Mark my words: profiles of punctuation in modern literature
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 166 Seiten |
| ISBN: | 9781501360725 9781501360732 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgments Permissions Prologue: What Can Punctuation Do? xi xiii 1 1 Silence: Hemingway’s Periods 13 2 Hesitation: Baldwin’s Commas 23 3 Interruption: James’s Dashes 39 4 Rupture: Dickinson’s Dashes 53 5 Expansion: Woolf’s Semicolons 65 6 Hemorrhage: Joyce, Morrison, Saramago, Sebald 77 7 Enjambment: Cummings, Williams, Giovanni 97 8 Incarceration: Nabokov’s Parentheses 121 9 Plenitude: Faulkner’s Array 131 Epilogue: Punctuation as Style 147 Bibliography Index 151 161
Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why does that odd couple, both the novelist Virginia Woolf and the short story specialist Andre Dubus 11, embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? The first book on modern literature to compare writers’ punctuation, and to show how fully typographical marks alter our sense of authorial style, offers new ways of reading some of our most important and beloved writers and suggests a fresh perspective on literary style itself. is Holmes Professor of Belles-Lettres at Princeton University, USA. He is the author of seven books, including Mere Reading: The Poetics of Wonder in Modern American Novels (Bloomsbury, 2017), a Choice Outstanding Academic Title of the Year.
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| adam_txt |
Contents Acknowledgments Permissions Prologue: What Can Punctuation Do? xi xiii 1 1 Silence: Hemingway’s Periods 13 2 Hesitation: Baldwin’s Commas 23 3 Interruption: James’s Dashes 39 4 Rupture: Dickinson’s Dashes 53 5 Expansion: Woolf’s Semicolons 65 6 Hemorrhage: Joyce, Morrison, Saramago, Sebald 77 7 Enjambment: Cummings, Williams, Giovanni 97 8 Incarceration: Nabokov’s Parentheses 121 9 Plenitude: Faulkner’s Array 131 Epilogue: Punctuation as Style 147 Bibliography Index 151 161
Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why does that odd couple, both the novelist Virginia Woolf and the short story specialist Andre Dubus 11, embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? The first book on modern literature to compare writers’ punctuation, and to show how fully typographical marks alter our sense of authorial style, offers new ways of reading some of our most important and beloved writers and suggests a fresh perspective on literary style itself. is Holmes Professor of Belles-Lettres at Princeton University, USA. He is the author of seven books, including Mere Reading: The Poetics of Wonder in Modern American Novels (Bloomsbury, 2017), a Choice Outstanding Academic Title of the Year. |
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| title_full | Mark my words profiles of punctuation in modern literature Lee Clark Mitchell |
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