Walter Benjamin and the aesthetics of film:
"Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repres...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. 'Walter Benjamin and the Aesthetics of Film' is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings within Benjamin's 'anthropological materialism', a concept that analyses the transformations of the human sensorium through technology. Through the term 'innervation', Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin's writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he started to theorize about films."--Back cover |
| Beschreibung: | 258 Seiten 25 cm |
| ISBN: | 9789462980174 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV046729643 | ||
| 003 | DE-604 | ||
| 005 | 20200722 | ||
| 007 | t | ||
| 008 | 200521s2020 m||| 00||| eng d | ||
| 020 | |a 9789462980174 |c (hbk.) |9 978-94-6298-017-4 | ||
| 035 | |a (OCoLC)1164607550 | ||
| 035 | |a (DE-599)KXP1692613618 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-B486 |a DE-Y3 | ||
| 084 | |a AP 45400 |0 (DE-625)7522: |2 rvk | ||
| 084 | |a CI 1397 |0 (DE-625)18375:11616 |2 rvk | ||
| 084 | |a GM 2378 |0 (DE-625)41881:11810 |2 rvk | ||
| 100 | 1 | |a Mourenza, Daniel |e Verfasser |0 (DE-588)1097415155 |4 aut | |
| 240 | 1 | 0 | |a Walter Benjamin, film and the 'anthropological-materialist' programme |
| 245 | 1 | 0 | |a Walter Benjamin and the aesthetics of film |c Daniel Mourenza |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2020] | |
| 300 | |a 258 Seiten |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c University of Leeds |d 2014 | ||
| 520 | 3 | |a "Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. 'Walter Benjamin and the Aesthetics of Film' is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings within Benjamin's 'anthropological materialism', a concept that analyses the transformations of the human sensorium through technology. Through the term 'innervation', Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin's writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he started to theorize about films."--Back cover | |
| 600 | 1 | 7 | |a Benjamin, Walter |d 1892-1940 |0 (DE-588)118509039 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmästhetik |0 (DE-588)4140881-0 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Benjamin, Walter / 1892-1940 / Philosophy | |
| 653 | 0 | |a Motion pictures / Aesthetics | |
| 653 | 0 | |a Motion pictures / Philosophy | |
| 653 | 1 | |a Benjamin, Walter / 1892-1940 | |
| 653 | 0 | |a Motion pictures / Aesthetics | |
| 653 | 0 | |a Motion pictures / Philosophy | |
| 653 | 0 | |a Philosophy | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Benjamin, Walter |d 1892-1940 |0 (DE-588)118509039 |D p |
| 689 | 0 | 1 | |a Filmästhetik |0 (DE-588)4140881-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-90-485-2935-3 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032139714&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n oe | |
| 940 | 1 | |q BSB_NED_20200722 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032139714 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09042 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09043 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09042 |g 947.08 |
Datensatz im Suchindex
| _version_ | 1804181475884531713 |
|---|---|
| adam_text | Contents Introduction n 1. Anthropological Materialism and the Aesthetics of Film 27 2. Soviet Film: The Giant Laboratory of Technological Innervation 87 3. Film and the Aesthetics of German Fascism 117 4. Charlie Chaplin: The Return of the Allegorical Mode in Modernity 153 5. Mickey Mouse: Utopian and Barbarian 195 Conclusion: Benjamin’s Belated Aktualität 235 Bibliography 243 Index 253
|
| adam_txt |
Contents Introduction n 1. Anthropological Materialism and the Aesthetics of Film 27 2. Soviet Film: The Giant Laboratory of Technological Innervation 87 3. Film and the Aesthetics of German Fascism 117 4. Charlie Chaplin: The Return of the Allegorical Mode in Modernity 153 5. Mickey Mouse: Utopian and Barbarian 195 Conclusion: Benjamin’s Belated Aktualität 235 Bibliography 243 Index 253 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Mourenza, Daniel |
| author_GND | (DE-588)1097415155 |
| author_facet | Mourenza, Daniel |
| author_role | aut |
| author_sort | Mourenza, Daniel |
| author_variant | d m dm |
| building | Verbundindex |
| bvnumber | BV046729643 |
| classification_rvk | AP 45400 CI 1397 GM 2378 |
| ctrlnum | (OCoLC)1164607550 (DE-599)KXP1692613618 |
| discipline | Allgemeines Germanistik / Niederlandistik / Skandinavistik Philosophie |
| discipline_str_mv | Allgemeines Germanistik / Niederlandistik / Skandinavistik Philosophie |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03581nam a22005658c 4500</leader><controlfield tag="001">BV046729643</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200722 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200521s2020 m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789462980174</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-94-6298-017-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1164607550</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1692613618</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-B486</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45400</subfield><subfield code="0">(DE-625)7522:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CI 1397</subfield><subfield code="0">(DE-625)18375:11616</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">GM 2378</subfield><subfield code="0">(DE-625)41881:11810</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mourenza, Daniel</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1097415155</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Walter Benjamin, film and the 'anthropological-materialist' programme</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Walter Benjamin and the aesthetics of film</subfield><subfield code="c">Daniel Mourenza</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">258 Seiten</subfield><subfield code="c">25 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">University of Leeds</subfield><subfield code="d">2014</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. 'Walter Benjamin and the Aesthetics of Film' is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings within Benjamin's 'anthropological materialism', a concept that analyses the transformations of the human sensorium through technology. Through the term 'innervation', Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin's writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he started to theorize about films."--Back cover</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Benjamin, Walter</subfield><subfield code="d">1892-1940</subfield><subfield code="0">(DE-588)118509039</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Benjamin, Walter / 1892-1940 / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Benjamin, Walter / 1892-1940</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Philosophy</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Benjamin, Walter</subfield><subfield code="d">1892-1940</subfield><subfield code="0">(DE-588)118509039</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-90-485-2935-3</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032139714&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200722</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032139714</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield><subfield code="g">947.08</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV046729643 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:36:18Z |
| indexdate | 2024-07-10T08:52:15Z |
| institution | BVB |
| isbn | 9789462980174 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032139714 |
| oclc_num | 1164607550 |
| open_access_boolean | |
| owner | DE-12 DE-B486 DE-Y3 |
| owner_facet | DE-12 DE-B486 DE-Y3 |
| physical | 258 Seiten 25 cm |
| psigel | BSB_NED_20200722 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Amsterdam University Press |
| record_format | marc |
| spelling | Mourenza, Daniel Verfasser (DE-588)1097415155 aut Walter Benjamin, film and the 'anthropological-materialist' programme Walter Benjamin and the aesthetics of film Daniel Mourenza Amsterdam Amsterdam University Press [2020] 258 Seiten 25 cm txt rdacontent n rdamedia nc rdacarrier Dissertation University of Leeds 2014 "Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. 'Walter Benjamin and the Aesthetics of Film' is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings within Benjamin's 'anthropological materialism', a concept that analyses the transformations of the human sensorium through technology. Through the term 'innervation', Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin's writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he started to theorize about films."--Back cover Benjamin, Walter 1892-1940 (DE-588)118509039 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf Benjamin, Walter / 1892-1940 / Philosophy Motion pictures / Aesthetics Motion pictures / Philosophy Benjamin, Walter / 1892-1940 Philosophy (DE-588)4113937-9 Hochschulschrift gnd-content Benjamin, Walter 1892-1940 (DE-588)118509039 p Filmästhetik (DE-588)4140881-0 s DE-604 Erscheint auch als Online-Ausgabe 978-90-485-2935-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032139714&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mourenza, Daniel Walter Benjamin and the aesthetics of film Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Filmästhetik (DE-588)4140881-0 gnd |
| subject_GND | (DE-588)118509039 (DE-588)4140881-0 (DE-588)4113937-9 |
| title | Walter Benjamin and the aesthetics of film |
| title_alt | Walter Benjamin, film and the 'anthropological-materialist' programme |
| title_auth | Walter Benjamin and the aesthetics of film |
| title_exact_search | Walter Benjamin and the aesthetics of film |
| title_exact_search_txtP | Walter Benjamin and the aesthetics of film |
| title_full | Walter Benjamin and the aesthetics of film Daniel Mourenza |
| title_fullStr | Walter Benjamin and the aesthetics of film Daniel Mourenza |
| title_full_unstemmed | Walter Benjamin and the aesthetics of film Daniel Mourenza |
| title_short | Walter Benjamin and the aesthetics of film |
| title_sort | walter benjamin and the aesthetics of film |
| topic | Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Benjamin, Walter 1892-1940 Filmästhetik Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032139714&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mourenzadaniel walterbenjaminfilmandtheanthropologicalmaterialistprogramme AT mourenzadaniel walterbenjaminandtheaestheticsoffilm |