The subject of crusade: lyric, romance, and materials, 1150 to 1500
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 302 Seiten, 12 ungezählte Seiten Tafeln Illustrationen 22 cm |
| ISBN: | 9780226693354 9780226693217 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List ofIllustrations vii INTRODUCTION The Courtly Crusade Idiom i CHAPTER ONE The Unrepentant Crusader: The Figure of the Separated Heart 29 CHAPTER TWO Idiomatic Movement and Separation in Middle High German and Occitan Crusade Departure Lyric 61 CHAPTER THREE The Heart as Witness: Lyric and Romance 87 CHAPTER FOUR Lancelot as Unrepentant Crusader in the Perlesvaus 115 CHAPTER FIVE Three Ways of Describing a Crusader-Poet: Adjacency, Genre-Existence, and Performative Reconfigurations 153 six The Feast of the Pheasant as Courtly Crusade Idiom 207 chapter conclusion Toward a More Complex View of Crusade Acknowledgments Index 257 293 Notes 261 253
LITERARY CRITICISM In the Middle Ages, religious crusaders took up arms, prayed, bade farewell to their families, and marched off to fight in holy wars. These Christian soldiere also recorded their lives through lyric poetry, putting words to their personal sacrifice and pious struggle. The crusaders affirmed their commitment to fighting to claim a distant land while revealing their feelings as they left behind their loved ones and homes. Their poems and visual works offer us insight into the crusaders’ fives and values at the boundaries of earthly and spiritual duties, body and soul, holy devotion and courtly love. In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy w» and crusade poetry. By placing these lyric works into a wider conversation with religion and culture, including chronicles, knightly handbooks, artworks, and confessional and pastoral texts, Galvez identifies a particular “crusade idiom” that emerjged out of the conflict between pious and earthly duties. Arguing far an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phe-
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| adam_txt |
CONTENTS List ofIllustrations vii INTRODUCTION The Courtly Crusade Idiom i CHAPTER ONE The Unrepentant Crusader: The Figure of the Separated Heart 29 CHAPTER TWO Idiomatic Movement and Separation in Middle High German and Occitan Crusade Departure Lyric 61 CHAPTER THREE The Heart as Witness: Lyric and Romance 87 CHAPTER FOUR Lancelot as Unrepentant Crusader in the Perlesvaus 115 CHAPTER FIVE Three Ways of Describing a Crusader-Poet: Adjacency, Genre-Existence, and Performative Reconfigurations 153 six The Feast of the Pheasant as Courtly Crusade Idiom 207 chapter conclusion Toward a More Complex View of Crusade Acknowledgments Index 257 293 Notes 261 253
LITERARY CRITICISM In the Middle Ages, religious crusaders took up arms, prayed, bade farewell to their families, and marched off to fight in holy wars. These Christian soldiere also recorded their lives through lyric poetry, putting words to their personal sacrifice and pious struggle. The crusaders affirmed their commitment to fighting to claim a distant land while revealing their feelings as they left behind their loved ones and homes. Their poems and visual works offer us insight into the crusaders’ fives and values at the boundaries of earthly and spiritual duties, body and soul, holy devotion and courtly love. In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy w» and crusade poetry. By placing these lyric works into a wider conversation with religion and culture, including chronicles, knightly handbooks, artworks, and confessional and pastoral texts, Galvez identifies a particular “crusade idiom” that emerjged out of the conflict between pious and earthly duties. Arguing far an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phe- |
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| author | Galvez, Marisa |
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| ctrlnum | (OCoLC)1190914874 (DE-599)BVBBV046698726 |
| discipline | Geschichte Literaturwissenschaft |
| discipline_str_mv | Geschichte Literaturwissenschaft |
| era | Geschichte 1150-1500 gnd |
| era_facet | Geschichte 1150-1500 |
| format | Book |
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| spelling | Galvez, Marisa Verfasser (DE-588)1066398364 aut The subject of crusade lyric, romance, and materials, 1150 to 1500 Marisa Galvez Chicago ; London The University of Chicago Press 2020 viii, 302 Seiten, 12 ungezählte Seiten Tafeln Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier Geschichte 1150-1500 gnd rswk-swf Kreuzfahrer Motiv (DE-588)4572000-9 gnd rswk-swf Kreuzzüge Motiv (DE-588)4232585-7 gnd rswk-swf Epik (DE-588)4015025-2 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Crusades in literature Crusades in art Poetry, Medieval / History and criticism Poetry, Medieval Criticism, interpretation, etc Kreuzzüge Motiv (DE-588)4232585-7 s Kreuzfahrer Motiv (DE-588)4572000-9 s Lyrik (DE-588)4036774-5 s Epik (DE-588)4015025-2 s Geschichte 1150-1500 z DE-604 Erscheint auch als Online-Ausgabe 978-0-226-69349-1 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032109327&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032109327&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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