Making it up together: the art of collective improvisation in Balinese music and beyond
Most studies of musical improvisation focus on individual musicians. But that is not the whole story. From jazz to flamenco, Shona mbira to Javanese gamelan, improvised practices thrive on group creativity, relying on the close interaction of multiple simultaneously improvising performers. In Making...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2019]
|
| Schriftenreihe: | Chicago studies in ethnomusicology
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Most studies of musical improvisation focus on individual musicians. But that is not the whole story. From jazz to flamenco, Shona mbira to Javanese gamelan, improvised practices thrive on group creativity, relying on the close interaction of multiple simultaneously improvising performers. In Making It Up Together, Leslie A. Tilley explores the practice of collective musical improvisation cross-culturally, making a case for placing collectivity at the center of improvisation discourse and advocating ethnographically informed music analysis as a powerful tool for investigating improvisational processes. Through two contrasting Balinese case studies-of the reyong gong chime's melodic norot practice and the interlocking drumming tradition kendang arja-Tilley proposes and tests analytical frameworks for examining collectively improvised performance. At the micro-level, Tilley's analyses offer insight into the note-by-note decisions of improvising performers; at the macro-level, they illuminate larger musical, discursive, structural, and cultural factors shaping those decisions. This multi-tiered inquiry reveals that unpacking how performers play and imagine as a collective is crucial to understanding improvisation and demonstrates how music analysis can elucidate these complex musical and interactional relationships. Highlighting connections with diverse genres from various music cultures, Tilley's examinations of collective improvisation also suggest rich potential for cross-genre exploration. The surrounding discussions point to larger theories of communication and interaction, creativity and cognition that will be of interest to a range of readers-from ethnomusicologists and music theorists to cognitive psychologists, jazz studies scholars, and improvising performers. Setting new parameters for the study of improvisation, Making It Up Together opens up fresh possibilities for understanding the creative process, in music and beyond |
| Beschreibung: | 1 Online-Ressource (x, 351 Seiten) Illustrationen, Notenbeispiele |
| ISBN: | 9780226667744 |
| DOI: | 10.7208/9780226667744 |
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| isbn | 9780226667744 |
| language | English |
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| spelling | Tilley, Leslie A. Verfasser (DE-588)1210276747 aut Making it up together the art of collective improvisation in Balinese music and beyond Leslie A. Tilley Chicago ; London The University of Chicago Press [2019] © 2019 1 Online-Ressource (x, 351 Seiten) Illustrationen, Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Chicago studies in ethnomusicology Most studies of musical improvisation focus on individual musicians. But that is not the whole story. From jazz to flamenco, Shona mbira to Javanese gamelan, improvised practices thrive on group creativity, relying on the close interaction of multiple simultaneously improvising performers. In Making It Up Together, Leslie A. Tilley explores the practice of collective musical improvisation cross-culturally, making a case for placing collectivity at the center of improvisation discourse and advocating ethnographically informed music analysis as a powerful tool for investigating improvisational processes. Through two contrasting Balinese case studies-of the reyong gong chime's melodic norot practice and the interlocking drumming tradition kendang arja-Tilley proposes and tests analytical frameworks for examining collectively improvised performance. At the micro-level, Tilley's analyses offer insight into the note-by-note decisions of improvising performers; at the macro-level, they illuminate larger musical, discursive, structural, and cultural factors shaping those decisions. This multi-tiered inquiry reveals that unpacking how performers play and imagine as a collective is crucial to understanding improvisation and demonstrates how music analysis can elucidate these complex musical and interactional relationships. Highlighting connections with diverse genres from various music cultures, Tilley's examinations of collective improvisation also suggest rich potential for cross-genre exploration. The surrounding discussions point to larger theories of communication and interaction, creativity and cognition that will be of interest to a range of readers-from ethnomusicologists and music theorists to cognitive psychologists, jazz studies scholars, and improvising performers. Setting new parameters for the study of improvisation, Making It Up Together opens up fresh possibilities for understanding the creative process, in music and beyond MUSIC / General / bisacsh Gamelan music / Indonesia / Bali Island / History and criticism Improvisation (Music) Kendang / Performance / Indonesia / Bali Island Performance practice (Music) / Bali Island Reyong / Performance / Indonesia / Bali Island Gamelan (DE-588)4155917-4 gnd rswk-swf Improvisation (DE-588)4127993-1 gnd rswk-swf Ensemblespiel (DE-588)4152316-7 gnd rswk-swf Bali (DE-588)4004327-7 gnd rswk-swf Bali (DE-588)4004327-7 g Gamelan (DE-588)4155917-4 s Ensemblespiel (DE-588)4152316-7 s Improvisation (DE-588)4127993-1 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-226-66113-1 Erscheint auch als Druck-Ausgabe, Paperback 978-0-226-66760-7 https://doi.org/10.7208/9780226667744 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tilley, Leslie A. Making it up together the art of collective improvisation in Balinese music and beyond MUSIC / General / bisacsh Gamelan music / Indonesia / Bali Island / History and criticism Improvisation (Music) Kendang / Performance / Indonesia / Bali Island Performance practice (Music) / Bali Island Reyong / Performance / Indonesia / Bali Island Gamelan (DE-588)4155917-4 gnd Improvisation (DE-588)4127993-1 gnd Ensemblespiel (DE-588)4152316-7 gnd |
| subject_GND | (DE-588)4155917-4 (DE-588)4127993-1 (DE-588)4152316-7 (DE-588)4004327-7 |
| title | Making it up together the art of collective improvisation in Balinese music and beyond |
| title_auth | Making it up together the art of collective improvisation in Balinese music and beyond |
| title_exact_search | Making it up together the art of collective improvisation in Balinese music and beyond |
| title_exact_search_txtP | Making it up together the art of collective improvisation in Balinese music and beyond |
| title_full | Making it up together the art of collective improvisation in Balinese music and beyond Leslie A. Tilley |
| title_fullStr | Making it up together the art of collective improvisation in Balinese music and beyond Leslie A. Tilley |
| title_full_unstemmed | Making it up together the art of collective improvisation in Balinese music and beyond Leslie A. Tilley |
| title_short | Making it up together |
| title_sort | making it up together the art of collective improvisation in balinese music and beyond |
| title_sub | the art of collective improvisation in Balinese music and beyond |
| topic | MUSIC / General / bisacsh Gamelan music / Indonesia / Bali Island / History and criticism Improvisation (Music) Kendang / Performance / Indonesia / Bali Island Performance practice (Music) / Bali Island Reyong / Performance / Indonesia / Bali Island Gamelan (DE-588)4155917-4 gnd Improvisation (DE-588)4127993-1 gnd Ensemblespiel (DE-588)4152316-7 gnd |
| topic_facet | MUSIC / General / bisacsh Gamelan music / Indonesia / Bali Island / History and criticism Improvisation (Music) Kendang / Performance / Indonesia / Bali Island Performance practice (Music) / Bali Island Reyong / Performance / Indonesia / Bali Island Gamelan Improvisation Ensemblespiel Bali |
| url | https://doi.org/10.7208/9780226667744 |
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