Jazz on the line: improvisation in practice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Transnational studies in Jazz
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxvii, 226 Seiten Illustrationen |
| ISBN: | 9780367226725 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List of Figures Series Foreword Preface Acknowledgements How to visualize a theme (a conversation) 1 Introduction toImprovisationalPerformativity It’s What We Do 1 Jazzaerialism 2 Weeding the Past 6 The Adrenalin Junkie 9 Sounding Embodiment 12 Improvisational Architecture 18 The Composer 22 . Making a Case for Performativity 24 Staying on the Line 29 Notes 31 References 32 xi xiii xv xxiii xxv 1
viii Contents 2 Recording Experience and the ‘Natural’ Death of Improvised Music Introducing the Auricular Past 37 Constructing a Technocratic Jazz Co-op (TJC) 40 Improv is Dead, Long Live Improv 54 Remixed Technocracy 57 Secrets and Lies 61 Vinylmania 66 From Sound to Sound 69 Death Cometh to Me, to Set Me Free 73 Notes 76 References 78 3 Alexander von Schlippenbach and the Question of Tabula Rasa Start with the Beginning 82 Towards the Cologne Jazz Field 85 sehr jazzmäßig 93 Collective Improvisation 98 Taking Control 109 The Globe in Globe Unity Orchestra 110 The Wuppertal Years 115 If We Speak about Free 117 The Interpersonality 119 Schönhergian Monk 121 Fifty-Four Years of Unity (and Counting) 129 Notes 131 References 132 4 Between the Jazu Kissa and the Underground Jazz and Coffee/Coffee and Jazz 135 Lo-Fi 146 Individuality and the Hyper-Metropolis 150
Contents ix Enculturation/Acculturation 153 Cultural Uniforms 161 New Meetings 164 Something Old, Something New, Something Borrowed, Something Blue 167 The Puppet Master 173 Notes 175 References 176 5 Cultural Factories and the Contemporary Production Line 180 Cave Tout Court 180 Monuments and Rituals 186 Cultural Factories 188 Workshops 191 The Cultural Context of the Venue 195 From Deluxe to SuperDeluxe 198 Test Tone and New Shamballa Day 201 Making an impact 206 Policies, Politics, and Typhoons 207 Performing Space 208 The After-gig Hang 211 Notes 212 References 214 Index 219
|
| adam_txt |
CONTENTS List of Figures Series Foreword Preface Acknowledgements How to visualize a theme (a conversation) 1 Introduction toImprovisationalPerformativity It’s What We Do 1 Jazzaerialism 2 Weeding the Past 6 The Adrenalin Junkie 9 Sounding Embodiment 12 Improvisational Architecture 18 The Composer 22 . Making a Case for Performativity 24 Staying on the Line 29 Notes 31 References 32 xi xiii xv xxiii xxv 1
viii Contents 2 Recording Experience and the ‘Natural’ Death of Improvised Music Introducing the Auricular Past 37 Constructing a Technocratic Jazz Co-op (TJC) 40 Improv is Dead, Long Live Improv 54 Remixed Technocracy 57 Secrets and Lies 61 Vinylmania 66 From Sound to Sound 69 Death Cometh to Me, to Set Me Free 73 Notes 76 References 78 3 Alexander von Schlippenbach and the Question of Tabula Rasa Start with the Beginning 82 Towards the Cologne Jazz Field 85 sehr jazzmäßig 93 Collective Improvisation 98 Taking Control 109 The Globe in Globe Unity Orchestra 110 The Wuppertal Years 115 If We Speak about Free 117 The Interpersonality 119 Schönhergian Monk 121 Fifty-Four Years of Unity (and Counting) 129 Notes 131 References 132 4 Between the Jazu Kissa and the Underground Jazz and Coffee/Coffee and Jazz 135 Lo-Fi 146 Individuality and the Hyper-Metropolis 150
Contents ix Enculturation/Acculturation 153 Cultural Uniforms 161 New Meetings 164 Something Old, Something New, Something Borrowed, Something Blue 167 The Puppet Master 173 Notes 175 References 176 5 Cultural Factories and the Contemporary Production Line 180 Cave Tout Court 180 Monuments and Rituals 186 Cultural Factories 188 Workshops 191 The Cultural Context of the Venue 195 From Deluxe to SuperDeluxe 198 Test Tone and New Shamballa Day 201 Making an impact 206 Policies, Politics, and Typhoons 207 Performing Space 208 The After-gig Hang 211 Notes 212 References 214 Index 219 |
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| isbn | 9780367226725 |
| language | English |
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| title | Jazz on the line improvisation in practice |
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