Duke Ellington studies:
Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2020
|
| Ausgabe: | First paperback edition |
| Schriftenreihe: | Cambridge composer studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies |
| Beschreibung: | xxiv, 308 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781108792530 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046712612 | ||
| 003 | DE-604 | ||
| 007 | t| | ||
| 008 | 200508s2020 xx agl| |||| 00||| eng d | ||
| 020 | |a 9781108792530 |c Paperback |9 978-1-108-79253-0 | ||
| 035 | |a (OCoLC)1153985211 | ||
| 035 | |a (DE-599)BVBBV046712612 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LP 91870 |0 (DE-625)108237: |2 rvk | ||
| 245 | 1 | 0 | |a Duke Ellington studies |c edited by John Howland (Norwegian University of Science and Technology) |
| 250 | |a First paperback edition | ||
| 264 | 1 | |a Cambridge, United Kingdom |b Cambridge University Press |c 2020 | |
| 300 | |a xxiv, 308 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Cambridge composer studies | |
| 505 | 8 | |a List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index | |
| 520 | |a Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies | ||
| 600 | 1 | 4 | |a Ellington, Duke / 1899-1974 / Criticism and interpretation |
| 600 | 1 | 7 | |a Ellington, Duke |d 1899-1974 |0 (DE-588)118529994 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Jazz / History and criticism | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Ellington, Duke |d 1899-1974 |0 (DE-588)118529994 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Howland, John Louis |d 1964- |0 (DE-588)139791329 |4 edt | |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Hardcover |z 978-0-521-76404-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-139-02822-6 |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 940 | 1 | |q BSB_NED_20200508 | |
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 0904 |g 73 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032122986 | |
Datensatz im Suchindex
| _version_ | 1818149165428899840 |
|---|---|
| adam_text |
Contents List ofIllustrations page [vii] Notes on Contributors [xi] Preface [xv] Acknowledgements [xxi] Note on Reference Abbreviations [xxiii] 1 Ellington the Entertainer: Pageantry and Prophecy in Duke Ellington’s Films [ 1 ] PHIL FORD 2 Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a “Serious” Jazz Composer [32] JOHN HOWLAND 3 “Art or Debauchery?”: The Reception of Ellington in the U.K. [76] CATHERINE TACKLEY 4 “Nobody Was Looking”: The Unparalleled Jazz Piano Legacy of Duke Ellington [108] BILL DOBBINS 5 “People Wrap Their Lunches in Them”: Duke Ellington and His Written Music Manuscripts [157] WALTER VAN DE LEUR 6 The Moor’s Revenge: The Politics of Such Sweet Thunder DAVID SCHIFF 7 Duke Ellington in the LP Era [197] GABRIEL SOLIS 8 Authentic Synthetic Hybrid: Ellington’s Concepts of Africa and Its Music [224] CARL WOIDECK [177]
VI Contents 9 “The Mother of All Albums”: Revisiting Ellington’s A Drum Is a 'Woman [265] JOHN WRIGGLE Index [299]
Duke Ellington (1899-1974) is widely considered the jazz tradition’s most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington’s influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in Jazz Studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies. JOHN HOWLAND is Professor of Music History at the Norwegian University of Science and Technology in Trondheim, Norway, and formerly an associate professor of Musicology, Jazz Studies, and American Studies at Rutgers University - Newark. He is the co-founder and former editor of the journal Jazz Perspectives, as well as the author of Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz (2009). |
| adam_txt |
Contents List ofIllustrations page [vii] Notes on Contributors [xi] Preface [xv] Acknowledgements [xxi] Note on Reference Abbreviations [xxiii] 1 Ellington the Entertainer: Pageantry and Prophecy in Duke Ellington’s Films [ 1 ] PHIL FORD 2 Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a “Serious” Jazz Composer [32] JOHN HOWLAND 3 “Art or Debauchery?”: The Reception of Ellington in the U.K. [76] CATHERINE TACKLEY 4 “Nobody Was Looking”: The Unparalleled Jazz Piano Legacy of Duke Ellington [108] BILL DOBBINS 5 “People Wrap Their Lunches in Them”: Duke Ellington and His Written Music Manuscripts [157] WALTER VAN DE LEUR 6 The Moor’s Revenge: The Politics of Such Sweet Thunder DAVID SCHIFF 7 Duke Ellington in the LP Era [197] GABRIEL SOLIS 8 Authentic Synthetic Hybrid: Ellington’s Concepts of Africa and Its Music [224] CARL WOIDECK [177]
VI Contents 9 “The Mother of All Albums”: Revisiting Ellington’s A Drum Is a 'Woman [265] JOHN WRIGGLE Index [299]
Duke Ellington (1899-1974) is widely considered the jazz tradition’s most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington’s influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in Jazz Studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies. JOHN HOWLAND is Professor of Music History at the Norwegian University of Science and Technology in Trondheim, Norway, and formerly an associate professor of Musicology, Jazz Studies, and American Studies at Rutgers University - Newark. He is the co-founder and former editor of the journal Jazz Perspectives, as well as the author of Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz (2009). |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Howland, John Louis 1964- |
| author2_role | edt |
| author2_variant | j l h jl jlh |
| author_GND | (DE-588)139791329 |
| author_facet | Howland, John Louis 1964- |
| building | Verbundindex |
| bvnumber | BV046712612 |
| classification_rvk | LP 91870 |
| contents | List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index |
| ctrlnum | (OCoLC)1153985211 (DE-599)BVBBV046712612 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | First paperback edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV046712612</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200508s2020 xx agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108792530</subfield><subfield code="c">Paperback</subfield><subfield code="9">978-1-108-79253-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1153985211</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046712612</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 91870</subfield><subfield code="0">(DE-625)108237:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Duke Ellington studies</subfield><subfield code="c">edited by John Howland (Norwegian University of Science and Technology)</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxiv, 308 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge composer studies</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Ellington, Duke / 1899-1974 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Ellington, Duke</subfield><subfield code="d">1899-1974</subfield><subfield code="0">(DE-588)118529994</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / History and criticism</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ellington, Duke</subfield><subfield code="d">1899-1974</subfield><subfield code="0">(DE-588)118529994</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Howland, John Louis</subfield><subfield code="d">1964-</subfield><subfield code="0">(DE-588)139791329</subfield><subfield code="4">edt</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-521-76404-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-139-02822-6</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200508</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032122986</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046712612 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:31:18Z |
| indexdate | 2024-12-11T13:02:42Z |
| institution | BVB |
| isbn | 9781108792530 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032122986 |
| oclc_num | 1153985211 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | xxiv, 308 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20200508 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge composer studies |
| spelling | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) First paperback edition Cambridge, United Kingdom Cambridge University Press 2020 xxiv, 308 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Cambridge composer studies List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies Ellington, Duke / 1899-1974 / Criticism and interpretation Ellington, Duke 1899-1974 (DE-588)118529994 gnd rswk-swf Jazz / History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Ellington, Duke 1899-1974 (DE-588)118529994 p DE-604 Howland, John Louis 1964- (DE-588)139791329 edt Äquivalent Druck-Ausgabe, Hardcover 978-0-521-76404-9 Erscheint auch als Online-Ausgabe 978-1-139-02822-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Duke Ellington studies List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index Ellington, Duke / 1899-1974 / Criticism and interpretation Ellington, Duke 1899-1974 (DE-588)118529994 gnd Jazz / History and criticism |
| subject_GND | (DE-588)118529994 (DE-588)4143413-4 |
| title | Duke Ellington studies |
| title_auth | Duke Ellington studies |
| title_exact_search | Duke Ellington studies |
| title_exact_search_txtP | Duke Ellington studies |
| title_full | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) |
| title_fullStr | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) |
| title_full_unstemmed | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) |
| title_short | Duke Ellington studies |
| title_sort | duke ellington studies |
| topic | Ellington, Duke / 1899-1974 / Criticism and interpretation Ellington, Duke 1899-1974 (DE-588)118529994 gnd Jazz / History and criticism |
| topic_facet | Ellington, Duke / 1899-1974 / Criticism and interpretation Ellington, Duke 1899-1974 Jazz / History and criticism Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032122986&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT howlandjohnlouis dukeellingtonstudies |