Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850):
Spain has been a fruitful locus for the European imagination for centuries, and it has been most often perceived in black-and-white oppositions - either as a tyrannical and fanatical force in the early modern period or as an imaginary geography of a 'Romantic' Spain in later centuries. How...
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| Format: | Buch |
| Sprache: | English |
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Amsterdam
Amsterdam University Press
[2020]
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| Schriftenreihe: | Heritage and memory studies
10 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Spain has been a fruitful locus for the European imagination for centuries, and it has been most often perceived in black-and-white oppositions - either as a tyrannical and fanatical force in the early modern period or as an imaginary geography of a 'Romantic' Spain in later centuries. However, the image of Spain, its culture and its inhabitants did not evolve inexorably from negative to positive. From the early modern period onwards, it responded to an ambiguous matrix of conflicting Hispanophobic and Hispanophilic representations. Just as in the nineteenth century latent negative stereotypes continued to resurface, even in the Romantic heyday, in the early modern period appreciation for Spain was equally undeniable. When Spain was a political and military superpower, it also enjoyed cultural hegemony with a literary Golden Age producing internationally hailed masterpieces. This book explores the protracted interest in Spain and its culture, and it exposes the co-existent ambiguity between scorn and fascination that characterizes Western historical perceptions, in particular in Britain and the Low Countries, two geographical spaces with a shared sense of historical connectedness and an overlapping - and sometimes complicated - history with Spain |
| Beschreibung: | 348 Seiten |
| ISBN: | 9789462989375 |
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| 520 | 3 | |a Spain has been a fruitful locus for the European imagination for centuries, and it has been most often perceived in black-and-white oppositions - either as a tyrannical and fanatical force in the early modern period or as an imaginary geography of a 'Romantic' Spain in later centuries. However, the image of Spain, its culture and its inhabitants did not evolve inexorably from negative to positive. From the early modern period onwards, it responded to an ambiguous matrix of conflicting Hispanophobic and Hispanophilic representations. Just as in the nineteenth century latent negative stereotypes continued to resurface, even in the Romantic heyday, in the early modern period appreciation for Spain was equally undeniable. When Spain was a political and military superpower, it also enjoyed cultural hegemony with a literary Golden Age producing internationally hailed masterpieces. This book explores the protracted interest in Spain and its culture, and it exposes the co-existent ambiguity between scorn and fascination that characterizes Western historical perceptions, in particular in Britain and the Low Countries, two geographical spaces with a shared sense of historical connectedness and an overlapping - and sometimes complicated - history with Spain | |
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Datensatz im Suchindex
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| adam_text | Table of Contents Acknowledgements Introduction: On Hispanophobia and Hispanophilia across Time and Space 9 n Yolanda Rodríguez Pérez PART I Early Modern Discourses on Spain 1. Being Spanish in the Early Modern World 49 Alexander Samson 2. Spanish Exemplary Rulership? Antonio de Guevara’s Relox de Príncipes (1529) in English (1557) and Dutch (1578) Translation 69 Sabine Waasdorp 3. Between Love and Hate: Thomas Scott’s Puritan Propaganda and His Interest in Spanish Culture 93 Ernesto E. Oyarbide Magaña 4. Enemy Treasures: The Making and Marketing of Spanish Comedia in the Amsterdam Schouwburg 115 Frans Blom 5. ‘The Barke Is Bad, but the Tree Good’: Hispanophilia, Hispanophobia and Spanish Honour in English and Dutch Plays (c. 1630-1670) 145 Rena Bood 6. James Salgado: Anti-Spanish Sentiment and the Popish Plot Antonio Cortijo Ocaña 165
PART II Modern Discourses on Spain 7. From Hispanophobia to Quixotephilia: The Politics of Quixotism in the British Long Eighteenth Century 189 PedroJavier Pardo 8. Spanish Politicking in British Periodical Reviews, 1808-1814 213 Susan Valladares 9. Hispanophobia and Hispanophilia in the Netherlands: Continuities and Ruptures in the Nineteenth Century 235 LotteJensen 10. From Azoteas to Dungeons: Spain as Archaeology of the Despotism in Alexander Dallas’s Novel Vargas (1822) 255 Fernando Duran López 11. Discordant Visions: Spain and the Stages of London in 1823 277 Diego Sagtia 12. Historical Fiction, Cultural Transfer and the Recycling of the Black Legend between the Low Countries and Britain: A Nineteenth-Century Case Study 299 Raphaël Ingelbien 13. ‘Covering the Skeletons with Flesh and Blood’: Spanish Golden Age Drama in English and Dutch Nineteenth-Century Literary Histories 317 Yolanda Rodríguez Pérez Index 341 List of Figures Figure 2.1 Title page Diali ofPrinces (1557) Courtesy the University of St Andrews Library Figure 2.2 Seventeenth-century engraving of the statue of the Duke of Alba Courtesy the Rijksmuseum Amsterdam 76 82
Figure 3.1 Portrait of the first count of Gondomar by Willem de Passe (1622) 99 Courtesy the Biblioteca Nacional de España. ER/244, f· 1 Figure 3.2 Front page of Thomas Scott, The Second Part ofVox Populi, or Gondomar Appearing in the Likenes of Matchiauell (1624) Bodleian Library. Reference: 2 40 D 59(2) Th. Photo taken by author Figure 4.1 Poster announcement for Sigismundus, the Dutch performance of Calderon’s La vida es sueño, by the Schouwburg actors on tour in Haarlem, 1656 Courtesy the Noord Hollands Archief, coll. Heerlijkheid Heemstede, inv. nr. i44 Figure 4.2 Lope de Vega Carpio, the first international playwright ever to star on the title page of a Schouwburg edition, as the author of Gedwongen Vrient (Amsterdam: Jan van Hilten, 1646) Courtesy University Library, University of Amsterdam Figure 4.3 Stantvastige Isabella (1651), frontispiece Courtesy University Library, University of Amsterdam Figure 6.1 An Impartial and BriefDescription ofthe Plaza (London: Printed by Francis Clarke for the Author, 1683), p. 8 Courtesy Calambur 103 118 128 136 175
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| adam_txt |
Table of Contents Acknowledgements Introduction: On Hispanophobia and Hispanophilia across Time and Space 9 n Yolanda Rodríguez Pérez PART I Early Modern Discourses on Spain 1. Being Spanish in the Early Modern World 49 Alexander Samson 2. Spanish Exemplary Rulership? Antonio de Guevara’s Relox de Príncipes (1529) in English (1557) and Dutch (1578) Translation 69 Sabine Waasdorp 3. Between Love and Hate: Thomas Scott’s Puritan Propaganda and His Interest in Spanish Culture 93 Ernesto E. Oyarbide Magaña 4. Enemy Treasures: The Making and Marketing of Spanish Comedia in the Amsterdam Schouwburg 115 Frans Blom 5. ‘The Barke Is Bad, but the Tree Good’: Hispanophilia, Hispanophobia and Spanish Honour in English and Dutch Plays (c. 1630-1670) 145 Rena Bood 6. James Salgado: Anti-Spanish Sentiment and the Popish Plot Antonio Cortijo Ocaña 165
PART II Modern Discourses on Spain 7. From Hispanophobia to Quixotephilia: The Politics of Quixotism in the British Long Eighteenth Century 189 PedroJavier Pardo 8. Spanish Politicking in British Periodical Reviews, 1808-1814 213 Susan Valladares 9. Hispanophobia and Hispanophilia in the Netherlands: Continuities and Ruptures in the Nineteenth Century 235 LotteJensen 10. From Azoteas to Dungeons: Spain as Archaeology of the Despotism in Alexander Dallas’s Novel Vargas (1822) 255 Fernando Duran López 11. Discordant Visions: Spain and the Stages of London in 1823 277 Diego Sagtia 12. Historical Fiction, Cultural Transfer and the Recycling of the Black Legend between the Low Countries and Britain: A Nineteenth-Century Case Study 299 Raphaël Ingelbien 13. ‘Covering the Skeletons with Flesh and Blood’: Spanish Golden Age Drama in English and Dutch Nineteenth-Century Literary Histories 317 Yolanda Rodríguez Pérez Index 341 List of Figures Figure 2.1 Title page Diali ofPrinces (1557) Courtesy the University of St Andrews Library Figure 2.2 Seventeenth-century engraving of the statue of the Duke of Alba Courtesy the Rijksmuseum Amsterdam 76 82
Figure 3.1 Portrait of the first count of Gondomar by Willem de Passe (1622) 99 Courtesy the Biblioteca Nacional de España. ER/244, f· 1 Figure 3.2 Front page of Thomas Scott, The Second Part ofVox Populi, or Gondomar Appearing in the Likenes of Matchiauell (1624) Bodleian Library. Reference: 2 40 D 59(2) Th. Photo taken by author Figure 4.1 Poster announcement for Sigismundus, the Dutch performance of Calderon’s La vida es sueño, by the Schouwburg actors on tour in Haarlem, 1656 Courtesy the Noord Hollands Archief, coll. Heerlijkheid Heemstede, inv. nr. i44 Figure 4.2 Lope de Vega Carpio, the first international playwright ever to star on the title page of a Schouwburg edition, as the author of Gedwongen Vrient (Amsterdam: Jan van Hilten, 1646) Courtesy University Library, University of Amsterdam Figure 4.3 Stantvastige Isabella (1651), frontispiece Courtesy University Library, University of Amsterdam Figure 6.1 An Impartial and BriefDescription ofthe Plaza (London: Printed by Francis Clarke for the Author, 1683), p. 8 Courtesy Calambur 103 118 128 136 175 |
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| spelling | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) edited by Yolanda Rodríguez Pérez Amsterdam Amsterdam University Press [2020] © 2020 348 Seiten txt rdacontent n rdamedia nc rdacarrier Heritage and memory studies 10 Spain has been a fruitful locus for the European imagination for centuries, and it has been most often perceived in black-and-white oppositions - either as a tyrannical and fanatical force in the early modern period or as an imaginary geography of a 'Romantic' Spain in later centuries. However, the image of Spain, its culture and its inhabitants did not evolve inexorably from negative to positive. From the early modern period onwards, it responded to an ambiguous matrix of conflicting Hispanophobic and Hispanophilic representations. Just as in the nineteenth century latent negative stereotypes continued to resurface, even in the Romantic heyday, in the early modern period appreciation for Spain was equally undeniable. When Spain was a political and military superpower, it also enjoyed cultural hegemony with a literary Golden Age producing internationally hailed masterpieces. This book explores the protracted interest in Spain and its culture, and it exposes the co-existent ambiguity between scorn and fascination that characterizes Western historical perceptions, in particular in Britain and the Low Countries, two geographical spaces with a shared sense of historical connectedness and an overlapping - and sometimes complicated - history with Spain Geschichte 1550-1850 gnd rswk-swf Spanienbild (DE-588)4139031-3 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Beneluxländer (DE-588)4005490-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Beneluxländer (DE-588)4005490-1 g Spanienbild (DE-588)4139031-3 s Geschichte 1550-1850 z DE-604 Rodríguez Pérez, Yolanda 1967- (DE-588)139236112 edt Erscheint auch als Online-Ausgabe 978-90-4854-193-5 Heritage and memory studies 10 (DE-604)BV044781054 10 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032139711&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) |
| title_auth | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) |
| title_exact_search | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) |
| title_exact_search_txtP | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) |
| title_full | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) edited by Yolanda Rodríguez Pérez |
| title_fullStr | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) edited by Yolanda Rodríguez Pérez |
| title_full_unstemmed | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) edited by Yolanda Rodríguez Pérez |
| title_short | Literary hispanophobia and hispanophilia in Britain and the Low Countries (1550-1850) |
| title_sort | literary hispanophobia and hispanophilia in britain and the low countries 1550 1850 |
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