Afro-realisms and the romances of race: rethinking blackness in the African American novel
In Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel, Melissa Daniels-Rauterkus argues that, in the years after Reconstruction, black and white writers alike adopted literary strategies that blended realism and romance to address the horrors endured by Africa...
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Baton Rouge
Louisiana State University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | In Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel, Melissa Daniels-Rauterkus argues that, in the years after Reconstruction, black and white writers alike adopted literary strategies that blended realism and romance to address the horrors endured by African Americans. As they forged a more objective and detached form of realist writing, authors drew from earlier literary modes-such as gothic, historical, and sentimental romances-to render the drama of racism as emotional, personal, and subjective. By doing so, black and white authors produced a distinctive style of hybrid writing, what Daniels-Rauterkus terms "Afro-realism," or black literary realism, made up of both mimetic and melodramatic conventions. Focusing on key novels by Charles W. Chesnutt, Frances E. W.Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus discusses how the narrative conventions and strategies of the romance-astonishing events, fantastic settings, a tendency toward melodrama, and gothic plotlines-punctuate and structure realist writings about race. For Daniels-Rauterkus, this practice constitutes "realism's romance of race," a modality that organizes much of the literature by or about African Americans produced during the late nineteenth and early twentieth century. Daniels-Rauterkus uncovers the means by which authors advocated on behalf of African Americans, challenged popular theories of racial identity and interracial marriage, disrupted the expectations of the literary marketplace, and widened the possibilities for black representation in fiction.The book expands critical understandings of American literary realism by destabilizing the rigid binaries that often organize discussions of race, genre, and periodization. This compelling book models ways of reading hybrid genres and the racially mixed literary genealogies that come into view when race is brought to the forefront of critical analysis |
| Beschreibung: | Hinweis im Impressum: "Part of chapter 3 first appeared as 'Racial Fictions and the Cultural Work of Genre in Charles W. Chesnutt's The House behind the Cedars,' American Literary Realism 48.2 (2016): 128-46." Hinweis im Impressum: "An earlier version of chapter 4 first appeared as 'The Limits of Literary Realism: Of One Blood's Post-Racial Fantasy by Pauline Hopkins,' Callaloo 36.1 (2013): 158-77." |
| ISBN: | 9780807172629 |
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| 500 | |a Hinweis im Impressum: "An earlier version of chapter 4 first appeared as 'The Limits of Literary Realism: Of One Blood's Post-Racial Fantasy by Pauline Hopkins,' Callaloo 36.1 (2013): 158-77." | ||
| 520 | 3 | |a In Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel, Melissa Daniels-Rauterkus argues that, in the years after Reconstruction, black and white writers alike adopted literary strategies that blended realism and romance to address the horrors endured by African Americans. As they forged a more objective and detached form of realist writing, authors drew from earlier literary modes-such as gothic, historical, and sentimental romances-to render the drama of racism as emotional, personal, and subjective. By doing so, black and white authors produced a distinctive style of hybrid writing, what Daniels-Rauterkus terms "Afro-realism," or black literary realism, made up of both mimetic and melodramatic conventions. Focusing on key novels by Charles W. Chesnutt, Frances E. W.Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus discusses how the narrative conventions and strategies of the romance-astonishing events, fantastic settings, a tendency toward melodrama, and gothic plotlines-punctuate and structure realist writings about race. For Daniels-Rauterkus, this practice constitutes "realism's romance of race," a modality that organizes much of the literature by or about African Americans produced during the late nineteenth and early twentieth century. Daniels-Rauterkus uncovers the means by which authors advocated on behalf of African Americans, challenged popular theories of racial identity and interracial marriage, disrupted the expectations of the literary marketplace, and widened the possibilities for black representation in fiction.The book expands critical understandings of American literary realism by destabilizing the rigid binaries that often organize discussions of race, genre, and periodization. This compelling book models ways of reading hybrid genres and the racially mixed literary genealogies that come into view when race is brought to the forefront of critical analysis | |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments.... їх Introduction: Race, Realism, and the Problem of Literary Classification.... 1 1 The Long Hangover: Mark Twain’s Pudd’nhead Wilson and the Ghosts of Slavery.... 26 2 Reimagining the Tragic Mulatta in Frances E. W. Harper’s lola Leroy.... 59 3 Racial Fictions and the Cultural Work of Genre in Charles W. Chesnutt’s The House behind the Cedars .... 91 4 The Limits of Literary Realism: Pauline Hopkins’s Postracial Fantasy in Of One Blood.... 124 Epilogue: Rethinking Blackness .... 156 Notes.... 175 Works Cited.... 191 Index.... 209
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| adam_txt |
CONTENTS Acknowledgments. їх Introduction: Race, Realism, and the Problem of Literary Classification. 1 1 The Long Hangover: Mark Twain’s Pudd’nhead Wilson and the Ghosts of Slavery. 26 2 Reimagining the Tragic Mulatta in Frances E. W. Harper’s lola Leroy. 59 3 Racial Fictions and the Cultural Work of Genre in Charles W. Chesnutt’s The House behind the Cedars . 91 4 The Limits of Literary Realism: Pauline Hopkins’s Postracial Fantasy in Of One Blood. 124 Epilogue: Rethinking Blackness . 156 Notes. 175 Works Cited. 191 Index. 209 |
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| author | Daniels-Rauterkus, Melissa |
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| ctrlnum | (OCoLC)1164609633 (DE-599)BVBBV046708504 |
| dewey-full | 813.009352996073 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English |
| dewey-raw | 813.009352996073 |
| dewey-search | 813.009352996073 |
| dewey-sort | 3813.009352996073 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Book |
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| spelling | Daniels-Rauterkus, Melissa Verfasser (DE-588)1211653870 aut Afro-realisms and the romances of race rethinking blackness in the African American novel Melissa Daniels-Rauterkus Baton Rouge Louisiana State University Press [2020] ©2020 txt rdacontent n rdamedia nc rdacarrier Hinweis im Impressum: "Part of chapter 3 first appeared as 'Racial Fictions and the Cultural Work of Genre in Charles W. Chesnutt's The House behind the Cedars,' American Literary Realism 48.2 (2016): 128-46." Hinweis im Impressum: "An earlier version of chapter 4 first appeared as 'The Limits of Literary Realism: Of One Blood's Post-Racial Fantasy by Pauline Hopkins,' Callaloo 36.1 (2013): 158-77." In Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel, Melissa Daniels-Rauterkus argues that, in the years after Reconstruction, black and white writers alike adopted literary strategies that blended realism and romance to address the horrors endured by African Americans. As they forged a more objective and detached form of realist writing, authors drew from earlier literary modes-such as gothic, historical, and sentimental romances-to render the drama of racism as emotional, personal, and subjective. By doing so, black and white authors produced a distinctive style of hybrid writing, what Daniels-Rauterkus terms "Afro-realism," or black literary realism, made up of both mimetic and melodramatic conventions. Focusing on key novels by Charles W. Chesnutt, Frances E. W.Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus discusses how the narrative conventions and strategies of the romance-astonishing events, fantastic settings, a tendency toward melodrama, and gothic plotlines-punctuate and structure realist writings about race. For Daniels-Rauterkus, this practice constitutes "realism's romance of race," a modality that organizes much of the literature by or about African Americans produced during the late nineteenth and early twentieth century. Daniels-Rauterkus uncovers the means by which authors advocated on behalf of African Americans, challenged popular theories of racial identity and interracial marriage, disrupted the expectations of the literary marketplace, and widened the possibilities for black representation in fiction.The book expands critical understandings of American literary realism by destabilizing the rigid binaries that often organize discussions of race, genre, and periodization. This compelling book models ways of reading hybrid genres and the racially mixed literary genealogies that come into view when race is brought to the forefront of critical analysis Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Realismus (DE-588)4048680-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf American fiction / African American authors / History and criticism American fiction / White authors / History and criticism American fiction / 19th century / History and criticism American fiction / 20th century / History and criticism African Americans in literature Race relations in literature American fiction American fiction / White authors 1800-1999 Criticism, interpretation, etc USA (DE-588)4078704-7 g Roman (DE-588)4050479-7 s Schwarze Motiv (DE-588)4116434-9 s Realismus (DE-588)4048680-1 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-0-8071-7340-4 Erscheint auch als Online-Ausgabe, epub 978-0-8071-7341-1 V:DE-605;X:IDS application/pdf http://digitale-objekte.hbz-nrw.de/storage2/2020/08/12/file_14/8903595.pdf Inhaltsverzeichnis Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032118939&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Afro-realisms and the romances of race rethinking blackness in the African American novel |
| title_auth | Afro-realisms and the romances of race rethinking blackness in the African American novel |
| title_exact_search | Afro-realisms and the romances of race rethinking blackness in the African American novel |
| title_exact_search_txtP | Afro-realisms and the romances of race rethinking blackness in the African American novel |
| title_full | Afro-realisms and the romances of race rethinking blackness in the African American novel Melissa Daniels-Rauterkus |
| title_fullStr | Afro-realisms and the romances of race rethinking blackness in the African American novel Melissa Daniels-Rauterkus |
| title_full_unstemmed | Afro-realisms and the romances of race rethinking blackness in the African American novel Melissa Daniels-Rauterkus |
| title_short | Afro-realisms and the romances of race |
| title_sort | afro realisms and the romances of race rethinking blackness in the african american novel |
| title_sub | rethinking blackness in the African American novel |
| topic | Schwarze Motiv (DE-588)4116434-9 gnd Roman (DE-588)4050479-7 gnd Realismus (DE-588)4048680-1 gnd |
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