Shakespeare, spectatorship and the technologies of performance:
Shakespeare, Spectatorship and the Technologies of Performance examines how rapid changes in performance technologies affect modes of spectatorship for early modern drama. It argues that seemingly disparate developments - such as the revival of early modern architectural and lighting technologies, d...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2020
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Shakespeare, Spectatorship and the Technologies of Performance examines how rapid changes in performance technologies affect modes of spectatorship for early modern drama. It argues that seemingly disparate developments - such as the revival of early modern architectural and lighting technologies, digital performance technologies and the hybrid medium of theatre broadcast - are fundamentally related. How spectators experience performances is not only affected in medium-specific ways by particular technologies, but is also connected to the plays' roots in early modern performance environments. Aebischer's examples range from the use of candlelight and re-imagined early modern architecture, to set design, performance capture technologies, digital video, social media, hologram projection, biotechnologies and theatre broadcasts. This book argues that digital and analogue performance technologies alike activate modes of ethical spectatorship, requiring audiences to adopt an ethical standpoint as they decide how to look, where to look, what medium to look through, and how to take responsibility for looking |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 22 Apr 2020) Dominic Dromgoole's The changeling (2015) : social division and anamorphic vision -- Dominic Dromgoole's The tempest (2016) : labour, technology and the gender of theatrical magic -- Stanislavski in the closet : Joe Hill-Gibbins' Edward II (National Theatre, 2013) -- 'Tech-enabled' theatre at the RSC : digital performance and Gregory Doran's Tempest (RSC, 2016) -- Hamlet in parts : Robin Lough's RSC live cinema broadcast of Simon Godwin's Hamlet (8 June 2016) -- Offstage dynamics and the virtual public sphere in Cheek by jowl's live stream of Measure for measure (2015) -- Concluding most obscenely: Offstage technophelias |
| Beschreibung: | 1 Online-Ressource (xv, 242 Seiten) |
| ISBN: | 9781108339001 |
| DOI: | 10.1017/9781108339001 |
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| spelling | Aebischer, Pascale 1970- (DE-588)139136770 aut Shakespeare, spectatorship and the technologies of performance Pascale Aebischer Cambridge Cambridge University Press 2020 1 Online-Ressource (xv, 242 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 22 Apr 2020) Dominic Dromgoole's The changeling (2015) : social division and anamorphic vision -- Dominic Dromgoole's The tempest (2016) : labour, technology and the gender of theatrical magic -- Stanislavski in the closet : Joe Hill-Gibbins' Edward II (National Theatre, 2013) -- 'Tech-enabled' theatre at the RSC : digital performance and Gregory Doran's Tempest (RSC, 2016) -- Hamlet in parts : Robin Lough's RSC live cinema broadcast of Simon Godwin's Hamlet (8 June 2016) -- Offstage dynamics and the virtual public sphere in Cheek by jowl's live stream of Measure for measure (2015) -- Concluding most obscenely: Offstage technophelias Shakespeare, Spectatorship and the Technologies of Performance examines how rapid changes in performance technologies affect modes of spectatorship for early modern drama. It argues that seemingly disparate developments - such as the revival of early modern architectural and lighting technologies, digital performance technologies and the hybrid medium of theatre broadcast - are fundamentally related. How spectators experience performances is not only affected in medium-specific ways by particular technologies, but is also connected to the plays' roots in early modern performance environments. Aebischer's examples range from the use of candlelight and re-imagined early modern architecture, to set design, performance capture technologies, digital video, social media, hologram projection, biotechnologies and theatre broadcasts. This book argues that digital and analogue performance technologies alike activate modes of ethical spectatorship, requiring audiences to adopt an ethical standpoint as they decide how to look, where to look, what medium to look through, and how to take responsibility for looking Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 21st century Geschichte 2013-2016 gnd rswk-swf Geschichte 1580-1630 gnd rswk-swf Theater / Production and direction / Technological innovations Theater audiences / Effect of technological innovations on Technology and the arts Englisch (DE-588)4014777-0 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Bühnentechnik (DE-588)4146863-6 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Geschichte 1580-1630 z Aufführung (DE-588)4143388-9 s Bühnentechnik (DE-588)4146863-6 s Geschichte 2013-2016 z 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-1-10842-048-8 https://doi.org/10.1017/9781108339001 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Aebischer, Pascale 1970- Shakespeare, spectatorship and the technologies of performance Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 21st century Theater / Production and direction / Technological innovations Theater audiences / Effect of technological innovations on Technology and the arts Englisch (DE-588)4014777-0 gnd Aufführung (DE-588)4143388-9 gnd Drama (DE-588)4012899-4 gnd Bühnentechnik (DE-588)4146863-6 gnd |
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| title | Shakespeare, spectatorship and the technologies of performance |
| title_auth | Shakespeare, spectatorship and the technologies of performance |
| title_exact_search | Shakespeare, spectatorship and the technologies of performance |
| title_exact_search_txtP | Shakespeare, spectatorship and the technologies of performance |
| title_full | Shakespeare, spectatorship and the technologies of performance Pascale Aebischer |
| title_fullStr | Shakespeare, spectatorship and the technologies of performance Pascale Aebischer |
| title_full_unstemmed | Shakespeare, spectatorship and the technologies of performance Pascale Aebischer |
| title_short | Shakespeare, spectatorship and the technologies of performance |
| title_sort | shakespeare spectatorship and the technologies of performance |
| topic | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 21st century Theater / Production and direction / Technological innovations Theater audiences / Effect of technological innovations on Technology and the arts Englisch (DE-588)4014777-0 gnd Aufführung (DE-588)4143388-9 gnd Drama (DE-588)4012899-4 gnd Bühnentechnik (DE-588)4146863-6 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history / 21st century Theater / Production and direction / Technological innovations Theater audiences / Effect of technological innovations on Technology and the arts Englisch Aufführung Drama Bühnentechnik |
| url | https://doi.org/10.1017/9781108339001 |
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