033628-1 |D s |
| 689 | 0 | 1 | |a Kurator |g Museumskunde |0 (DE-588)4688848-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032152439 | ||
Datensatz im Suchindex
| _version_ | 1804181495979442176 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Ndikung, Bonaventure Soh Bejeng 1977- |
| author_GND | (DE-588)132571447 |
| author_facet | Ndikung, Bonaventure Soh Bejeng 1977- |
| author_role | aut |
| author_sort | Ndikung, Bonaventure Soh Bejeng 1977- |
| author_variant | b s b n bsb bsbn |
| building | Verbundindex |
| bvnumber | BV046742562 |
| ctrlnum | (OCoLC)1231961158 (DE-599)BVBBV046742562 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02649nam a2200361 c 4500</leader><controlfield tag="001">BV046742562</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210823 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200529s2020 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783948212131</subfield><subfield code="9">978-3-948212-13-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1231961158</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046742562</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y7</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ndikung, Bonaventure Soh Bejeng</subfield><subfield code="d">1977-</subfield><subfield code="0">(DE-588)132571447</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">In a while or two we will find the tone</subfield><subfield code="b">essays and proposals, curatorial concepts, and critiques</subfield><subfield code="c">Bonaventure Soh Bejeng Ndikung</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin</subfield><subfield code="b">ARCHIVE Books</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">250 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Perspectives</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung?s expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other, and present perspectives on the political, poetic, and philosophical potentials of exhibition making, beyond the tight corset of the discipline itself.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Bonaventure Soh Bejeng Ndikung, PhD (born in 1977 in Yaoundé, Cameroon), is an independent curator, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was curator-at-large for documenta 14 in Athens and Kassel 2017, artistic director of the 12th Rencontres de Bamako 2019, a biennale for African photography in Mali, as well as guest curator of the 2018 Dak?Art Biennale in Senegal. Together with the Miracle Workers Collective, he curated the Finland Pavilion at the Venice Biennale in 2019, and is artistic director of Sonsbeek 2020-2024, a quadrennial contemporary art exhibition in Arnhem, the Netherlands. He was guest professor in curatorial studies and sound art at the Städelschule in Frankfurt, and is the recipient of the first OCAD University International Curators Residency fellowship in Toronto in 2020</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstausstellung</subfield><subfield code="0">(DE-588)4033628-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kurator</subfield><subfield code="g">Museumskunde</subfield><subfield code="0">(DE-588)4688848-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunstausstellung</subfield><subfield code="0">(DE-588)4033628-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kurator</subfield><subfield code="g">Museumskunde</subfield><subfield code="0">(DE-588)4688848-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032152439</subfield></datafield></record></collection> |
| id | DE-604.BV046742562 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:39:48Z |
| indexdate | 2024-07-10T08:52:34Z |
| institution | BVB |
| isbn | 9783948212131 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032152439 |
| oclc_num | 1231961158 |
| open_access_boolean | |
| owner | DE-Y7 DE-255 |
| owner_facet | DE-Y7 DE-255 |
| physical | 250 Seiten |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | ARCHIVE Books |
| record_format | marc |
| series2 | Perspectives |
| spelling | Ndikung, Bonaventure Soh Bejeng 1977- (DE-588)132571447 aut In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques Bonaventure Soh Bejeng Ndikung Berlin ARCHIVE Books 2020 250 Seiten txt rdacontent n rdamedia nc rdacarrier Perspectives This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung?s expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other, and present perspectives on the political, poetic, and philosophical potentials of exhibition making, beyond the tight corset of the discipline itself. Bonaventure Soh Bejeng Ndikung, PhD (born in 1977 in Yaoundé, Cameroon), is an independent curator, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was curator-at-large for documenta 14 in Athens and Kassel 2017, artistic director of the 12th Rencontres de Bamako 2019, a biennale for African photography in Mali, as well as guest curator of the 2018 Dak?Art Biennale in Senegal. Together with the Miracle Workers Collective, he curated the Finland Pavilion at the Venice Biennale in 2019, and is artistic director of Sonsbeek 2020-2024, a quadrennial contemporary art exhibition in Arnhem, the Netherlands. He was guest professor in curatorial studies and sound art at the Städelschule in Frankfurt, and is the recipient of the first OCAD University International Curators Residency fellowship in Toronto in 2020 Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 s Kurator Museumskunde (DE-588)4688848-2 s DE-604 |
| spellingShingle | Ndikung, Bonaventure Soh Bejeng 1977- In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques Kunstausstellung (DE-588)4033628-1 gnd Kurator Museumskunde (DE-588)4688848-2 gnd |
| subject_GND | (DE-588)4033628-1 (DE-588)4688848-2 |
| title | In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques |
| title_auth | In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques |
| title_exact_search | In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques |
| title_exact_search_txtP | In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques |
| title_full | In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques Bonaventure Soh Bejeng Ndikung |
| title_fullStr | In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques Bonaventure Soh Bejeng Ndikung |
| title_full_unstemmed | In a while or two we will find the tone essays and proposals, curatorial concepts, and critiques Bonaventure Soh Bejeng Ndikung |
| title_short | In a while or two we will find the tone |
| title_sort | in a while or two we will find the tone essays and proposals curatorial concepts and critiques |
| title_sub | essays and proposals, curatorial concepts, and critiques |
| topic | Kunstausstellung (DE-588)4033628-1 gnd Kurator Museumskunde (DE-588)4688848-2 gnd |
| topic_facet | Kunstausstellung Kurator Museumskunde |
| work_keys_str_mv | AT ndikungbonaventuresohbejeng inawhileortwowewillfindthetoneessaysandproposalscuratorialconceptsandcritiques |