Screening the Royal Shakespeare Company: a critical history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
The Arden Shakespeare
2020
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 268 Seiten Illustrationen 24 cm |
| ISBN: | 9781350174078 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Figures viii Acknowledgements x Note on the Text xiii Introduction l 1 Beginners, 1910-59 9 2 Television Times, 1961-68 35 3 Making Movies, 1964-73 63 4 Intimate Spaces, 1972-82 ιοί 5 Toil and Troubles, 1982-2012 ізі 6 Now-ness: 2000-18 159 Notes 185 Filmography 218 Bibliography 232 Index 243
No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company. Starting with Richard III, filmed in the Shakespeare Memorial Theatre before the First World War, the RSC’s accomplishments continue today with highly successful live cinema broadcasts. The Wars of the Roses (BBC, 1965), Peter Brook’s film of King Lear (1971), Channel 4’s epic version of Nicholas Nlckleby (1982) and Hamlet with David Tennant (BBC, 2009) are among their most iconic adaptations. Many other RSC productions live on as extracts in documentaries, as archival recordings, in trailers and In other fragmentary forms. Screening the Royal Shakespeare Company ex plores this remarkable history of collaborations between stage and screen and considers key questions about adaptation that concern all those involved in theatre, film and television. Written by John Wyver, a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon, this is a vivid landmark study of the company’s television and film productions and of the challenges and rich potential of screen adaptations.
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| adam_txt |
CONTENTS Figures viii Acknowledgements x Note on the Text xiii Introduction l 1 Beginners, 1910-59 9 2 Television Times, 1961-68 35 3 Making Movies, 1964-73 63 4 Intimate Spaces, 1972-82 ιοί 5 Toil and Troubles, 1982-2012 ізі 6 Now-ness: 2000-18 159 Notes 185 Filmography 218 Bibliography 232 Index 243
No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company. Starting with Richard III, filmed in the Shakespeare Memorial Theatre before the First World War, the RSC’s accomplishments continue today with highly successful live cinema broadcasts. The Wars of the Roses (BBC, 1965), Peter Brook’s film of King Lear (1971), Channel 4’s epic version of Nicholas Nlckleby (1982) and Hamlet with David Tennant (BBC, 2009) are among their most iconic adaptations. Many other RSC productions live on as extracts in documentaries, as archival recordings, in trailers and In other fragmentary forms. Screening the Royal Shakespeare Company ex plores this remarkable history of collaborations between stage and screen and considers key questions about adaptation that concern all those involved in theatre, film and television. Written by John Wyver, a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon, this is a vivid landmark study of the company’s television and film productions and of the challenges and rich potential of screen adaptations. |
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| title | Screening the Royal Shakespeare Company a critical history |
| title_auth | Screening the Royal Shakespeare Company a critical history |
| title_exact_search | Screening the Royal Shakespeare Company a critical history |
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| title_full | Screening the Royal Shakespeare Company a critical history John Wyver |
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