Cultural mapping and musical diversity:
Gespeichert in:
Körperschaft: | |
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Weitere Verfasser: | , |
Format: | Tagungsbericht Buch |
Sprache: | English |
Veröffentlicht: |
Sheffield, UK ; Bristol, CT
Equinox
2020
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Schriftenreihe: | Transcultural music studies
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xii, 321 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781781797594 9781781797587 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents List ofFigures vii Preface and Acknowledgements xi Introduction: Cultural Mapping and Musical Diversity Britta Sweers and Sarah M. Ross 1 Part I: The Method of Cultural Mapping Introduction to Part I Britta Sweers 1 2 13 Kulturkreise, Culture Areas, and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today Marcello Sorce Keller 19 Mancunian Irish: Identity, Cultural Intimacy, and Musical Hybridization—Urban Ethnomusicology and Cultural Mapping Svend Kjeldsen 35 3. Dying Language, Multi-Identity, and Music for the Young Pekka Suutari 54 4. Mapping “Inconvenient” Music Heritage Ana FLofman 67 Part II: Cultural Landscape and Music Introduction to Part II Britta Sweers 5. Landscapes and Flower Songs: Proposing the Hypothesis of Agriculturalist-Pastoralist Coalescence as the Origin of Яма’er Festivals Lukas Park 6. Climate and Environment in Idelsohn’s History ofHebrew Music Shai Burstyn 87 94 108
vi Contents 7. 8. Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage Thomas Solomon 123 The Space of Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music Vincenzo della Ratta 145 Part III: The Politics of Intangible Cultural Heritage Introduction to Part III Sarah M. Ross 9. Historical Voices Reloaded: Rethinking Archival Responsibilities in Relation to Intangible Cultural Heritage Gerda Lechleitner 10. Intangible Cultural Heritage and Policy Making in Poland Marzanna Popławska 11. Mapping and Representing Musical Diversity in Switzerland: The Role of Artists, Ethnomusicologists, and Officials Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, and Patricia Jäggi 12. Tracing the Minhag Ashkenaz in Swiss Synagogue Music: Advocates of Intangible Cultural Heritage Meet Agents of Cultural Sustainability Sarah M. Ross 175 181 194 210 225 Part IV: Intangible Cultural Heritage: Case Studies Introduction to Part IV Sarah M. Ross 251 13. Flamenco for Andalusia, Flamenco for Humanity: Regionalization and Intangible Cultural Heritage in Spain Matthew Machin-Autenrieth 256 14. Questioning Safeguarding: Heritage and Capabilities at Jemaa el Fnaa Square, Morocco Thomas Beardslee 279 15. The Verbuňk under the Pressure of World Fame Zuzana Jurková 300 Index 316
|
adam_txt |
Contents List ofFigures vii Preface and Acknowledgements xi Introduction: Cultural Mapping and Musical Diversity Britta Sweers and Sarah M. Ross 1 Part I: The Method of Cultural Mapping Introduction to Part I Britta Sweers 1 2 13 Kulturkreise, Culture Areas, and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today Marcello Sorce Keller 19 Mancunian Irish: Identity, Cultural Intimacy, and Musical Hybridization—Urban Ethnomusicology and Cultural Mapping Svend Kjeldsen 35 3. Dying Language, Multi-Identity, and Music for the Young Pekka Suutari 54 4. Mapping “Inconvenient” Music Heritage Ana FLofman 67 Part II: Cultural Landscape and Music Introduction to Part II Britta Sweers 5. Landscapes and Flower Songs: Proposing the Hypothesis of Agriculturalist-Pastoralist Coalescence as the Origin of Яма’er Festivals Lukas Park 6. Climate and Environment in Idelsohn’s History ofHebrew Music Shai Burstyn 87 94 108
vi Contents 7. 8. Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage Thomas Solomon 123 The Space of Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music Vincenzo della Ratta 145 Part III: The Politics of Intangible Cultural Heritage Introduction to Part III Sarah M. Ross 9. Historical Voices Reloaded: Rethinking Archival Responsibilities in Relation to Intangible Cultural Heritage Gerda Lechleitner 10. Intangible Cultural Heritage and Policy Making in Poland Marzanna Popławska 11. Mapping and Representing Musical Diversity in Switzerland: The Role of Artists, Ethnomusicologists, and Officials Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, and Patricia Jäggi 12. Tracing the Minhag Ashkenaz in Swiss Synagogue Music: Advocates of Intangible Cultural Heritage Meet Agents of Cultural Sustainability Sarah M. Ross 175 181 194 210 225 Part IV: Intangible Cultural Heritage: Case Studies Introduction to Part IV Sarah M. Ross 251 13. Flamenco for Andalusia, Flamenco for Humanity: Regionalization and Intangible Cultural Heritage in Spain Matthew Machin-Autenrieth 256 14. Questioning Safeguarding: Heritage and Capabilities at Jemaa el Fnaa Square, Morocco Thomas Beardslee 279 15. The Verbuňk under the Pressure of World Fame Zuzana Jurková 300 Index 316 |
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author_corporate | European Seminar in Ethnomusicology Bern |
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author_facet | Sweers, Britta 1969- Ross, Sarah M. 1977- European Seminar in Ethnomusicology Bern |
author_sort | European Seminar in Ethnomusicology Bern |
building | Verbundindex |
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classification_rvk | LS 12000 |
ctrlnum | (OCoLC)1164606564 (DE-599)BVBBV046724642 |
discipline | Musikwissenschaft |
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spellingShingle | Cultural mapping and musical diversity Immaterielles Kulturerbe (DE-588)7677036-9 gnd Kulturgüterschutz (DE-588)4165975-2 gnd Musikethnologie (DE-588)4127833-1 gnd |
subject_GND | (DE-588)7677036-9 (DE-588)4165975-2 (DE-588)4127833-1 (DE-588)1071861417 |
title | Cultural mapping and musical diversity |
title_auth | Cultural mapping and musical diversity |
title_exact_search | Cultural mapping and musical diversity |
title_exact_search_txtP | Cultural mapping and musical diversity |
title_full | Cultural mapping and musical diversity edited by Britta Sweers and Sarah M. Ross |
title_fullStr | Cultural mapping and musical diversity edited by Britta Sweers and Sarah M. Ross |
title_full_unstemmed | Cultural mapping and musical diversity edited by Britta Sweers and Sarah M. Ross |
title_short | Cultural mapping and musical diversity |
title_sort | cultural mapping and musical diversity |
topic | Immaterielles Kulturerbe (DE-588)7677036-9 gnd Kulturgüterschutz (DE-588)4165975-2 gnd Musikethnologie (DE-588)4127833-1 gnd |
topic_facet | Immaterielles Kulturerbe Kulturgüterschutz Musikethnologie Konferenzschrift 2013 Bern |
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