Gatecrashers: the rise of the self-taught artist in America
"After World War I, artists without formal training 'crashed the gates' of major museums in the United States, democratizing the art world across lines of race, ethnicity, class, ability and gender. At the heart of this fundamental re-evaluation of who could be an artist in America we...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2020]
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| Schlagworte: | |
| Zusammenfassung: | "After World War I, artists without formal training 'crashed the gates' of major museums in the United States, democratizing the art world across lines of race, ethnicity, class, ability and gender. At the heart of this fundamental re-evaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson 'Grandma' Moses. In Gatecrashers, the stories of these three artists not only intertwine with the major critical debates and paradigm shifts of their period but also presage the call for diversity in representations of American art that is among the most powerful forces shaping the field today"--Provided by publisher |
| Beschreibung: | xii, 248 Seiten Illustrationen 27 cm |
| ISBN: | 9780520303423 |
Internformat
MARC
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| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Modern primitives and national identity -- "The most truly American" : John Kane's naturalized appeal -- Both New Negro and American : Horace Pippin's crossover appeal -- Goodwill grandma : Anna Mary Robertson Moses and Cold War cultural politics -- Expanding the matrix of American art | |
| 520 | 3 | |a "After World War I, artists without formal training 'crashed the gates' of major museums in the United States, democratizing the art world across lines of race, ethnicity, class, ability and gender. At the heart of this fundamental re-evaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson 'Grandma' Moses. In Gatecrashers, the stories of these three artists not only intertwine with the major critical debates and paradigm shifts of their period but also presage the call for diversity in representations of American art that is among the most powerful forces shaping the field today"--Provided by publisher | |
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| 600 | 1 | 7 | |a Kane, John |d 1860-1934 |0 (DE-588)119218828 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Moses, Anna Mary Robertson |d 1860-1961 |0 (DE-588)118641212 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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| author | Jentleson, Katherine |
| author_GND | (DE-588)1209451158 |
| author_facet | Jentleson, Katherine |
| author_role | aut |
| author_sort | Jentleson, Katherine |
| author_variant | k j kj |
| building | Verbundindex |
| bvnumber | BV046701269 |
| contents | Modern primitives and national identity -- "The most truly American" : John Kane's naturalized appeal -- Both New Negro and American : Horace Pippin's crossover appeal -- Goodwill grandma : Anna Mary Robertson Moses and Cold War cultural politics -- Expanding the matrix of American art |
| ctrlnum | (OCoLC)1164618356 (DE-599)BVBBV046701269 |
| era | Geschichte 1960-2020 gnd Geschichte 1927-1960 gnd |
| era_facet | Geschichte 1960-2020 Geschichte 1927-1960 |
| format | Book |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV046701269 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:28:10Z |
| indexdate | 2024-07-10T08:51:30Z |
| institution | BVB |
| isbn | 9780520303423 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032111813 |
| oclc_num | 1164618356 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM DE-255 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-255 |
| physical | xii, 248 Seiten Illustrationen 27 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of California Press |
| record_format | marc |
| spelling | Jentleson, Katherine Verfasser (DE-588)1209451158 aut Gatecrashers the rise of the self-taught artist in America Katherine Jentleson Oakland, California University of California Press [2020] xii, 248 Seiten Illustrationen 27 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Modern primitives and national identity -- "The most truly American" : John Kane's naturalized appeal -- Both New Negro and American : Horace Pippin's crossover appeal -- Goodwill grandma : Anna Mary Robertson Moses and Cold War cultural politics -- Expanding the matrix of American art "After World War I, artists without formal training 'crashed the gates' of major museums in the United States, democratizing the art world across lines of race, ethnicity, class, ability and gender. At the heart of this fundamental re-evaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson 'Grandma' Moses. In Gatecrashers, the stories of these three artists not only intertwine with the major critical debates and paradigm shifts of their period but also presage the call for diversity in representations of American art that is among the most powerful forces shaping the field today"--Provided by publisher Pippin, Horace 1888-1946 (DE-588)119184117 gnd rswk-swf Kane, John 1860-1934 (DE-588)119218828 gnd rswk-swf Moses, Anna Mary Robertson 1860-1961 (DE-588)118641212 gnd rswk-swf Geschichte 1960-2020 gnd rswk-swf Geschichte 1927-1960 gnd rswk-swf Naive Malerei (DE-588)4041177-1 gnd rswk-swf Naive Kunst (DE-588)4041175-8 gnd rswk-swf Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Kane, John / 1860-1934 Pippin, Horace / 1888-1946 Moses / Grandma / 1860-1961 Outsider art / United States / 20th century Art, American / History / 20th century Art, American Outsider art United States 1900-1999 History Kane, John 1860-1934 (DE-588)119218828 p Pippin, Horace 1888-1946 (DE-588)119184117 p Moses, Anna Mary Robertson 1860-1961 (DE-588)118641212 p USA (DE-588)4078704-7 g Naive Kunst (DE-588)4041175-8 s Geschichte 1927-1960 z DE-604 Naive Malerei (DE-588)4041177-1 s Rezeption (DE-588)4049716-1 s Kunstbetrieb (DE-588)4208853-7 s Geschichte 1960-2020 z |
| spellingShingle | Jentleson, Katherine Gatecrashers the rise of the self-taught artist in America Modern primitives and national identity -- "The most truly American" : John Kane's naturalized appeal -- Both New Negro and American : Horace Pippin's crossover appeal -- Goodwill grandma : Anna Mary Robertson Moses and Cold War cultural politics -- Expanding the matrix of American art Pippin, Horace 1888-1946 (DE-588)119184117 gnd Kane, John 1860-1934 (DE-588)119218828 gnd Moses, Anna Mary Robertson 1860-1961 (DE-588)118641212 gnd Naive Malerei (DE-588)4041177-1 gnd Naive Kunst (DE-588)4041175-8 gnd Kunstbetrieb (DE-588)4208853-7 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)119184117 (DE-588)119218828 (DE-588)118641212 (DE-588)4041177-1 (DE-588)4041175-8 (DE-588)4208853-7 (DE-588)4049716-1 (DE-588)4078704-7 |
| title | Gatecrashers the rise of the self-taught artist in America |
| title_auth | Gatecrashers the rise of the self-taught artist in America |
| title_exact_search | Gatecrashers the rise of the self-taught artist in America |
| title_exact_search_txtP | Gatecrashers the rise of the self-taught artist in America |
| title_full | Gatecrashers the rise of the self-taught artist in America Katherine Jentleson |
| title_fullStr | Gatecrashers the rise of the self-taught artist in America Katherine Jentleson |
| title_full_unstemmed | Gatecrashers the rise of the self-taught artist in America Katherine Jentleson |
| title_short | Gatecrashers |
| title_sort | gatecrashers the rise of the self taught artist in america |
| title_sub | the rise of the self-taught artist in America |
| topic | Pippin, Horace 1888-1946 (DE-588)119184117 gnd Kane, John 1860-1934 (DE-588)119218828 gnd Moses, Anna Mary Robertson 1860-1961 (DE-588)118641212 gnd Naive Malerei (DE-588)4041177-1 gnd Naive Kunst (DE-588)4041175-8 gnd Kunstbetrieb (DE-588)4208853-7 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Pippin, Horace 1888-1946 Kane, John 1860-1934 Moses, Anna Mary Robertson 1860-1961 Naive Malerei Naive Kunst Kunstbetrieb Rezeption USA |
| work_keys_str_mv | AT jentlesonkatherine gatecrasherstheriseoftheselftaughtartistinamerica |