Revisioning History: Film and the Construction of a New Past
In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past. How does film construct a historical world? What are the rules, codes, and strategies by which it brings th...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2020]
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| Schriftenreihe: | Princeton Studies in Culture/Power/History
5 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past. How does film construct a historical world? What are the rules, codes, and strategies by which it brings the past to life? What does that historical construction mean to us? In grappling with these questions, each contributor looks at an example of New History cinema. Different from Hollywood costume dramas or documentary films, these films are serious efforts to come to grips with the past; they have often grown out of nations engaged in an intense quest for historical connections, such as India, Cuba, Japan, and Germany. The volume begins with an introduction by Robert Rosenstone. Part I, "Contesting History," comprises essays by Geoff Eley (on the film Distant Voices, Still Lives), Nicholas B. Dirks (The Home and the World), Thomas Kierstead and Deidre Lynch (Eijanaika), and Pierre Sorlin (Night of the Shooting Stars). Contributing to Part II, "Visioning History," are Michael S. Roth (Hiroshima Mon Amour), John Mraz (Memories of Underdevelopment), Min Soo Kang (The Moderns) and Clayton R. Koppes (Radio Bikini). Part III, "Revisioning History" contains essays by Denise J. Youngblood (Repentance), Rudy Koshar (Hitler: A Film from Germany), Rosenstone (Walker), Sumiko Higashi (Walker and Mississippi Burning), and Daniel Sipe (From the Pole to the Equator) |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020) |
| Beschreibung: | 1 online resource 13 halftones |
| ISBN: | 9780691209708 |
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| 520 | |a In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past. How does film construct a historical world? What are the rules, codes, and strategies by which it brings the past to life? What does that historical construction mean to us? In grappling with these questions, each contributor looks at an example of New History cinema. Different from Hollywood costume dramas or documentary films, these films are serious efforts to come to grips with the past; they have often grown out of nations engaged in an intense quest for historical connections, such as India, Cuba, Japan, and Germany. The volume begins with an introduction by Robert Rosenstone. Part I, "Contesting History," comprises essays by Geoff Eley (on the film Distant Voices, Still Lives), Nicholas B. Dirks (The Home and the World), Thomas Kierstead and Deidre Lynch (Eijanaika), and Pierre Sorlin (Night of the Shooting Stars). Contributing to Part II, "Visioning History," are Michael S. Roth (Hiroshima Mon Amour), John Mraz (Memories of Underdevelopment), Min Soo Kang (The Moderns) and Clayton R. Koppes (Radio Bikini). Part III, "Revisioning History" contains essays by Denise J. Youngblood (Repentance), Rudy Koshar (Hitler: A Film from Germany), Rosenstone (Walker), Sumiko Higashi (Walker and Mississippi Burning), and Daniel Sipe (From the Pole to the Equator) | ||
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| record_format | marc |
| series2 | Princeton Studies in Culture/Power/History |
| spelling | Revisioning History Film and the Construction of a New Past Robert A. Rosenstone Princeton, NJ Princeton University Press [2020] © 1995 1 online resource 13 halftones txt rdacontent c rdamedia cr rdacarrier Princeton Studies in Culture/Power/History 5 Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020) In Revisioning History thirteen historians from around the world look at the historical film on its own terms, not as it compares to written history but as a unique way of recounting the past. How does film construct a historical world? What are the rules, codes, and strategies by which it brings the past to life? What does that historical construction mean to us? In grappling with these questions, each contributor looks at an example of New History cinema. Different from Hollywood costume dramas or documentary films, these films are serious efforts to come to grips with the past; they have often grown out of nations engaged in an intense quest for historical connections, such as India, Cuba, Japan, and Germany. The volume begins with an introduction by Robert Rosenstone. Part I, "Contesting History," comprises essays by Geoff Eley (on the film Distant Voices, Still Lives), Nicholas B. Dirks (The Home and the World), Thomas Kierstead and Deidre Lynch (Eijanaika), and Pierre Sorlin (Night of the Shooting Stars). Contributing to Part II, "Visioning History," are Michael S. Roth (Hiroshima Mon Amour), John Mraz (Memories of Underdevelopment), Min Soo Kang (The Moderns) and Clayton R. Koppes (Radio Bikini). Part III, "Revisioning History" contains essays by Denise J. Youngblood (Repentance), Rudy Koshar (Hitler: A Film from Germany), Rosenstone (Walker), Sumiko Higashi (Walker and Mississippi Burning), and Daniel Sipe (From the Pole to the Equator) In English Animal Farm Another Country Barry Lyndon Casablanca Gilda Heart of Spain Holiday Camp Kind of Loving Last Tango in Paris Life Is Sweet Madonna and Child Masterpiece Theater Night of the Shooting Stars One Way or Another Other Francisco Rain Man Rybakov Sid and Nancy Star Trek Three Daughters Trip Triumph of the Will Vengeance Is Mine White Mischief Yojimbo paisan the Bodyguard PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures and history Geschichtsdarstellung (DE-588)4210408-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Geschichtsdarstellung (DE-588)4210408-7 s 2\p DE-604 Rosenstone, Robert A. 1936- (DE-588)133232158 edt https://www.degruyter.com/isbn/9780691209708 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Revisioning History Film and the Construction of a New Past Animal Farm Another Country Barry Lyndon Casablanca Gilda Heart of Spain Holiday Camp Kind of Loving Last Tango in Paris Life Is Sweet Madonna and Child Masterpiece Theater Night of the Shooting Stars One Way or Another Other Francisco Rain Man Rybakov Sid and Nancy Star Trek Three Daughters Trip Triumph of the Will Vengeance Is Mine White Mischief Yojimbo paisan the Bodyguard PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures and history Geschichtsdarstellung (DE-588)4210408-7 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4210408-7 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Revisioning History Film and the Construction of a New Past |
| title_auth | Revisioning History Film and the Construction of a New Past |
| title_exact_search | Revisioning History Film and the Construction of a New Past |
| title_exact_search_txtP | Revisioning History Film and the Construction of a New Past |
| title_full | Revisioning History Film and the Construction of a New Past Robert A. Rosenstone |
| title_fullStr | Revisioning History Film and the Construction of a New Past Robert A. Rosenstone |
| title_full_unstemmed | Revisioning History Film and the Construction of a New Past Robert A. Rosenstone |
| title_short | Revisioning History |
| title_sort | revisioning history film and the construction of a new past |
| title_sub | Film and the Construction of a New Past |
| topic | Animal Farm Another Country Barry Lyndon Casablanca Gilda Heart of Spain Holiday Camp Kind of Loving Last Tango in Paris Life Is Sweet Madonna and Child Masterpiece Theater Night of the Shooting Stars One Way or Another Other Francisco Rain Man Rybakov Sid and Nancy Star Trek Three Daughters Trip Triumph of the Will Vengeance Is Mine White Mischief Yojimbo paisan the Bodyguard PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures and history Geschichtsdarstellung (DE-588)4210408-7 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Animal Farm Another Country Barry Lyndon Casablanca Gilda Heart of Spain Holiday Camp Kind of Loving Last Tango in Paris Life Is Sweet Madonna and Child Masterpiece Theater Night of the Shooting Stars One Way or Another Other Francisco Rain Man Rybakov Sid and Nancy Star Trek Three Daughters Trip Triumph of the Will Vengeance Is Mine White Mischief Yojimbo paisan the Bodyguard PERFORMING ARTS / Film & Video / History & Criticism Motion pictures and history Geschichtsdarstellung Film Aufsatzsammlung |
| url | https://www.degruyter.com/isbn/9780691209708 |
| work_keys_str_mv | AT rosenstoneroberta revisioninghistoryfilmandtheconstructionofanewpast |