After the dance, the drum is heavy: carnival, politics, and musical engagement in Haiti
Richly ethnographic, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation'...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2020
|
| Schriftenreihe: | Currents in Latin American & Iberian music
Oxford scholarship online |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Richly ethnographic, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (464 Seiten) Illustrationen |
| ISBN: | 9780190928094 |
| DOI: | 10.1093/oso/9780190928056.001.0001 |
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| isbn | 9780190928094 |
| language | English |
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| publisher | Oxford University Press |
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| series2 | Currents in Latin American & Iberian music Oxford scholarship online |
| spelling | Dirksen, Rebecca ca. 20./21. Jh. (DE-588)1124427406 aut After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti Rebecca Dirksen New York Oxford University Press 2020 1 Online-Ressource (464 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Currents in Latin American & Iberian music Oxford scholarship online Includes bibliographical references and index Richly ethnographic, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population Music / Political aspects / Haiti Carnival / Haiti Erscheint auch als Druck-Ausgabe 978-0-19092-805-6 https://doi.org/10.1093/oso/9780190928056.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dirksen, Rebecca ca. 20./21. Jh After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti Music / Political aspects / Haiti Carnival / Haiti |
| title | After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti |
| title_auth | After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti |
| title_exact_search | After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti |
| title_exact_search_txtP | After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti |
| title_full | After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti Rebecca Dirksen |
| title_fullStr | After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti Rebecca Dirksen |
| title_full_unstemmed | After the dance, the drum is heavy carnival, politics, and musical engagement in Haiti Rebecca Dirksen |
| title_short | After the dance, the drum is heavy |
| title_sort | after the dance the drum is heavy carnival politics and musical engagement in haiti |
| title_sub | carnival, politics, and musical engagement in Haiti |
| topic | Music / Political aspects / Haiti Carnival / Haiti |
| topic_facet | Music / Political aspects / Haiti Carnival / Haiti |
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